Bach Performance Practice, 1945–1975, Fabian, Dorottya

Автор: Clayton, Martin
Название: Time in indian music
ISBN: 0195339681 ISBN-13(EAN): 9780195339680
Издательство: Oxford Academ
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Описание: Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag, or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as
well as to current ideas on musical time in alternative repertoriesnullincluding that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts
such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).

More generally, the volume addresses the implications of performance practice for the organization of rhythm and metre. Written in a clear and accessible style and illustrated with 102 music examples and diagrams, it will appeal to anyone interested in Indian aesthetic forms and the study of
musical time.

Автор: Ponsford
Название: French Organ Music in the Reign of Louis XIV
ISBN: 0521887704 ISBN-13(EAN): 9780521887700
Издательство: Cambridge Academ
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Цена: 16474.00 р.
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Описание: Ponsford takes a fresh approach to French Baroque organ music by analysing each genre chronologically and tracing influences from Italian and French secular music. The study enhances understanding of French influence on J. S. Bach, and will appeal to all those who play, study and admire this unique repertory.

Автор: MacAuslan John
Название: Schumann`s Music and E. T. A. Hoffmann`s Fiction
ISBN: 1316506509 ISBN-13(EAN): 9781316506509
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: Four of Schumann`s great masterpieces of the 1830s are connected to the fiction of E. T. A. Hoffmann. John MacAuslan explores these works` musical patterns, stylistic developments and literary connections. Essential reading for musicologists, performers and listeners with an interest in Schumann and early nineteenth-century music.

Автор: Stephen Rose
Название: Musical Authorship from Schutz to Bach
ISBN: 1108421075 ISBN-13(EAN): 9781108421072
Издательство: Cambridge Academ
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Цена: 14890.00 р.
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Описание: Aimed at students and researchers of music history, publishing history and cultural history, this study illuminates ideas of creativity and individuality in the seventeenth century. Its interdisciplinary approach shows how notions of the musical author were defined via the making, ownership, performance and reception of music.

Автор: Greig, Donald (university Of Nottingham)
Название: Baroque music in post-war cinema
ISBN: 1108827861 ISBN-13(EAN): 9781108827867
Издательство: Cambridge Academ
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Цена: 2851.00 р.
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Описание: This Element gives a wide perspective of pre-existing music in narrative cinema, placing baroque music in the context of its reception to explore its mobilisation in post-war cinema. Analyses of various films raise issues of baroque style and form to question why eighteenth-century music remains an exception to dominant film-music discourses.

Автор: McPherson Gary
Название: The Oxford Handbook of Music Performance, Volume 2
ISBN: 0190058862 ISBN-13(EAN): 9780190058869
Издательство: Oxford Academ
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Цена: 25648.00 р.
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Описание: The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science. The 80 experts from 13 countries who prepared the 53 chapters in this handbook are leaders in the fields of music psychology, performance science, musicology, psychology, education and music education. Chapters in theHandbook provide a broad coverage of the area with considerable expansion of the topics that are normally covered in a resource of this type.

Designed around eight distinct sections - Development and Learning, Proficiencies, Performance Practices, Psychology, Enhancements, Health & Wellbeing, Science, andInnovations - the range and scope of The Oxford Handbook of Music Performance is much wider than other publications through the inclusion of chapters from related disciplines such as performance science (e.g., optimizing performance, mental techniques, talent development in non-music areas), and education (e.g., human development, motivation, learning and teaching styles) as well as the attention given to emerging critical issues in the field (e.g., wellbeing, technology,gender, diversity, inclusion, identity, resilience and buoyancy, diseases, and physical and mental disabilities). Within each chapter, authors have selected what they consider to be the most important scientific and artistic material relevant to their topic. They begin their chapters by surveying theoretical views on eachtopic and then, in the final part of the chapter, highlight practical implications of the literature that performers will be able to apply within their daily musical lives.

Автор: McPherson Gary
Название: The Oxford Handbook of Music Performance, Volume 1
ISBN: 0190056282 ISBN-13(EAN): 9780190056285
Издательство: Oxford Academ
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Цена: 25648.00 р.
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Описание: The two-volume Oxford Handbook of Music Performance provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interestor expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it importantfor the results of their research to be practically useful for musicians and music educators.

Автор: Cline
Название: The Graph Music of Morton Feldman
ISBN: 110710923X ISBN-13(EAN): 9781107109230
Издательство: Cambridge Academ
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Цена: 17266.00 р.
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Описание: David Cline provides a detailed analysis of Morton Feldman`s groundbreaking graph music and its considerable impact upon the development of post-war classical music. This book highlights the influence of contemporary art on Feldman`s works and explores his relationships with Earle Brown, John Cage, Christian Wolff and David Tudor.

Автор: Iddon
Название: John Cage and David Tudor
ISBN: 1107507804 ISBN-13(EAN): 9781107507807
Издательство: Cambridge Academ
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Цена: 4435.00 р.
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Описание: Martin Iddon`s book is the first volume to collect John Cage`s complete correspondence with his closest collaborator, the pianist David Tudor. Iddon tackles the question of how much creative flexibility Tudor was granted when performing Cage`s notorious indeterminate and chance-guided works, from Music of Changes to Variations II.

Автор: Byrne Bodley
Название: Schubert`s Late Music
ISBN: 1107111293 ISBN-13(EAN): 9781107111295
Издательство: Cambridge Academ
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Цена: 19800.00 р.
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Описание: This overview of current issues in Schubert studies captures the interdisciplinary diversity of contemporary scholarship on the composer`s late works. Contributions offer a revised exploration of Schubert`s compositional style including a close examination of the topical issue of `late` style.

Автор: Upton
Название: Music and Performance in the Later Middle Ages
ISBN: 113727770X ISBN-13(EAN): 9781137277701
Издательство: Springer
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Цена: 10976.00 р.
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Описание: This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers in isolation to consider the participation of performers and listeners in music-making.

Автор: Pattie
Название: Rock Music in Performance
ISBN: 1403947465 ISBN-13(EAN): 9781403947468
Издательство: Springer
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Цена: 12196.00 р.
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Описание: In this new study, David Pattie examines the apparent contradiction between authenticity and theatricality in the live performance of rock music, and looks at the way in which various performers have dealt with this paradox from rock music`s early development in the 1960s up to the present day.