Описание: Coraline (Henry Selick, 2009) is stop-motion studio LAIKA's feature-length debut based on the popular children's novel by British author Neil Gaiman. Heralding a revival in global interest in stop-motion animation, the film is both an international cultural phenomenon and a breakthrough moment in the technological evolution of the craft. This open access collection brings together an international group of practitioners and scholars to examine Coraline's place in animation history and culture, dissect its politics, and unpack its role in the technological and aesthetic development of its medium.
More broadly, it celebrates stop motion as a unique and enduring artform while embracing its capacity to evolve in response to cultural, political, and technological changes, as well as shifting critical and audience demands. Divided into three sections, this volume's chapters situate Coraline within an interconnected network of historical, industrial, discursive, theoretical, and cultural contexts. They place the film in conversation with the medium's aesthetic and technological history, broader global intellectual and political traditions, and questions of animation reception and spectatorship.
In doing so, they invite recognition - and appreciation - of the fact that Coraline occupies many liminal spaces at once. It straddles the boundary between children's entertainment and traditional 'adult' genres, such as horror and thriller. It complicates a seemingly straight(forward) depiction of normative family life with gestures of queer resistance.
Finally, it marks a pivotal point in stop-motion animation's digital turn. Following the film's recent tenth anniversary, the time is right to revisit its production history, evaluate its cultural and industry impact, and celebrate its legacy as contemporary stop-motion cinema's gifted child. As the first book-length academic study of this contemporary animation classic, this volume serves as an authoritative introduction and a primary reference on the film for scholars, students, practitioners, and animation fans.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.
Автор: Mihaela Mihailova Название: Coraline: A Closer Look at Studio LAIKA`s Stop-Motion Witchcraft ISBN: 1501347861 ISBN-13(EAN): 9781501347863 Издательство: Bloomsbury Academic Рейтинг: Цена: 21199.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Coraline (Henry Selick, 2009) is stop-motion studio LAIKA's feature-length debut based on the popular children's novel by British author Neil Gaiman. Heralding a revival in global interest in stop-motion animation, the film is both an international cultural phenomenon and a breakthrough moment in the technological evolution of the craft. This open access collection brings together an international group of practitioners and scholars to examine Coraline’s place in animation history and culture, dissect its politics, and unpack its role in the technological and aesthetic development of its medium. More broadly, it celebrates stop motion as a unique and enduring artform while embracing its capacity to evolve in response to cultural, political, and technological changes, as well as shifting critical and audience demands.
Divided into three sections, this volume’s chapters situate Coraline within an interconnected network of historical, industrial, discursive, theoretical, and cultural contexts. They place the film in conversation with the medium’s aesthetic and technological history, broader global intellectual and political traditions, and questions of animation reception and spectatorship. In doing so, they invite recognition – and appreciation – of the fact that Coraline occupies many liminal spaces at once. It straddles the boundary between children’s entertainment and traditional ‘adult’ genres, such as horror and thriller. It complicates a seemingly straight(forward) depiction of normative family life with gestures of queer resistance. Finally, it marks a pivotal point in stop-motion animation’s digital turn. Following the film’s recent tenth anniversary, the time is right to revisit its production history, evaluate its cultural and industry impact, and celebrate its legacy as contemporary stop-motion cinema’s gifted child.
As the first book-length academic study of this contemporary animation classic, this volume serves as an authoritative introduction and a primary reference on the film for scholars, students, practitioners, and animation fans.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.
Описание: Plays from Romania: Dramaturgies of Subversion reflects the diversity of dramatic writing exploring the past and present of Romania, and takes stock thirty years after the collapse of communism. In addition to plays originally written in Romanian, the collection includes work by German, Hungarian and Roma authors born and/or working in Romania, and brings together plays written during the communist period and its aftermath.
The plays included in the collection, edited and translated by Jozefina Komporaly and fully published for the first time in English, demonstrate broad variety in terms of form and content – ranging from family dramas to allegories, and absurdist experiments to modular texts rooted in open dramaturgy – and are the work of both individual playwrights and the results of collective creation. These works share a preoccupation with critically reflecting urgent concerns rooted in Romanian realities, and are notable dramaturgical experiments that push the boundaries of the genre. In addition, these plays also seek novel ways to examine universal experiences of the human condition, such as love, loss, abuse, betrayal, grief, violence, manipulation and despair.
This unique anthology celebrates the renewed vitality and variety of writing for the stage after 1990, and endeavours to place Romanian theatre in a forward-looking transnational context.
Lowlands ('Niederungen') by Herta Muller, adapted for the stage by Mihaela Panainte (German)
This stage adaptation is based on a volume of short stories by Herta Muller written in German in 1982 and focuses on the perspective of a child narrator, by way of a series of episodes that centre on mundane aspects of daily life in a remote village against the backdrop of the oppressive atmosphere of mid-twentieth century Romania.
The Spectator Sentenced to Death ('Spectatorul condamnat la moarte') by Matei Visniec (Romanian)
This play is a bitter parody of the Stalinist justice system, which totally disregards the fundamental question whether the accused is actually guilty or not.
The Passport ('Kalucsni') by Gyorgy Dragoman (Hungarian)
This play is set pre-1989 in a typical small town in the Transylvanian province of Romania, in which the lives of the various social classes, and the fate of the persecuted and that of those who persecute are closely intertwined.
The Man Who Had His Inner Evil Removed ('Omul din care a fost extras raul') by Matei Visniec (Romanian)
This topical play is a sharp reflection on the voluntary servitude in which we place ourselves, often unawares, in conditions of our contemporary consumer culture, and a fierce critique of increasingly dominant tendencies to abandon moral criteria in political life.
Stories of the Body (Artemisia, Eva, Lina, Teresa) ('A test tortenetei') by Andras Visky (Hungarian)
The cycle Stories of the Body comprises four plays based on real life stories as experienced by remarkable women (including Mother Teresa and Italian Renaissance painter Artemisia Gentileschi), and are connected to various cities including Budapest, Cluj/Kolozsvar, Kolkata and Rome, from the 17th to the 21st century.
Sexodrom by Giuvlipen Theatre Company (Mihaela Dragan, Antonella Lerca Duda, Nicoleta Ghita, Zita Moldovan, Bety Pisica, Oana Rusu, Raj Alexandru Udrea), based on a concept by Bogdan Georgescu.(Roma)
This is a work of collective creation by members of the Roma Theatre company Giuvlipen, aiming to bring to public attention taboo subjects, to enhance the visibility of Roma performers and to experiment with new forms of theatre-making in a Romanian context.
Автор: Mihaela Mudure Название: Encompassing Passing: Identities in the Making ISBN: 3631812647 ISBN-13(EAN): 9783631812648 Издательство: Peter Lang Рейтинг: Цена: 9070.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book is a collection of articles written by international scholars and dealing with passing from a textual and cultural perspective. All these explorations of a complex identity phenomenon that defies reductive dualities result in scholarly interrogations of societal arrangements. The texts under perusal belong to different historical periods and various communities. The novelty of this collection is that passing is viewed not only as a racial or gendered transformation, but also as a religious one. The book deals with passing either as a strategy that results in assimilation, melting, and merging, or as resistance and challenge against the whiteness-only-based identity politics.
Автор: Gligor, Mihaela Название: Tagore beyond Borders ISBN: 1032112085 ISBN-13(EAN): 9781032112084 Издательство: Taylor&Francis Рейтинг: Цена: 21437.00 р. Наличие на складе: Нет в наличии.
Автор: Bucur Maria, Miroiu Mihaela Название: Birth of Democratic Citizenship: Women in Modern Romania ISBN: 0253038464 ISBN-13(EAN): 9780253038463 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What is it like to be a woman living through the transition from communism to democracy? What effect does this have on a woman's daily life, on her concept of herself, her family, and her community? Birth of Democratic Citizenship presents the stories of women in Romania as they describe their experiences on the journey to democratic citizenship. In candid and revealing conversations women between the ages of 24 and 83 explain how they negotiated their way through radical political transitions that had a direct impact on their everyday lives. Women who grew up under communism explore how these ideologies influenced their ideas of marriage, career, and a woman's role in society. Younger generations explore how they interpret civic rights and whether they incorporate these rights into their relationships with their family and community.
Beginning with an overview of the role women have played in Romania from the late 18th century to today, Birth of Democratic Citizenship explores how the contemporary experience of women in postsocialist countries developed. The women speak about their reliance on, and negotiations with, communities, ranging from family and neighbors to local and national political parties. Birth of Democratic Citizenship argues that that the success of democracy will largely rely on the equal incorporation of women in the political and civic development of Romania. In doing so, it encourages frank consideration of what modern democracy is and what it will need to be to succeed in the future.
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This book examines the Romanian mihi est construction (Mi-e foame/frica, me.dat = is hunger/fear ‘I am hungry/ afraid’). While it disappeared from all other Romance languages to be replaced with a habeo structure, the mihi est pattern is in Romanian the most common way of expressing psychological or physiological states. By means of synchronic and diachronic corpus studies, the book investigates the status of the core arguments of the mihi est structure, i.e. the dative experiencer and the nominative state noun, as well as its evolution throughout the centuries.
The data analysis reveals that the dative experiencer syntactically behaves like nominative subjects, whereas the state noun shows predicate behavior. As for the evolution of the mihi est structure, the analysis shows a certain tendency toward innovation, since in present-day Romanian it can coerce nouns coming from other semantic fields into the construction’s psychological or physiological interpretation. Could this be another unique trait of Romanian, which causes it to seemingly go against the tendency of most Romance languages toward canonical marking of core arguments?
Автор: Gligor Mihaela Название: Memories of Terror: Essays on Recent Histories ISBN: 3946993885 ISBN-13(EAN): 9783946993889 Издательство: Неизвестно Рейтинг: Цена: 5518.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This volume, focusing on the recovery of some forgotten facts about a very painful period of our history, addresses major concerns and problems. Stories dealing with life of surviving Jews after Holocaust are as important as the stories of the Holocaust itself. These are stories of surviving Jews after the Holocaust, living memories of fear and strength, personal and interior battles, (in)tolerance and finding a place in a new world, but also acceptance of the pain of joy and hope for a better future.
The book sheds new light on one the most dramatic and life changing events in human history: the Holocaust of European Jewry. Consists of compelling stories, ranging from accounts of the experience of Romanian Jews in Transnistria to Polish Jews observing religious holidays in the USSR, from the life of Jewish refugees in the Shanghai Ghetto to that of a Kapo in Auschwitz-Birkenau or of a cartoonist in New York.
Описание: A unique text that looks at events from a very different perspective - that of how and why events fail and what can be learnt from this in both a practical and academic perspective. It provides a case study approach to the event planning process with the cases illustrating how core planning theory and concepts fails to emerge in practice and why.
Описание: Plays from Romania: Dramaturgies of Subversion reflects the diversity of dramatic writing exploring the past and present of Romania, and takes stock thirty years after the collapse of communism. In addition to plays originally written in Romanian, the collection includes work by German, Hungarian and Roma authors born and/or working in Romania, and brings together plays written during the communist period and its aftermath.
The plays included in the collection, edited and translated by Jozefina Komporaly and fully published for the first time in English, demonstrate broad variety in terms of form and content – ranging from family dramas to allegories, and absurdist experiments to modular texts rooted in open dramaturgy – and are the work of both individual playwrights and the results of collective creation. These works share a preoccupation with critically reflecting urgent concerns rooted in Romanian realities, and are notable dramaturgical experiments that push the boundaries of the genre. In addition, these plays also seek novel ways to examine universal experiences of the human condition, such as love, loss, abuse, betrayal, grief, violence, manipulation and despair.
This unique anthology celebrates the renewed vitality and variety of writing for the stage after 1990, and endeavours to place Romanian theatre in a forward-looking transnational context.
Lowlands ('Niederungen') by Herta Muller, adapted for the stage by Mihaela Panainte (German)
This stage adaptation is based on a volume of short stories by Herta Muller written in German in 1982 and focuses on the perspective of a child narrator, by way of a series of episodes that centre on mundane aspects of daily life in a remote village against the backdrop of the oppressive atmosphere of mid-twentieth century Romania.
The Spectator Sentenced to Death ('Spectatorul condamnat la moarte') by Matei Visniec (Romanian)
This play is a bitter parody of the Stalinist justice system, which totally disregards the fundamental question whether the accused is actually guilty or not.
The Passport ('Kalucsni') by Gyorgy Dragoman (Hungarian)
This play is set pre-1989 in a typical small town in the Transylvanian province of Romania, in which the lives of the various social classes, and the fate of the persecuted and that of those who persecute are closely intertwined.
The Man Who Had His Inner Evil Removed ('Omul din care a fost extras raul') by Matei Visniec (Romanian)
This topical play is a sharp reflection on the voluntary servitude in which we place ourselves, often unawares, in conditions of our contemporary consumer culture, and a fierce critique of increasingly dominant tendencies to abandon moral criteria in political life.
Stories of the Body (Artemisia, Eva, Lina, Teresa) ('A test tortenetei') by Andras Visky (Hungarian)
The cycle Stories of the Body comprises four plays based on real life stories as experienced by remarkable women (including Mother Teresa and Italian Renaissance painter Artemisia Gentileschi), and are connected to various cities including Budapest, Cluj/Kolozsvar, Kolkata and Rome, from the 17th to the 21st century.
Sexodrom by Giuvlipen Theatre Company (Mihaela Dragan, Antonella Lerca Duda, Nicoleta Ghita, Zita Moldovan, Bety Pisica, Oana Rusu, Raj Alexandru Udrea), based on a concept by Bogdan Georgescu.(Roma)
This is a work of collective creation by members of the Roma Theatre company Giuvlipen, aiming to bring to public attention taboo subjects, to enhance the visibility of Roma performers and to experiment with new forms of theatre-making in a Romanian context.
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