Описание: In 1825 the Empire of Brazil went to war with the Republic of Argentina; the pretext was control of the north bank of the Plate, and consequently of the river itself. The conflict lasted for three years, the Argentinians dominating on land, the Brazilians at sea. As a compromise, the state of Uruguay was created as a buffer between the two.
Providing a study of the naval war and its international repercussions, this book describes the struggle between Brazil, a maritime power with a huge navy and an extensive sea-borne commerce, and Argentina, which had tiny naval forces but a huge international trade carried mostly in British and American ships. It is the story of cat and mouse amid the shallows and fogs of the River Plate, as the Brazilian navy slowly strangled Argentinian trade in the face of audacious attacks by a small squadron led by the legendary William Brown; and of daring single-ship actions in the blue rollers of the Atlantic as swarms of Argentinian privateers took on both neutral vessels and Brazilian men-of-war.
British and American trade were the major casualties of these tactics, and the book provides an account of the international diplomatic and naval actions which followed.
Автор: Ament Suzanne Название: Sing to Victory!: Song in Soviet Society During World War II ISBN: 1618118390 ISBN-13(EAN): 9781618118394 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 14414.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Depicts the relationship between song and society during WWII in the USSR. Chapter topics range from the creation and distribution of the songs to how the public received and shaped them. The body of song that came out of that era created a true cultural legacy.
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres likesamba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions.
McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’sEstado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
Автор: Esposito Gabriele Название: Armies of the War of the Triple Alliance 1864–70 ISBN: 1472807251 ISBN-13(EAN): 9781472807250 Издательство: Osprey Рейтинг: Цена: 2058.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The War of the Triple Alliance is the largest single conflict in the history of South America. This book analyzes the combatants of the four nations caught up in the war, telling the story of the men who fought on each side, illustrated with contemporary paintings, prints, and early photographs.
In 1988, Brazil’s Constitution marked the formal establishment of a new democratic regime. In the ensuing two and a half decades, Brazilian citizens, civil society organizations, and public officials have undertaken the slow, arduous task of building new institutions to ensure that Brazilian citizens have access to rights that improve their quality of life, expand their voice and vote, change the distribution of public goods, and deepen the quality of democracy. Civil society activists and ordinary citizens now participate in a multitude of state-sanctioned institutions, including public policy management councils, public policy conferences, participatory budgeting programs, and legislative hearings. Activating Democracy in Brazil examines how the proliferation of democratic institutions in Belo Horizonte, Brazil, has transformed the way in which citizens, CSOs, and political parties work together to change the existing state.
According to Wampler, the 1988 Constitution marks the formal start of the participatory citizenship regime, but there has been tremendous variation in how citizens and public officials have carried it out. This book demonstrates that the variation results from the interplay of five factors: state formation, the development of civil society, government support for citizens’ use of their voice and vote, the degree of public resources available for spending on services and public goods, and the rules that regulate forms of participation, representation, and deliberation within participatory venues. By focusing on multiple democratic institutions over a twenty-year period, this book illustrates how the participatory citizenship regime generates political and social change.
Описание: In Africanness in Action, author Juan Diego Diaz examines musicians` agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales.
Автор: Grasse Jonathon Название: Hearing Brazil: Music and Histories in Minas Gerais ISBN: 1496838270 ISBN-13(EAN): 9781496838278 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Minas Gerais is a state in southeastern Brazil deeply connected to the nation’s slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture.Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory’s development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. This research was augmented by fieldwork, observations, and interviews completed over a twenty-five-year period and includes original photographs, many taken by the author.Hearing Brazil: Music and Histories in Minas Gerais surveys the colonial past, the vast hinterland countryside, and the modern, twenty-first-century state capital of Belo Horizonte, the metropolitan region of which is today home to over six million. Diverse legacies are examined, including an Afro-Brazilian heritage, eighteenth- and nineteenth-century liturgical music of the region’s "Minas Baroque," the instrument known as the viola, a musical profile of Belo Horizonte, and a study of the regionalist themes developed by the popular music collective the Clube da Esquina (Corner Club) led by Milton Nascimento with roots in the 1960s. Hearing Brazil champions the notion that Brazil’s unique role in the world is further illustrated by regionalist studies presenting details of musical culture.
Автор: Grasse Jonathon Название: Hearing Brazil: Music and Histories in Minas Gerais ISBN: 1496838289 ISBN-13(EAN): 9781496838285 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Minas Gerais is a state in southeastern Brazil deeply connected to the nation’s slave past and home to many traditions related to the African diaspora. Addressing a wide range of traditions helping to define the region, ethnomusicologist Jonathon Grasse examines the complexity of Minas Gerais by exploring the intersections of its history, music, and culture.Instruments, genres, social functions, and historical accounts are woven together to form a tapestry revealing a cultural territory’s development. The deep pool of Brazilian scholarship referenced in the book, with original translations by the author, cites over two hundred Portuguese-language publications focusing on Minas Gerais. This research was augmented by fieldwork, observations, and interviews completed over a twenty-five-year period and includes original photographs, many taken by the author.Hearing Brazil: Music and Histories in Minas Gerais surveys the colonial past, the vast hinterland countryside, and the modern, twenty-first-century state capital of Belo Horizonte, the metropolitan region of which is today home to over six million. Diverse legacies are examined, including an Afro-Brazilian heritage, eighteenth- and nineteenth-century liturgical music of the region’s "Minas Baroque," the instrument known as the viola, a musical profile of Belo Horizonte, and a study of the regionalist themes developed by the popular music collective the Clube da Esquina (Corner Club) led by Milton Nascimento with roots in the 1960s. Hearing Brazil champions the notion that Brazil’s unique role in the world is further illustrated by regionalist studies presenting details of musical culture.
Автор: Galinsky, Philip Название: Maracatu Atomico ISBN: 0415940222 ISBN-13(EAN): 9780415940221 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Diaz, Juan Diego Название: Africanness in Action ISBN: 0197549551 ISBN-13(EAN): 9780197549551 Издательство: Oxford Academ Рейтинг: Цена: 16627.00 р. Наличие на складе: Поставка под заказ.
Описание: In Africanness in Action, author Juan Diego Diaz examines musicians` agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales.
Автор: Mila Burns Название: Dona Ivone Lara`s Sorriso Negro ISBN: 1501324489 ISBN-13(EAN): 9781501324482 Издательство: Bloomsbury Academic Рейтинг: Цена: 12334.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
More than simply a paragon of Brazilian samba, Dona (Lady) Ivone Lara's 1981 Sorriso Negro (translated to Black Smile) is an album deeply embedded in the political and social tensions of its time. Released less than two years after the Brazilian military dictatorship approved the Lei de Anistia (the "Opening" that put Brazil on a path toward democratic governance), Sorriso Negro reflects the seminal shifts occurring within Brazilian society as former exiles introduced notions of civil rights and feminist thought to a nation under the iron hand of a military dictatorship that had been in place since 1964. By looking at one of the most important samba albums ever recorded (and one that also happened to be composed by a black woman), Mila Burns explores the pathbreaking career of Dona Ivone, tracing the ways in which she navigated the tense gender and race relations of the samba universe to ultimately conquer the masculine world of samba composers.
33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.
Автор: Alge, Barbara Название: Gold, festivals, and music in southeast brazil ISBN: 0367229854 ISBN-13(EAN): 9780367229856 Издательство: Taylor&Francis Рейтинг: Цена: 20671.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the eighteenth century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil – from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias’s idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town of Morro Vermelho. The book’s innovative feature is its focus on a little-known area to non-Brazilian scholars, and its focus on the colonial and European heritage in Brazil. Morro Vermelho’s cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the center of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias’s concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic, and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contextualize the analyses and serve as useful advice for future rese
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