Quentin Tarantino: A Graphic Biography, Botton, Michele ; Santiago Acosta, Bernardo
Автор: Tom Shone Название: Tarantino: a Retrospective ISBN: 0500023174 ISBN-13(EAN): 9780500023174 Издательство: Thames & Hudson Рейтинг: Цена: 4620.00 р. Наличие на складе: Есть (1 шт.) Описание: Quentin Tarantino is one of the most influential and distinctive filmmakers at work in the world today. His films are so admired that nearly every one he makes becomes an instant cult classic. Here, Tom Shone presents in-depth commentaries on each of the ten films Tarantino has directed, from Reservoir Dogs to Once Upon a Time in Hollywood, as well as looking at his early life, acting career, and his indisputable talent for scriptwriting. Illustrated with more than two hundred film stills and behind-the-scenes images, Tarantino: A Retrospective is a tribute to the great auteur’s unique talent.
Автор: Ameziane, Amazing Название: Quentin by Tarantino ISBN: 1787740641 ISBN-13(EAN): 9781787740648 Издательство: Titan books ltd. Рейтинг: Цена: 3411.00 р. Наличие на складе: Есть (3 шт.)
Автор: Tarantino, Quentin Название: Cinema speculation ISBN: 0063112582 ISBN-13(EAN): 9780063112582 Издательство: HarperCollins USA Рейтинг: Цена: 3932.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Instant New York Times bestseller
The long-awaited first work of nonfiction from the author of the #1New York TimesbestsellingOnce Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.
In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive.For years he has touted in interviews his eventual turn to writing books about films.Now, with Cinema Speculation, the time has come, and the results are everything his passionate fansand all movie loverscould have hoped for.Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time,this book is as intellectually rigorous and insightful as it is rollicking and entertaining.At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QTs and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.
Автор: Tarantino, Quentin Название: Once Upon a Time in Hollywood ISBN: 0063112523 ISBN-13(EAN): 9780063112520 Издательство: HarperCollins USA Рейтинг: Цена: 1122.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Instant #1 New York Times bestseller
Quentin Tarantino's long-awaited first work of fiction -- at once hilarious, delicious, and brutal -- is the always surprising, sometimes shocking new novel based on his Academy Award- winning film.
RICK DALTON - Once he had his own TV series, but now Rick's a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it?
CLIFF BOOTH - Rick's stunt double, and the most infamous man on any movie set because he's the only one there who might have gotten away with murder. . . .
SHARON TATE - She left Texas to chase a movie-star dream, and found it. Sharon's salad days are now spent on Cielo Drive, high in the Hollywood Hills.
CHARLES MANSON - The ex-con's got a bunch of zonked-out hippies thinking he's their spiritual leader, but he'd trade it all to be a rock 'n' roll star.
HOLLYWOOD 1969 - YOU SHOULDA BEEN THERE
Автор: Carradine, David Название: Kill bill diary ISBN: 0713687789 ISBN-13(EAN): 9780713687781 Издательство: A & C Black Рейтинг: Цена: 3711.00 р. Наличие на складе: Поставка под заказ.
Описание: The quirky, strange and utterly sagacious meditations of David Carradine written during the making of Quentin Tarantino`s contemporary classic in which Carradine played the lead role.
Описание: We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us. Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick’s, Adrian Lyne’s, Michael Bay’s and Quentin Tarantino’s oeuvres, this book discusses the overall ‘dominating’ time of their films and the moments during which this ‘ruling’ time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.
Winner, Ray & Pat Browne Award for Best Reference/Primary Source Work in Popular and American Culture, Popular Culture Association/American Culture Association, 2016
Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino’s films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino’s films but kept very much on the quiet—is the subject of Race on the QT.
Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama’s eclectic fusion of cultural criticism and film analysis looks beyond the director’s personal racial attitudes and focuses on what Tarantino’s filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.
Winner, Ray & Pat Browne Award for Best Reference/Primary Source Work in Popular and American Culture, Popular Culture Association/American Culture Association, 2016
Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino’s films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino’s films but kept very much on the quiet—is the subject of Race on the QT.
Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama’s eclectic fusion of cultural criticism and film analysis looks beyond the director’s personal racial attitudes and focuses on what Tarantino’s filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.
Описание: This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema.
Описание: We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us.
Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick’s, Adrian Lyne’s, Michael Bay’s and Quentin Tarantino’s oeuvres, this book discusses the overall ‘dominating’ time of their films and the moments during which this ‘ruling’ time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.
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