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Tan, Ed S. Emotion and the Structure of Narrative Film 9780805814095
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Emotion and the Structure of Narrative Film, Tan, Ed S.


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Автор: Tan, Ed S.
Название:  Emotion and the Structure of Narrative Film
ISBN: 9780805814095
Издательство: Taylor&Francis
Классификация:


ISBN-10: 0805814094
Обложка/Формат: Hardback
Страницы: 308
Вес: 0.62 кг.
Дата издания: 01.11.1995
Серия: Routledge communication series
Размер: 246 x 167 x 25
Читательская аудитория: Undergraduate
Подзаголовок: Film as an emotion machine
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Поставляется из: Европейский союз


Storycraft, Second Edition: The Complete Guide to Writing Narrative Nonfiction

Автор: Hart Jack
Название: Storycraft, Second Edition: The Complete Guide to Writing Narrative Nonfiction
ISBN: 022673692X ISBN-13(EAN): 9780226736921
Издательство: Wiley
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Цена: 2851.00 р.
Наличие на складе: Ожидается поступление.

Описание: Jack Hart, master writing coach and former managing editor of the Oregonian, has guided several Pulitzer Prize-winning narratives to publication. Since its publication in 2011, his book Storycraft has become the definitive guide to crafting narrative nonfiction. This is the book to read to learn the art of storytelling as embodied in the work of writers such as David Grann, Mary Roach, Tracy Kidder, and John McPhee.

In this new edition, Hart has expanded the book's range to delve into podcasting and has incorporated new insights from recent research into storytelling and the brain. He has also added dozens of new examples that illustrate effective narrative nonfiction. This edition of Storycraft is also paired with Wordcraft, a new incarnation of Hart's earlier book A Writer's Coach, now also available from Chicago.



Psychoanalysis and Hidden Narrative in Film

Автор: Pederson
Название: Psychoanalysis and Hidden Narrative in Film
ISBN: 1138307092 ISBN-13(EAN): 9781138307094
Издательство: Taylor&Francis
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Цена: 20671.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher's The Lost Boys (1987). While masterworks like Psycho (1960) are not the object of interpretation, Hitchcock's film is used as a skeleton key. The revelation that Norman Bates' character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character's behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. 

Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud's structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. 

Psychoanalysis and Hidden Narrative in Film will appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work.

Afterimage: Film, Trauma And The Holocaust (Emerging Media)

Автор: Hirsch, Joshua
Название: Afterimage: Film, Trauma And The Holocaust (Emerging Media)
ISBN: 159213209X ISBN-13(EAN): 9781592132096
Издательство: ORCA BOOK SERVICES
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Цена: 5146.00 р.
Наличие на складе: Поставка под заказ.

Описание: Presents a theory of posttraumatic film based on the encounter between cinema and the Holocaust. This book focuses on a group of crucial documentary and fiction films that were pivotal to the spread of this cinematic form across different nations and genres.

Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses

Автор: Simin Nina Littschwager
Название: Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses
ISBN: 1501337041 ISBN-13(EAN): 9781501337048
Издательство: Bloomsbury Academic
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Цена: 23126.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Mind-game films and other complex narratives have been a prominent phenomenon of the cinematic landscape during the period 1990-2010, when films like The Sixth Sense, Memento, Fight Club and Source Code became critical and commercial successes, often acquiring a cult status with audiences. With their multiple story lines, unreliable narrators, ambiguous twist endings, and paradoxical worlds, these films challenge traditional ways of narrative comprehension and in many cases require and reward multiple viewings.

But how can me make sense of films that don't always make sense the way we are used to? While most scholarship has treated these complex films as narrative puzzles that audiences solve with their cognitive skills, Making Sense of Mind-Game Films offers a fresh perspective by suggesting that they appeal to the body and the senses in equal measures. Mind-game films tell stories about crises between body, mind and world, and about embodied forms of knowing and subjective ways of being-in-the-world. Through compelling in-depth case studies of popular mind-game films, the book explores how these complex narratives take their (embodied) spectators with them into such crises. The puzzling effect generated by these films stems from a conflict between what we think and what we experience, between what we know and what we feel to be true, and between what we see and what we sense.

An Introduction to Film Analysis: Technique and Meaning in Narrative Film

Автор: Michael Ryan, Melissa Lenos
Название: An Introduction to Film Analysis: Technique and Meaning in Narrative Film
ISBN: 1501318535 ISBN-13(EAN): 9781501318535
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 23126.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:

-the basic technical terms
-shot-by-shot analyses of film sequences
-set design, composition, editing, camera work, post-production, art direction and more
-each chapter provides clear examples and full colour images from classic as well as contemporary films

Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.

The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.

New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.

Narrative Humanism: Kindness and Complexity in Fiction and Film

Автор: Wyatt Moss-Wellington
Название: Narrative Humanism: Kindness and Complexity in Fiction and Film
ISBN: 1474454313 ISBN-13(EAN): 9781474454315
Издательство: Bloomsbury Academic
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Цена: 19272.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This book attempts to clarify the narrative conditions of humanism, asking how we can use stories to complicate our understanding of others, and questioning the ethics and efficacy of attempts to represent human social complexity in fiction.

With case studies of films like Parenthood (1989), American Beauty (1999), Little Miss Sunshine (2006) and The Kids Are All Right (2010), this original study synthesises leading discourses on media and cognition, evolutionary anthropology, literature and film analysis into a new theory of the storytelling instinct.

American Film Exhibition and an Analysis of the Motion Picture Industry`s Market Structure 1963-1980

Автор: Gary Edgerton
Название: American Film Exhibition and an Analysis of the Motion Picture Industry`s Market Structure 1963-1980
ISBN: 0415726441 ISBN-13(EAN): 9780415726443
Издательство: Taylor&Francis
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Цена: 23734.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This study looks at how the movie industry organisation functioned between the late ‘40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history.

Postcolonial Nation and Narrative III: Literature & Cinema: Cape Verde, Guinea-Bissau and Sao Tome e Principe

Автор: Ana Mafalda Leite, Hilary Owen, Ellen Sapega, Carmen Secco
Название: Postcolonial Nation and Narrative III: Literature & Cinema: Cape Verde, Guinea-Bissau and Sao Tome e Principe
ISBN: 1787075818 ISBN-13(EAN): 9781787075818
Издательство: Peter Lang
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Цена: 9589.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

This volume investigates literary and cinematographic narratives from Cape Verde, Guinea-Bissau and Sao Tome and Principe, analysing the different ways in which social and cultural experience is represented in postcolonial contexts. It continues and completes the exploration of the postcolonial imaginary and identity of Portuguese-speaking Africa presented in the earlier volume Narrating the Postcolonial Nation: Mapping Angola and Mozambique (2014).

Memory, history, migration and diaspora are core notions in the recreation and reconceptualization of the nation and its identities in Capeverdian, Guinean and Saotomean literary and cinematographic culture. Acknowledging that the idea of the postcolonial nation intersects with other social, political, cultural and historical categories, this book scrutinizes written and visual representations of the nation from a wide range of inter- and transdisciplinary perspectives, including literary and film studies, gender studies, sociology, and post-colonial and cultural studies. It makes a valuable contribution to current debates on postcolonialism, nation and identity in these former Portuguese colonies.

Silent Film and U.S. Naturalist Literature

Автор: Fusco, Katherine
Название: Silent Film and U.S. Naturalist Literature
ISBN: 0367876396 ISBN-13(EAN): 9780367876395
Издательство: Taylor&Francis
Рейтинг:
Цена: 7042.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This book goes beyond traditional adaptation studies approaches to show how naturalism and early cinema intervened in the era`s experiments with temporality and time management. It shows how US naturalist novels are constructed around a formal and thematic interrogation of the relationship between human freedom and temporal inexorability and tha

Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses

Автор: Simin Nina Littschwager
Название: Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses
ISBN: 1501376276 ISBN-13(EAN): 9781501376276
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 6165.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Mind-game films and other complex narratives have been a prominent phenomenon of the cinematic landscape during the period 1990-2010, when films like The Sixth Sense, Memento, Fight Club and Source Code became critical and commercial successes, often acquiring a cult status with audiences. With their multiple story lines, unreliable narrators, ambiguous twist endings, and paradoxical worlds, these films challenge traditional ways of narrative comprehension and in many cases require and reward multiple viewings.

But how can me make sense of films that don't always make sense the way we are used to? While most scholarship has treated these complex films as narrative puzzles that audiences solve with their cognitive skills, Making Sense of Mind-Game Films offers a fresh perspective by suggesting that they appeal to the body and the senses in equal measures. Mind-game films tell stories about crises between body, mind and world, and about embodied forms of knowing and subjective ways of being-in-the-world. Through compelling in-depth case studies of popular mind-game films, the book explores how these complex narratives take their (embodied) spectators with them into such crises. The puzzling effect generated by these films stems from a conflict between what we think and what we experience, between what we know and what we feel to be true, and between what we see and what we sense.

Emotion and the structure of narrative film

Автор: Tan, Ed S.
Название: Emotion and the structure of narrative film
ISBN: 0415515602 ISBN-13(EAN): 9780415515603
Издательство: Taylor&Francis
Рейтинг:
Цена: 7961.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic.

Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film.

This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all.

The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.

Film Structure and the Emotion System

Автор: Smith
Название: Film Structure and the Emotion System
ISBN: 0521817587 ISBN-13(EAN): 9780521817585
Издательство: Cambridge Academ
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Цена: 14890.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Films evoke broad moods and cue particular emotions that can be broadly shared as well as individually experienced. Film Structure and the Emotion System synthesizes research on emotion in cognitive psychology and neurology in an effort to provide a more nuanced understanding of how film evokes emotion.


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