The Beginnings of the Modern Philosophy of Music in England, Kassler, Jamie C.
Автор: Cook, Nicholas (1684 Professor Of Music Emeritus, University Of Cambridge) Название: Music: a very short introduction ISBN: 019872604X ISBN-13(EAN): 9780198726043 Издательство: Oxford Academ Рейтинг: Цена: от 1138.00 р. Наличие на складе: Есть
Описание: Nicholas Cook explores the nature of music, how we think about it, its social and cultural dimensions, and its history. He discusses the many musical traditions across the world and the interactions between them. He also considers performance, how composers create music, and the position of music in today`s globalized society.
Описание: Unique, Practical and Straightforward Way to Learn Music Theory and Become a Better Musician, Even if You're a Complete Beginner Updated and Massively Expanded Edition with New Exercises, and New Content This book also features the links to Audio Examples (hosted on external website) so you can hear some music theory concepts in action and understand them better Have you ever wanted:
To know how understanding music theory can make you a better player (on any instrument)?
To unlock the mysteries of notes, intervals, music scales, modes, keys, circle of fifths, chords and chord progressions, and other important concepts in music, and how they all relate to one another?
To get a deep understanding of scales, modes and chords, where they come from, what are the different types that exist, how they're built, and how to use any chord or scale in your playing?
To learn how to form, name and play any chord that is possible to play?
To learn how rhythm works and how to master your rhythm and timing skills that will make you sound like a pro on any instrument?
To know the magic behind all the beautiful music that you love and how you can (re)create it by yourself?
To get a wide perspective on tonal harmony and how melody, harmony, and rhythm work together?
To understand composition and improvisation, and how to use voice leading and chord inversions to create beautiful harmonies?
To get a grasp on the advanced concepts (such as modal playing, atonality, polychords and polytonality, free music, etc.) that usually only advanced jazz musicians may consider using?
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Автор: Byrne David Название: How Music Works ISBN: 0857862529 ISBN-13(EAN): 9780857862525 Издательство: Canongate Рейтинг: Цена: 2820.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: David Byrne`s internationally bestselling magnum opus on the subject of music
Автор: McQuiston, Kate (Author) Название: We`ll Meet Again: Musical Design in the Films of Stanley Kubrick ISBN: 0199767653 ISBN-13(EAN): 9780199767656 Издательство: Oxford Academ Рейтинг: Цена: 18263.00 р. 26090.00-30% Наличие на складе: Есть (1 шт.) Описание: We`ll Meet Again illuminates music`s central role in the design and reception of Stanley Kubrick`s films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick`s working process.
Автор: Voegelin, Dr Salome (professor, London College Of Communication, Uk) Название: Sonic possible worlds, revised edition ISBN: 1501367625 ISBN-13(EAN): 9781501367625 Издательство: Bloomsbury Academic Рейтинг: Цена: 5009.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From its use in literary theory, film criticism and the discourse of games design, Salom Voegelin expands 'possible world theory' to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice Merleau-Ponty's phenomenological life-worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thinkable and accessible as the possibility of the everyday and of art: to reach a new materialist understanding from the invisible and to develop an ear for the as yet inaudible. This revised edition continues Voegelin's exploration of the sonic possibility of the world into the sonic possibility and impossibility of the body. Listening to work by ine O'Dwyer, Hannah Silva and Jocy de Oliveira, it considers sonic possible worlds' radical power to rethink normative constructions and to fabulate a different body from its sound: Hearing the Continuum Between Plural Bodies; between humans, humanoid aliens, monsters, vampires, plants, things and anything we have no name for yet but which a sonic philosophy might start to hear and call.
Автор: Cugny, Laurent Название: Analysis of jazz ISBN: 1496821890 ISBN-13(EAN): 9781496821898 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Analysis of Jazz: A Comprehensive Approach, originally published in French as Analyser le jazz, is available here in English for the first time. In this groundbreaking volume, Laurent Cugny examines and connects the theoretical and methodological processes that underlie all of jazz. Jazz in all its forms has been researched and analyzed by performers, scholars, and critics, and Analysis of Jazz is required reading for any serious study of jazz; but not just musicians and musicologists analyze jazz. All listeners are analysts to some extent. Listening is an active process; it may not involve questioning but it always involves remembering, comparing, and listening again. This book is for anyone who attentively listens to and wants to understand jazz. Divided into three parts, the book focuses on the work of jazz, analytical parameters, and analysis. In part one, Cugny aims at defining what a jazz work is precisely, offering suggestions based on the main features of definition and structure. Part two he dedicates to the analytical parameters of jazz in which a work is performed: harmony, rhythm, form, sound, and melody. Part three takes up the analysis of jazz itself, its history, issues of transcription, and the nature of improvised solos. In conclusion, Cugny addresses the issues of interpretation to reflect on the goals of analysis with regard to understanding the history of jazz and the different cultural backgrounds in which it takes place.Analysis of Jazz presents a detailed inventory of theoretical tools and issues necessary for understanding jazz.
Автор: Jeremy Yudkin Название: From Silence to Sound: Beethoven`s Beginnings ISBN: 1783274794 ISBN-13(EAN): 9781783274796 Издательство: Boydell & Brewer Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "No classical composer put more drama or originality into his opening ideas than Beethoven, so this first special study of these musical beginnings is particularly welcome." LEWIS LOCKWOOD This book discusses the myriad ways in which Beethoven begins his works and the structural, rhetorical, and emotional implications of these beginnings for listeners. Examining the opening moments of nearly 200 compositions, it offers a new method of analysis of Beethoven's music. At the same time, it sets Beethoven's work in context through a close study of beginnings in the compositions of Haydn, Mozart, and many other, lesser-known composers of the Classical Era. The book opens by examining how a beginning works in musical and rhetorical theory and by looking at findings from neuroscience and psychology to show how a beginning is received by our brains. It then considers categories of beginnings in depth: their structure, sonority, texture, and dynamics; the establishment of a beginning as a "storehouse" or for wit or humor; beginnings as public statements, as attention getters, as sneaky fade-ins; beginnings that deceive, puzzle, or pretend; beginnings that are endings; and beginnings that nod to another composer. The author carefully and sensitively observes the strategies that Beethoven and others employed, enabling consideration of issues of originality, emulation, influence, competition, and cross-fertilization. Analysis of the composer's manuscript scores shows how Beethoven can be seen in the process of refining his ideas of how to open a work. The book closes by examining the correlation between the psychology of listening and the creative ways composers of the eighteenth and early nineteenth centuries, especially Beethoven, crafted their opening gestures. It will appeal not only to Beethoven scholars but to all those interested in listening closely to music of the Classical Era. JEREMY YUDKIN is Professor of Music and Co-Director of the Center for Beethoven Research at Boston University.
Автор: Thistlethwaite Nicholas Название: Organ-building in Georgian and Victorian England - The Work ISBN: 1783274670 ISBN-13(EAN): 9781783274673 Издательство: Boydell & Brewer Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The London firm of Gray (later Gray & Davison) was one of Britain`s leading organ-makers between the 1790s and the 1880s.
Автор: Wardhaugh, Benjamin Название: Music, Experiment and Mathematics in England, 1653–1705 ISBN: 0754665267 ISBN-13(EAN): 9780754665267 Издательство: Taylor&Francis Рейтинг: Цена: 26030.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Pathbreaking study of a vast and intriguing repertoire: arrangements for keyboard instruments of songs, arias, and other vocal pieces, from the age William Byrd to that of Handel.
Описание: From Mummers to Madness considers developments in the production and consumption of popular music in England over a period of some two hundred years, which saw dramatic changes in the socio-economic, demographic and cultural life of the country.
Автор: Clifford R. Murphy Название: Yankee Twang: Country and Western Music in New England ISBN: 0252038673 ISBN-13(EAN): 9780252038679 Издательство: Wiley EDC Рейтинг: Цена: 6178.00 р. Наличие на складе: Поставка под заказ.
Описание: Merging scholarly insight with a professional guitarist's sense of the musical life, Yankee Twang delves into the rich tradition of country & western music that is played and loved in the mill towns and cities of the American northeast. Scholar and musician Clifford R. Murphy draws on a wealth of ethnographic material, interviews, and encounters with recorded and live music to reveal the central role of country and western in the social lives and musical activity of working-class New Englanders.
As Murphy shows, an extraordinary multiculturalism sets New England country and western music apart from other regional and national forms. Once segregated at work and worship, members of different ethnic groups used the country and western popularized on the radio and by barnstorming artists to come together at social events, united by a love of the music. Musicians, meanwhile, drew from the wide variety of ethnic musical traditions to create the New England style.
But the music also gave--and gives--voice to working-class feeling. Murphy explores how the Yankee love of country and western emphasizes the western, reflecting the longing of many blue collar workers for the mythical cowboy's life of rugged but fulfilling individualism. Indeed, many New Englanders use country and western to comment on economic disenfranchisement and express their resentment of a mass media, government, and Nashville music establishment that they believe neither reflects their experiences nor considers them equal participants in American life.
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