Magus : The Art of Magic from Faustus to Agrippa, Anthony Grafton
Автор: Grafton, Anthony Название: Magus ISBN: 0140276912 ISBN-13(EAN): 9780140276916 Издательство: Random House Рейтинг: Цена: 1451.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A revelatory new account of the magus and his place in the intellectual, social and cultural world of Renaissance Europe
Автор: Tanner Grafton Название: The Circle of the Snake: Nostalgia and Utopia in the Age of Big Tech ISBN: 1789040221 ISBN-13(EAN): 9781789040227 Издательство: Неизвестно Рейтинг: Цена: 1560.00 р. 2229.00-30% Наличие на складе: Есть (1 шт.) Описание: Why are we more nostalgic in the digital age than ever before?
Автор: Tanner Grafton Название: Babbling Corpse ISBN: 1782797599 ISBN-13(EAN): 9781782797593 Издательство: Неизвестно Рейтинг: Цена: 1714.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the age of global capitalism, vaporwave celebrates and undermines the electronic ghosts haunting the nostalgia industry.
Автор: Grafton Anthony Название: Inky Fingers: The Making of Books in Early Modern Europe ISBN: 067423717X ISBN-13(EAN): 9780674237179 Издательство: Harvard University Press Рейтинг: Цена: 5853.00 р. Наличие на складе: Поставка под заказ.
Описание: Renowned historian Anthony Grafton invites us to see the scholars of early modern Europe as laborers. Bookish but hardly divorced from physical tasks, they were artisans of script and print. Drawing new connections between text and craft, publishing and intellectual history, Grafton shows that the life of the mind depends on the work of the hands.
This volume is a comparative study of the practice of impagination across different ages and civilizations. By impagination we mean the act of placing and arranging spatially textual and other information onto a material bearer that could be made of a variety of materials (papyrus, bamboo slips, palm leaf, parchment, paper, and the computer screen). This volume investigates three levels of impagination: what is the page or other unit of the material bearer, what is written or printed on it, and how is writing or print placed on it. It also examines the interrelations of two or all three of these levels. Collectively it examines the material and materiality of the page, the variety of imprints, cultural and historical conventions for impagination, interlinguistic encounters, the control of editors, scribes, publishers and readers over the page, inheritance, borrowing and innovation, economics, aesthetics and socialities of imprints and impagination, and the relationship of impagination to philology. This volume supplements studies on mise en page and layout – an important subject of codicology – first by including non-codex writings, second by taking a closer look at the page or other unit than at the codex (or book), and third by its aspiration to adopt a globally comparative approach. This volume brings together for comparison vast geographical realms of learning, including Europe, China, Tibet, Korea, Japan and the Near Eastern and European communities in which the Hebrew Bible was transmitted. This comparison is significant, for Europe, China, and India all developed great traditions of learning which came into intensive contact. The contributions to this volume are firmly rooted in local cultures and together address global, comparative themes that are significant for multiple disciplines, such as intellectual and cultural history of knowledge (both humanistic and scientific), global history, literary and media studies, aesthetics, and studies of material culture, among other fields.
This volume is the first comparative history that studies the practice of impagination across different ages and civilizations. By impagination we mean the act of placing and arranging spatially textual and other information onto a material bearer that could be made of a variety of materials (papyrus, bamboo slips, palm leaf, parchment, paper, and the computer screen). This volume investigates three levels of impagination: what is the page or other unit of the material bearer, what is written or printed on it, and how is writing or print placed on it. It also examines the interrelations of two or all three of these levels. Collectively it examines the material and materiality of the page, the variety of imprints, cultural and historical conventions for impagination, interlinguistic encounters, the control of editors, scribes, publishers and readers over the page, inheritance, borrowing and innovation, economics, aesthetics and socialities of imprints and impagination, and the relationship of impagination to philology. This volume supplements studies on mise en page and layout – an important subject of codicology – first by including non-codex writings, second by taking a closer look at the page or other unit than at the codex (or book), and third by its aspiration to adopt a globally comparative approach. This volume brings together for comparison vast geographical realms of learning, including Europe, China, Tibet, Korea, Japan and the Near Eastern and European communities in which the Hebrew Bible was transmitted. This comparison is significant, for Europe, China, and India all developed great traditions of learning which came into intensive contact. The contributions to this volume are firmly rooted in local cultures and together address global, comparative themes that are significant for multiple disciplines, such as intellectual and cultural history of knowledge (both humanistic and scientific), global history, literary and media studies, aesthetics, and studies of material culture, among other fields.
Автор: Grafton Anthony Название: Inky Fingers: The Making of Books in Early Modern Europe ISBN: 0674271211 ISBN-13(EAN): 9780674271210 Издательство: Harvard University Press Рейтинг: Цена: 3706.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Renowned historian Anthony Grafton invites us to see the scholars of early modern Europe as laborers. Bookish but hardly divorced from physical tasks, they were artisans of script and print. Drawing new connections between text and craft, publishing and intellectual history, Grafton shows that the life of the mind depends on the work of the hands.
Автор: Anja-Silvia Goeing, Ann Blair, Anthony Grafton, Paul Duguid Название: Information: A Historical Companion ISBN: 069120974X ISBN-13(EAN): 9780691209746 Издательство: Walter de Gruyter Рейтинг: Цена: 19888.00 р. Наличие на складе: Нет в наличии.
Автор: Grafton, Anthony Название: Magus ISBN: 1846143632 ISBN-13(EAN): 9781846143632 Издательство: Random House Рейтинг: Цена: 3960.00 р. Наличие на складе: Поставка под заказ.
Автор: Anthony Grafton, Maren Elisabeth Schwab Название: Art of Discovery: Digging into the Past in Renaissance Europe ISBN: 0691237158 ISBN-13(EAN): 9780691237152 Издательство: Walter de Gruyter Рейтинг: Цена: 9846.00 р. Наличие на складе: Нет в наличии.
Автор: Grafton, Anthony Название: Cardano`s cosmos ISBN: 0674006704 ISBN-13(EAN): 9780674006706 Издательство: Harvard University Press Рейтинг: Цена: 4110.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Grafton Sue Название: I is for innocent ISBN: 1250029651 ISBN-13(EAN): 9781250029652 Издательство: Macmillan USA Цена: 1838.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Another IRRESISTIBLE (Baltimore Sun) novel from #1 New York Times bestselling author Sue Grafton
I IS FOR IF . . . Five years ago David Barney was acquitted of the murder of his rich wife, Isabelle. Now, Isabelle's ex-husband, Ken Voigt--who is suing Barney for her estate--is claiming the jury made a fatal mistake... I IS FOR INDICTMENT . . . Enter P.I. Kinsey Millhone, who takes the Barney case over from a former colleague...and comes up with more questions than answers. Why are Mr. Barney's witnesses denying ever having spoken to him? Why did Isabelle have so many enemies--including but not limited to her best friend, Voight's second wife, and her own twin sister? I IS FOR INNOCENT But the most troubling question of all is: Why is it that everything David Barney has to say about his beloved Isabelle still checks out? Now it's up to Kinsey to figure out who's getting away with murder . . . .before she courts her own. TheNew York Times #1 bestselling series reissued for a whole new generation of readers A Is for Alibi B Is for Burglar C Is for Corpse D Is for Deadbeat E Is for Evidence F Is for Fugitive G Is for Gumshoe H Is for Homicide I Is for Innocent J Is for Judgment K Is for Killer L is for Lawless M Is for Malice N Is for Noose O Is for Outlaw P Is for Peril Q Is for Quarry R Is for Ricochet S Is for Silence T Is for Trespass U Is for Undertow V Is for Vengeance W Is for Wasted X
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