Автор: , Tsuji Nobuo Название: History of Art in Japan ISBN: 0231193416 ISBN-13(EAN): 9780231193412 Издательство: Wiley Рейтинг: Цена: от 4285.00 р. Наличие на складе: Есть
Описание: In this book the leading authority on Japanese art history sheds light on how Japan has nurtured distinctive aesthetics, prominent artists, and movements that have achieved global influence and popularity. The History of Art in Japan discusses works ranging from earthenware figurines in 13,000 BCE to manga, anime, and modern subcultures.
Автор: Gordon, Andrew Название: A Modern History of Japan, International Edition ISBN: 0199930163 ISBN-13(EAN): 9780199930166 Издательство: Oxford Academ Рейтинг: Цена: 4456.00 р. 6366.00-30% Наличие на складе: Есть (1 шт.) Описание: The bestselling textbook on Modern Japan, extensively revised to cover Japan`s tumultuous recent history, including the events of 3-11.
Автор: Steinberg Marc Название: Anime`s Media Mix: Franchising Toys and Characters in Japan ISBN: 0816675503 ISBN-13(EAN): 9780816675500 Издательство: Wiley EDC Рейтинг: Цена: 3602.00 р. Наличие на складе: Есть (2 шт.) Описание: Untangles the web of commodity, capitalism, and art that is anime
Автор: Tamaki Saito, Saitao Tamaki, Saito Tamaki Название: Hikikomori: Adolescence Without End ISBN: 081665459X ISBN-13(EAN): 9780816654598 Издательство: Wiley Рейтинг: Цена: 2533.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first English translation of a controversial Japanese best seller that made the public aware of the social problem of hikikomori, or "withdrawal"d—a phenomenon estimated by the author to involve as many as one million Japanese adolescents and young adults who have withdrawn from society, retreating to their rooms for months or years and severing almost all ties to the outside world. Saito Tamaki's work of popular psychology provoked a national debate about the causes and extent of the condition. Since Hikikomori was published in Japan in 1998, the problem of social withdrawal has increasingly been recognized as an international one, and this translation promises to bring much-needed attention to the issue in the English-speaking world. According to the New York Times, "As a hikikomori ages, the odds that he'll re-enter the world decline. Indeed, some experts predict that most hikikomori who are withdrawn for a year or more may never fully recover. That means that even if they emerge from their rooms, they either won't get a full-time job or won't be involved in a long-term relationship. And some will never leave home. In many cases, their parents are now approaching retirement, and once they die, the fate of the shut-ins—whose social and work skills, if they ever existed, will have atrophied—is an open question."dDrawing on his own clinical experience with hikikomori patients, Saito creates a working definition of social withdrawal and explains its development. He argues that hikikomori sufferers manifest a specific, interconnected series of symptoms that do not fit neatly with any single, easily identifiable mental condition, such as depression. Rejecting the tendency to moralize or pathologize, Saito sensitively describes how families and caregivers can support individuals in withdrawal and help them take steps toward recovery. At the same time, his perspective sparked contention over the contributions of cultural characteristics—including family structure, the education system, and gender relations—to the problem of social withdrawal in Japan and abroad.
A critical introduction to how the Nagasaki atomic bombing has been remembered, especially in contrast to that of Hiroshima. In the decades following the atomic bombing of Nagasaki on August 9, 1945, the city’s residents processed their trauma and formed narratives of the destruction and reconstruction in ways that reflected their regional history and social makeup. In doing so, they created a multi-layered urban identity as an atomic-bombed city that differed markedly from Hiroshima’s image. Shadows of Nagasaki traces how Nagasaki’s trauma, history, and memory of the bombing manifested through some of the city’s many post-atomic memoryscapes, such as literature, religious discourse, art, historical landmarks, commemorative spaces, and architecture. In addition, the book pays particular attention to how the city’s history of international culture, exemplified best perhaps by the region’s Christian (especially Catholic) past, informed its response to the atomic trauma and shaped its postwar urban identity. Key historical actors in the volume’s chapters include writers, Japanese- Catholic leaders, atomic-bombing survivors (known as hibakusha), municipal officials, American occupation personnel, peace activists, artists, and architects. The story of how these diverse groups of people processed and participated in the discourse surrounding the legacies of Nagasaki’s bombing shows how regional history, culture, and politics—rather than national ones—become the most influential factors shaping narratives of destruction and reconstruction after mass trauma. In turn, and especially in the case of urban destruction, new identities emerge and old ones are rekindled, not to serve national politics or social interests but to bolster narratives that reflect local circumstances.
Japan on American TV explores political, economic, and cultural issues underlying depictions of Japan on U.S. television comedies and the programs they inspired. Since the 1950s, U.S. television programs have taken the role of "curators" of Japan, displaying and explaining selected aspects for viewers. Beliefs in U.S. hegemony over Japan underpin this curation process. Japan on American TV takes a historical perspective to understand the diversity of Japan parodies and examines six main categories of television portrayals representing different genres and comedic forms: (1) stereotypes of judo instructors (1950s and 1960s); (2) samurai parodies (prevalent in the 1970s); (3) the Bubble Economy Era in Sesame Street's Big Bird in Japan (1988); (4) "Cool Japan" parodies (1990s through the present); (5) eager fans in sketch series (2010s); and (6) makeover reality shows (2019). These examples show changing patterns of cultural globalization and perpetuate national stereotypes while verifying Japan's international influence. Television presents an alternative history of American fascinations with and fears of Japan.
Written in an accessible style that will appeal to scholars, teachers, students, and anyone with an interest in Japan and popular culture, as well as an ideal text for classroom use, Japan on American TV offers a gentle means to approach racism, cultural essentialism, cultural appropriation, and issues otherwise difficult to discuss and models new ways to apply knowledge of Asian Studies.
Автор: Strecher Matthew Carl Название: The Forbidden Worlds of Haruki Murakami ISBN: 0816691983 ISBN-13(EAN): 9780816691982 Издательство: Wiley Рейтинг: Цена: 2850.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In an "other world" composed of language--it could be a fathomless Martian well, a labyrinthine hotel or forest--a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami's characters and readers alike. Memories and dreams in turn conjure their magical counterparts--people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer's extraordinary fiction.
Fervently acclaimed worldwide, Murakami's wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami's writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami's most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami's depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.
Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer's vivid "inner world," whether unconscious or underworld (what some Japanese critics call achiragawa, or "over there"), and its connectivity to language. Strecher covers all of Murakami's work--including his efforts as a literary journalist--and concludes with the first full-length close reading of the writer's newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.
Автор: Katoh Amy Название: Otafuku: Joy of Japan ISBN: 4805313129 ISBN-13(EAN): 9784805313121 Издательство: Tuttle Рейтинг: Цена: 964.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In shops, shrines, homes and gardens throughout Japan, at noisy festivals and in the most serene teahouses, you are likely to encounter the plump, smiling image of Otafuku--a mythic figure from Japan's distant past. With her twinkling eyes and rosy lips, she appears in countless incarnations: on banners, cups and bowls, and in craft, furniture, painting and sculpture. Who is this warm, wonderful lady, whose gentle and calming presence is felt everywhere in Japan?In Otafuku, renowned author Amy Katoh explores in her own inimitable way the colorful world of Otafuku.
Katoh traces Otafuku's roots and folk beginnings, showing her many delightful identities, and providing a magical glimpse into this charming and little-known corner of Japanese culture. With a mixture of poems, photographs, anecdotes and stories, she presents a veritable jewel box of surprises that is sure to enchant readers. Today Otafuku is Japan's most influential female icon and is attributed with having many bestowing powers including health, pleasure, success, and the granting of wishes.
Автор: Mayumi Itoh Название: The Japanese Culture of Mourning Whales ISBN: 9811066701 ISBN-13(EAN): 9789811066702 Издательство: Springer Рейтинг: Цена: 12074.00 р. 13415.00-10% Наличие на складе: Есть (1 шт.) Описание: This book provides an in-depth study of Japanese whaling culture, emphasizing how the Japanese have considered whales and whaling in relation to their understanding of nature and religion. It examines why and how the Japanese have mourned the deaths of whales, treating them as if they were human beings, and assesses the relevance of this culture to nature conservation and management of sustainable use of natural resources. It also sheds new light on Japanese whaling, one of the most controversial issues in the contemporary world, by highlighting the hitherto unknown aspects of Japanese beliefs about whales and whaling, which constitute an integral part of their core concept of how they should coexist with nature. Through cross-examining previous studies of Japanese whaling, as well as analyzing new documents and conducting field research on location, this book presents a comprehensive survey of Japanese whaling culture and memorial rites for whales and offers viable insights on how the Japanese whaling culture can be applied to solving current global issues, including nature conservation, management of sustainable use of natural resources, and protection of wildlife and its habitats.
Описание: To launch a dialogue among historians working on the theme, this collection of essays analyses the practices of war remembrance in France, the US, Russia, and Germany. The essays investigate the complex dynamics of remembering the First and Second World Wars, the American Civil War and the Cold War; and explores how such wars affected social and political identity.
Описание: Through extensive use of primary resources and fieldwork, this detailed study examines overseas Shinto shrines and their complex role in the colonization and modernization of newly Japanese lands and subjects.
Shinto shrines became one of the most visible symbols of Japanese imperialism in the early 20th century. From 1868 to 1945, shrines were constructed by both the government and Japanese migrants across the Asia-Pacific region, from Sakhalin to Taiwan, and from China to the Americas. Drawing on theories about the constructed nature of the modern categories of ‘religion’ and the ‘secular’, this book argues that modern Shinto shrines were largely conceived and treated as secular sites within a newly invented Japanese secularism, and that they played an important role in communicating changed conceptions of space, time and ethics in imperial subjects.
Providing an example of the invention of a non-Western secularity, this book contributes to our understanding of the relationship between religion, secularism and the construction of the modern state.
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