Film Festivals, Ideology and Italian Art Cinema: Politics, Histories and Cultural Value, Rachel Johnson
Автор: Bacher, Hans.P Название: Sketchbook: Composition Studies for Film ISBN: 1780675968 ISBN-13(EAN): 9781780675961 Издательство: Laurence King Рейтинг: Цена: 2427.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Featuring hundreds of carefully hand-crafted illustrations by the internationally renowned production designer Hans Bacher, Sketchbook - Composition Studies for Film is a unique journey through the mind and creative process of one of the artistic legends in animation film design. Having shaped such films as The Lion King, Mulan and Beauty and the Beast to name a few, Hans's work is a part of the very cultural fabric of our age. Here the artist puts on display the rarely discussed first part of image making for film, the conceptual thumbnail.
Exquisitely beautiful in themselves, these small illustrations represent the birth of what eventually becomes the iconic images we experience on the silver screen. Essential to anyone interested in understanding the skeletal structure that exists underneath stunning imagery in all forms of media, this book is especially relevant today with the dramatic increase of interest in film and game design. Although students today have ready access to and an understanding of technical aspects of the craft using associated software, the area most lacking in accessible information is this quintessential first part of thumb-nailing an image.
This unique book will provide the student and professional with the fundamentals of conceptualizing images, and how these can be used in composition in the related fields of illustration, graphic novels, 2D animation, 3D animation, photography and cinematography.
Название: Contemporary Cinema and Neoliberal Ideology ISBN: 1138235733 ISBN-13(EAN): 9781138235731 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this edited collection, an international ensemble of scholars examine what contemporary cinema tells us about neoliberal capitalism and cinema, exploring whether filmmakers are able to imagine progressive alternatives under capitalist conditions.
Автор: Marko Teodorski, Simon Bacon Название: The Deep: A Companion ISBN: 1800792573 ISBN-13(EAN): 9781800792579 Издательство: Peter Lang Рейтинг: Цена: 4950.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What’s in the Deep?
This companion explores the myths and legends of merfolk and sea monsters to navigate our transcultural pasts and environmental presents and explain our endless fascination with the sea. More than any other time in human history, our relationship to the oceans and the creatures of the Deep has come into focus, not just as an environment to be explored, exploited and, more recently, poisoned, but as a source of both our deepest anxieties and possible futures. In 31 original essays by experts in their respective fields, the Deep is brought to life, from representations of mythological sea creatures to present-day visions of the blue environment. As our place in the world and our effects upon it become increasingly contentious, The Deep offers ways in which we might re-experience and realign ourselves to the watery world that covers the majority of the earth’s surface and become part of a shared, more ecological, future.
Описание: To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system liberate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches—Marxism, psycholanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories—ideology and image-systems, and ideology and principles of textual criticism—Nichols shows how and why we make emotional investments in sign sytsems with an ideological context.
This feminist anthology from Italy offers an enriching perspective on cinema studies. Focusing on women s engagement with political theory and film-making, the book never loses sight of the female experience of cinema. It examines how women have chosen to represent themselves and how they have been represented, and how they deal with the cinematic apparatus, as subjects of production, objects of representation, and spectators. A variety of approaches are offered, ranging from psychoanalysis and semiology to history. With an exhaustive filmography, this anthology of chapters by eminent theorists demonstrates the central importance of recent developments in Italy for the whole spectrum of film and feminist studies."
Описание: In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.
Blood in the Streets investigates the various ways in which 1970s Italian crime films were embedded in their immediate cultural and political contexts. The book analyses the emergence, proliferation and distribution of a range of popular film cycles (or filoni) " from conspiracy thrillers and vigilante films, to mafia and serial killer narratives " and examines what these reveal about their time and place.
With industrial conditions geared around rapid production schedules and concentrated release patterns, the engagement in these films with both the contemporary political turmoil of 1970s Italy and the traumas of the nation (TM)s recent past offers a range of fascinating insights into the wider anxieties of this decade concerning the Second World War and its ongoing political aftermath.
Автор: Catherine O`Rawe, Daniela Treveri Gennari, Danielle Hipkins, Sarah Culhane, Silvia Dibeltulo Название: Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy ISBN: 1501347683 ISBN-13(EAN): 9781501347689 Издательство: Bloomsbury Academic Рейтинг: Цена: 19272.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: We know a lot about the directors and stars of Italian cinema’s heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project ‘Italian Cinema Audiences 1945-60’, Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema’s role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.
Автор: Missero, Dalila Название: Women, feminism and italian cinema ISBN: 1474463258 ISBN-13(EAN): 9781474463256 Издательство: Bloomsbury Academic Рейтинг: Цена: 4045.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Italian cinema experienced its peak of domestic and international popularity in the years between the ‘economic miracle’ of the late 1950s and the social and political turmoil of the 1970s. But how did the growing development of the feminist movement in this period impact on Italian film culture? And what role did that film culture play in women’s lives?
This book explores the multiple intersections between feminism and Italian cinema from the perspective of women’s everyday relationship with the medium. Drawing from a feminist approach to Gramscian cultural theory, the book builds an archival counter-history of Italian cinema in which women took part as movie-goers, activists and practitioners, by means of a collective-historical agency that challenged cinema’s patriarchal structures and strategies of invisibilisation.
Описание: How, as historians, should we ‘read’ a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical ‘Thinking about Film’ section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger ‘Using Film’ segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work.
Автор: Salazkina Masha, Fibla Enrique Название: Global Perspectives on Amateur Film Histories and Cultures ISBN: 0253052025 ISBN-13(EAN): 9780253052025 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 14421.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
For too long, the field of amateur cinema has focused on North America and Europe. In Global Perspectives on Amateur Film Histories and Cultures, however, editors Masha Salazkina and Enrique Fibla-Guti rrez fill the literature gap by extending that focus and increasing inclusivity.
Through carefully curated essays, Salazkina and Fibla-Guti rrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateur films, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film.
Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries.
Автор: Salazkina Masha, Fibla Enrique Название: Global Perspectives on Amateur Film Histories and Cultures ISBN: 0253052033 ISBN-13(EAN): 9780253052032 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5016.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
For too long, the field of amateur cinema has focused on North America and Europe. In Global Perspectives on Amateur Film Histories and Cultures, however, editors Masha Salazkina and Enrique Fibla-Guti rrez fill the literature gap by extending that focus and increasing inclusivity.
Through carefully curated essays, Salazkina and Fibla-Guti rrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateur films, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film.
Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries.
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