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Hypersexuality of Race: Performing Asian/American Women on Screen and Scene, Celine Parre?as Shimizu


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Автор: Celine Parre?as Shimizu
Название:  Hypersexuality of Race: Performing Asian/American Women on Screen and Scene
ISBN: 9780822340126
Издательство: Wiley EDC
Классификация:


ISBN-10: 0822340127
Обложка/Формат: Hardback
Страницы: 352
Вес: 0.51 кг.
Дата издания: 2007-07-30
Язык: English
Иллюстрации: 64 b&w photos
Размер: 225 x 168 x 25
Читательская аудитория: Professional & vocational
Основная тема: Hispanic & Latino studies,Social & cultural history, SOCIAL SCIENCE / Ethnic Studies / American / Asian American & Pacific Islander Studies
Подзаголовок: Performing asian/american women on screen and scene
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:
In The Hypersexuality of Race, Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film, video, and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. Arguing for a more nuanced approach to the mysterious mix of pleasure, pain, and power in performances of sexuality, she advances a theory of “productive perversity,” a theory which allows Asian/American women—and by extension other women of color—to lay claim to their own sexuality and desires as actors, producers, critics, and spectators.

Shimizu combines theoretical and textual analysis and interviews with artists involved in various productions. She complicates understandings of the controversial portrayals of Asian female sexuality in the popular Broadway musical Miss Saigon by drawing on ethnographic research and interviews with some of the actresses in it. She looks at how three Hollywood Asian/American femme fatales—Anna May Wong, Nancy Kwan, and Lucy Liu—negotiate representations of their sexuality; analyzes 1920s and 1930s stag films in which white women perform as sexualized Asian characters; and considers Asian/American women’s performances in films ranging from the stag pornography of the 1940s to the Internet and video porn of the 1990s. She also reflects on two documentaries depicting Southeast Asian prostitutes and sex tourism, The Good Woman of Bangkok and 101 Asian Debutantes. In her examination of films and videos made by Asian/American feminists, Shimizu describes how female characters in their works reject normative definitions of race, gender, and sexuality, thereby expanding our definitions of racialized sexualities in representation.


Дополнительное описание: Acknowledgments ix
1. The Hypersexuality of Asian/American Women: Toward a Politically Productive Perversity on Screen and Scene 1
2. The Bind of Representation: Performing and Consuming Hypersexuality in Miss Saigon 30
3. The Sexual




Hypersexuality of race

Автор: Shimizu, Celine Parrenas
Название: Hypersexuality of race
ISBN: 082234033X ISBN-13(EAN): 9780822340331
Издательство: Wiley EDC
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Цена: 4117.00 р.
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Описание:

In The Hypersexuality of Race, Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film, video, and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. Arguing for a more nuanced approach to the mysterious mix of pleasure, pain, and power in performances of sexuality, she advances a theory of “productive perversity,” a theory which allows Asian/American women—and by extension other women of color—to lay claim to their own sexuality and desires as actors, producers, critics, and spectators.

Shimizu combines theoretical and textual analysis and interviews with artists involved in various productions. She complicates understandings of the controversial portrayals of Asian female sexuality in the popular Broadway musical Miss Saigon by drawing on ethnographic research and interviews with some of the actresses in it. She looks at how three Hollywood Asian/American femme fatales—Anna May Wong, Nancy Kwan, and Lucy Liu—negotiate representations of their sexuality; analyzes 1920s and 1930s stag films in which white women perform as sexualized Asian characters; and considers Asian/American women’s performances in films ranging from the stag pornography of the 1940s to the Internet and video porn of the 1990s. She also reflects on two documentaries depicting Southeast Asian prostitutes and sex tourism, The Good Woman of Bangkok and 101 Asian Debutantes. In her examination of films and videos made by Asian/American feminists, Shimizu describes how female characters in their works reject normative definitions of race, gender, and sexuality, thereby expanding our definitions of racialized sexualities in representation.

Hypersexuality and Headscarves: Race, Sex, and Citizenship in the New Germany

Автор: Damani J. Partridge
Название: Hypersexuality and Headscarves: Race, Sex, and Citizenship in the New Germany
ISBN: 0253223695 ISBN-13(EAN): 9780253223692
Издательство: Wiley EDC
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Цена: 3602.00 р.
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Описание: In this compelling study, Damani J. Partridge explores citizenship and exclusion in Germany since the fall of the Berlin Wall. That event seemed to usher in a new era of universal freedom, but post-reunification transformations of German society have in fact produced noncitizens: non-white and "foreign" Germans who are simultaneously portrayed as part of the nation and excluded from full citizenship. Partridge considers the situation of Vietnamese guest workers "left behind" in the former East Germany; images of hypersexualized black bodies reproduced in popular culture and intimate relationships; and debates about the use of the headscarf by Muslim students and teachers. In these and other cases, which regularly provoke violence against those perceived to be different, he shows that German national and European projects are complicit in the production of distinctly European noncitizens.


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