Animal Fiction in Late Twentieth-Century Canada, Higgs
Автор: Garcia Christien Название: Donna Haraway`s A Cyborg Manifesto ISBN: 1912453118 ISBN-13(EAN): 9781912453115 Издательство: Taylor&Francis Рейтинг: Цена: 995.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Haraway`s `Cyborg Manifesto` is a key postmodern text and is widely taught in many disciplines as one of the first texts to embrace technology from a leftist and feminist perspective using the metaphor of the cyborg to champion a socialist, postmodern, and anti-identitarian politics.
Автор: Yuknavitch Название: Allegories of Violence ISBN: 0415866782 ISBN-13(EAN): 9780415866781 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Allegories of Violence demilitarizes the concept of war and asks what would happen if we understood war as discursive via late 20th Century novels of war.
Автор: Cran Название: Collage in Twentieth-Century Art, Literature, and Culture ISBN: 113874333X ISBN-13(EAN): 9781138743335 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Emphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan. For all four, collage was an important creative catalyst, employed cathartically, aggressively, and experimentally. Collage's catalytic effect, Cran argues, enabled each to overcome a potentially destabilizing crisis in representation. Cornell, convinced that he was an artist and yet hampered by his inability to draw or paint, used collage to gain access to the art world and to show what he was capable of given the right medium. Burroughs' formal problems with linear composition were turned to his advantage by collage, which enabled him to move beyond narrative and chronological requirement. O'Hara used collage to navigate an effective path between plastic art and literature, and to choose the facets of each which best suited his compositional style. Bob Dylan's self-conscious application of collage techniques elevated his brand of rock-and-roll to a level of heightened aestheticism. Throughout her book, Cran shows that to delineate collage stringently as one thing or another is to severely limit our understanding of the work of the artists and writers who came to use it in non-traditional ways.
Автор: Roy Название: Adorno and the Architects of Late Style in India ISBN: 147241876X ISBN-13(EAN): 9781472418760 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examining works by Rabindranath Tagore, Mulk Raj Anand, Vikram Seth and the photography of Dayanita Singh, Tania Roy examines the delayed claims of literary and artistic modernity in India through Adorno`s category of late-style.
Phenomenology and the Late Twentieth-Century American Long Poem reads major figures including Charles Olson, Lyn Hejinian, Nathaniel Mackey, Susan Howe and Rachel Blau DuPlessis within a new approach to the long poem tradition. Through a series of contextualised close readings, it explores the ways in which American poets developed their poetic forms by engaging with a variety of European phenomenologists, including Hannah Arendt, Maurice Merleau-Ponty, Martin Heidegger, Emmanuel Levinas and Jacques Derrida. Consolidating recent materials on the role of Continental Philosophy in American poetics, this book explores the theoretical and historical contexts in which avant-garde poets have developed radically new methods of making poems long. Matthew Carbery offers a timely commentary on a number of major works of American poetry whilst providing ground-breaking research into the wider philosophical context of late twentieth-century poetic experimentation.
Описание: From the early 1970s, working class writing and publishing in local communities rapidly proliferated into a national movement. This book is the first full evaluation of these developments and opens up new perspectives on literature, culture, class and identity over the past 50 years. -- .
Описание: This book proposes an alternative, Dominican Thomist vision of a procedurally secular society that comprises three realms, namely sacred, secular and profane. Derived from experience and classroom research into dialogic RE interventions; a socially productive pedagogy is advocated as a starting point for the development of a procedurally secular society.
Описание: Tracking ideas of the child in Chinese society across the twentieth century, Kate Foster places fictional children within the story of the nation in a study of tropes and themes which range from images of strength and purity to the murderous and amoral.
Описание: Humor in recent American poetry has been largely dismissed or ignored by scholars, due in part to a staid reverence for the lyric. Laugh Lines: Humor, Genre, and Political Critique in Late Twentieth-Century American Poetry argues that humor is not a superficial feature of a small subset, but instead an integral feature in a great deal of American poetry written since the 1950s. Rather than viewing poetry as a lofty, serious genre, Carrie Conners asks readers to consider poetry alongside another art form that has burgeoned in America since the 1950s: stand-up comedy. Both art forms use wit and laughter to rethink the world and the words used to describe it. Humor’s disruptive nature makes it especially whetted for critique. Many comedians and humorous poets prove to be astute cultural critics. To that end, Laugh Lines focuses on poetry that wields humor to espouse sociopolitical critique. To show the range of recent American poetry that uses humor to articulate sociopolitical critique, Conners highlights the work of poets working in four distinct poetic genres: traditional, received forms, such as the sonnet; the epic; procedural poetry; and prose poetry. Marilyn Hacker, Harryette Mullen, Ed Dorn, and Russell Edson provide the main focus of the chapters, but each chapter compares those poets to others writing humorous political verse in the same genre, including Terrance Hayes and Anne Carson. This comparison highlights the pervasiveness of this trend in recent American poetry and reveals the particular ways the poets use conventions of genre to generate and even amplify their humor. Conners argues that the interplay between humor and genre creates special opportunities for political critique, as poetic forms and styles can invoke the very social constructs that the poets deride.
Описание: Humor in recent American poetry has been largely dismissed or ignored by scholars, due in part to a staid reverence for the lyric. Laugh Lines: Humor, Genre, and Political Critique in Late Twentieth-Century American Poetry argues that humor is not a superficial feature of a small subset, but instead an integral feature in a great deal of American poetry written since the 1950s. Rather than viewing poetry as a lofty, serious genre, Carrie Conners asks readers to consider poetry alongside another art form that has burgeoned in America since the 1950s: stand-up comedy. Both art forms use wit and laughter to rethink the world and the words used to describe it. Humor’s disruptive nature makes it especially whetted for critique. Many comedians and humorous poets prove to be astute cultural critics. To that end, Laugh Lines focuses on poetry that wields humor to espouse sociopolitical critique. To show the range of recent American poetry that uses humor to articulate sociopolitical critique, Conners highlights the work of poets working in four distinct poetic genres: traditional, received forms, such as the sonnet; the epic; procedural poetry; and prose poetry. Marilyn Hacker, Harryette Mullen, Ed Dorn, and Russell Edson provide the main focus of the chapters, but each chapter compares those poets to others writing humorous political verse in the same genre, including Terrance Hayes and Anne Carson. This comparison highlights the pervasiveness of this trend in recent American poetry and reveals the particular ways the poets use conventions of genre to generate and even amplify their humor. Conners argues that the interplay between humor and genre creates special opportunities for political critique, as poetic forms and styles can invoke the very social constructs that the poets deride.
Автор: Hiddlestone, Jane Название: Reinventing Community ISBN: 1904713025 ISBN-13(EAN): 9781904713029 Издательство: Taylor&Francis Рейтинг: Цена: 11942.00 р. Наличие на складе: Нет в наличии.
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