Courts and Courtiers in Renaissance Northern Italy, Kolsky, Stephen
Автор: Esposito Gabriele Название: Renaissance Armies in Italy 1450-1550 ISBN: 1472841999 ISBN-13(EAN): 9781472841995 Издательство: Osprey Рейтинг: Цена: 2058.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This engaging study explains and illustrates the organization, equipment, and campaign record of the various armies fighting within Italy during the major wars of the period, which saw trained infantry and firearms challenging the domination of heavy armored cavalry.
While the Italian Renaissance saw religion beginning to lose its primary role in society to science and the arts, it was also a period of political and military turmoil. Many regional wars were fought between the states ruled by Milan, Venice, Genoa, Florence, the Papacy, Siena, and Naples. For more than 50 years starting in 1494, major foreign powers also exploited these divisions to invade Italy, which became the focal point of their rivalries: both France and Spain made temporary alliances with city states to further their ambitions, and early in the 16th century the Emperor Charles V sent armies from his German realms to support the Spanish. These wars coincided with the growth of disciplined infantry--carrying not only polearms and crossbows but also hand-guns--which proved capable of challenging the previously dominant armored knights in such influential battles as Fornovo (1495), Cerignola (1503), Marignano (1515), and Pavia (1525). All the powers involved made widespread use of professional mercenaries, who were at the forefront of the early development of the "pike and shot" era that succeeded the "High Middle Ages." During this period, costumes, armor, and weapons all showed great variety, due both to their national origins and to the evolution of tactics and technology. This masterfully illustrated study offers a fascinating insight into the many armies which fought in Italy during this turbulent period, explaining not only their arms and equipment, but also their structure and successes and failures on the battlefield.
A Courtier's Mirror establishes the unique importance of Thomasin von Zerclaere's Welscher Gast as a document of social practices and concerns in medieval German-speaking court society. This epic-length illustrated didactic poem enjoyed immense popularity in the Middle Ages, resulting in twenty-five redactions produced over two hundred and fifty years. Through a detailed study of word and image, Kathryn Starkey argues that this poem offered instruction, affirmation, and an evolving image cycle in which courtly behaviors were effectively conveyed. As the first book-length study in English, A Courtier's Mirror not only provides a framework for understanding the Welscher Gast and its images, but further explores the rich manuscript reception of the poem and the careful cultivation of a distinct elite identity.
Throughout its continued popularity, Starkey argues that the illustrated poem participates in the construction of elite secular identity for an audience that was concerned with distinguishing itself socially and emancipating itself from clerical society. As its audience shifts from rural ministerial family to urban burgher, so the staging of the poem also changes. Starkey selects redactions to show that while the text received only minor revisions over the years, the extensive illumination program and the poem's formatting changed significantly and with deliberate intent. She identifies the 1340 Gotha redaction as the most striking example of a redesigned and expanded image cycle intended to convey models of courtly behavior. Starkey places this manuscript, in particular, in its historical context and convincingly argues for its special place within the reception of Der Welsche Gast.
Supported by extensive appendices and a full set of color illustrations of the Gotha manuscript, as well as select illustrations from other manuscripts, A Courtier's Mirror presents vital new research on the complexity of the interrelation of text and image. As such, it will be of interest to scholars of medieval studies, art history, manuscript illustration, and the history of the book.
Автор: Bergeron David M. Название: The Duke of Lennox, 1574-1624: A Jacobean Courtier`s Life ISBN: 1399500449 ISBN-13(EAN): 9781399500449 Издательство: Bloomsbury Academic Рейтинг: Цена: 17160.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A biography of the second Duke of Lennox, the most consequential person in the Jacobean court in Scotland and England
Автор: Ridgway, Claire Название: George boleyn ISBN: 8493746452 ISBN-13(EAN): 9788493746452 Издательство: Неизвестно Рейтинг: Цена: 2482.00 р. Наличие на складе: Нет в наличии.
Автор: Albury Название: Castiglione`s Allegory ISBN: 1472432630 ISBN-13(EAN): 9781472432636 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Castiglione’s Book of the Courtier (Il libro del cortegiano, 1528), a dialogue in which the interlocutors attempt to describe the perfect courtier, was one of the most influential books of the Renaissance. In recent decades a number of postmodern readings of this work have appeared, emphasizing what is often characterized as the playful indeterminacy of the text, and seeking to detect inconsistencies which are interpreted as signs of anxiety or bad faith in its presentation. In contrast to these postmodern readings, the present study conducts an experiment. What understanding does one gain of Castiglione’s book if one attempts an early modern reading? The author approaches The Book of the Courtier as a text in which some of its most important aspects are intentionally concealed and veiled in allegory. W.R. Albury argues that this early modern reading of The Book of the Courtier enables us to recover a serious political message which has a great deal of contemporary relevance and which is lost from sight when the work is approached primarily as a courtly etiquette book, or as a lament for the lost influence of the aristocracy in an age when autocratic nation-states were coming into being, or as an impersonal textual field upon which a free play of transformations and deconstructions may be performed.
Автор: Wistreich Название: Warrior, Courtier, Singer ISBN: 1138263001 ISBN-13(EAN): 9781138263000 Издательство: Taylor&Francis Рейтинг: Цена: 8573.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Giulio Cesare Brancaccio was a Neapolitan nobleman with long practical experience of military life, first in the service of Charles V and later as both soldier and courtier in France and then at the court of Alfonso II d'Este at Ferrara. He was also a virtuoso bass singer whose performances were praised by both Tasso and Guarini - he was even for a while the only male member of the famous Ferrarese court Concerto delle dame, who established a legendary reputation during the 1580s. Richard Wistreich examines Brancaccio's life in detail and from this it becomes possible to consider the mental and social world of a warrior and courtier with musical skills in a broader context. A wide-ranging study of bass singing in sixteenth- and early seventeenth-century Italy provides a contextual basis from which to consider Brancaccio's reputation as a performer. Wistreich illustrates the use of music in the process of 'self-fashioning' and the role of performance of all kinds in the construction of male noble identity within court culture, including the nature and currency of honour, chivalric virtA? and sixteenth-century notions of gender and virility in relation to musical performance. This fascinating examination of Brancaccio's social world significantly expands our understanding of noble culture in both France and Italy during the sixteenth century, and the place of music-making within it.
Автор: Wistreich, Richard Название: Warrior, Courtier, Singer ISBN: 0754654141 ISBN-13(EAN): 9780754654148 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Connolly Annaliese Название: Essex ISBN: 0719084946 ISBN-13(EAN): 9780719084942 Издательство: NBN International Рейтинг: Цена: 17952.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Collection of new essays about the earl of Essex, one of the most important figures of the Elizabethan court -- .
Описание: Ruy G mez de Silva, or the prince of Eboli, was one of the central figures at the court of Spain in the sixteenth century. Thanks to his oily affability, social grace, and an uncanny knack for anticipating and catering to the desires of his prince, he rose from obscurity to become the favorite and chief minister of Philip II. From the scattered surviving sources James Boyden weaves a vivid, compelling narrative: one that breathes life not only into Ruy G mez, but into the court, the era, and the enigmatic character of Phillip II as well. Elegantly written and highly readable, this book discovers in the career of G mez the techniques, aspirations, and mentality of an accomplished courtier in the age of Castiglione. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.
Автор: Castiglione Baldassare Название: The Book of the Courtier ISBN: 178139427X ISBN-13(EAN): 9781781394274 Издательство: Неизвестно Цена: 3055.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Book of the Courtier (Il Cortegiano), describing the behaviour of the ideal courtier (and court lady) was one of the most widely distributed books in the 16th century. It remains the definitive account of Renaissance court life. This edition, Thomas Hoby's 1561 English translation, greatly influenced the English ideal of the "gentleman". Baldesar Castiglione, a courtier at the court of Urbino, at that time the most refined and elegant of the Italian courts. Practising his principles, counted many of the leading figures of his time as friends, and was employed on sensitive diplomatic missions. He was a close personal friend of Raffaello Sanzio da Urbino, better known as Raphael, who painted the sensitive portrait of Castiglione on the cover of this edition. Also available in hardcover. (isbn 9781781391860)
Автор: Sean L. Field Название: Courting Sanctity: Holy Women and the Capetians ISBN: 1501736191 ISBN-13(EAN): 9781501736193 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5888.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The rise of the Capetian dynasty across the long thirteenth century, which rested in part on the family's perceived sanctity, is a story most often told through the actions of male figures, from Louis IX's metamorphosis into "Saint Louis" to Philip IV's attacks on Pope Boniface VIII. In Courting Sanctity, Sean L. Field argues that, in fact, holy women were central to the Capetian's self-presentation as being uniquely favored by God. Tracing the shifting relationship between holy women and the French royal court, he shows that the roles and influence of these women were questioned and reshaped under Philip III and increasingly assumed to pose physical, spiritual, and political threats by the time of Philip IV's death.
Field's narrative highlights six holy women. The saintly reputations of Isabelle of France and Douceline of Digne helped to crystalize the Capetians' claims of divine favor by 1260. In the 1270s, the French court faced a crisis that centered on the testimony of Elizabeth of Spalbeek, a visionary holy woman from the Low Countries. After 1300, the arrests and interrogations of Paupertas of Metz, Margueronne of Bellevillette, and Marguerite Porete served to bolster Philip IV's crusades against the dangers supposedly threatening the kingdom of France. Courting Sanctity thus reassesses key turning points in the ascent of the "most Christian" Capetian court through examinations of the lives and images of the holy women that the court sanctified or defamed.
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