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Anteaesthetics: Black Aesthesis and the Critique of Form, Rizvana Bradley


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Автор: Rizvana Bradley
Название:  Anteaesthetics: Black Aesthesis and the Critique of Form
ISBN: 9781503637139
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 1503637131
Обложка/Формат: Paperback
Страницы: 406
Вес: 0.56 кг.
Дата издания: 24.10.2023
Серия: Inventions: black philosophy, politics, aesthetics
Язык: English
Издание: New ed
Иллюстрации: 36 halftones
Размер: 152 x 230 x 26
Ключевые слова: Ethnic minorities & multicultural studies,Ethnic studies,Philosophy: aesthetics,The arts: general issues, ART / Criticism & Theory,PHILOSOPHY / Aesthetics,SOCIAL SCIENCE / Black Studies (Global)
Основная тема: Ethnic studies,Philosophy: aesthetics,The arts: general issues, ART / Criticism & Theory,PHILOSOPHY / Aesthetics,SOCIAL SCIENCE / Black Studies (Global)
Подзаголовок: Black aesthesis and the critique of form
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание:

In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernitys aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.

Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation—an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.




Anteaesthetics: Black Aesthesis and the Critique of Form

Автор: Rizvana Bradley
Название: Anteaesthetics: Black Aesthesis and the Critique of Form
ISBN: 1503633020 ISBN-13(EAN): 9781503633025
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 16302.00 р.
Наличие на складе: Поставка под заказ.

Описание:

In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.

Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation—an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.


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