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Filming the Gods, Dwyer, Rachel


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Автор: Dwyer, Rachel
Название:  Filming the Gods
ISBN: 9780415314244
Издательство: Taylor&Francis
Классификация:
ISBN-10: 0415314240
Обложка/Формат: Hardback
Страницы: 208
Вес: 0.45 кг.
Дата издания: 15.06.2006
Размер: 234 x 156
Читательская аудитория: General (us: trade)
Подзаголовок: Religion and indian cinema
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Поставляется из: Европейский союз


Filming the Gods

Автор: Dwyer, Rachel
Название: Filming the Gods
ISBN: 0415314259 ISBN-13(EAN): 9780415314251
Издательство: Taylor&Francis
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Цена: 6430.00 р.
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Filming the Line of Control: The Indo–Pak Relationship through the Cinematic Lens

Автор: Meenakshi Bharat, Nirmal Kumar
Название: Filming the Line of Control: The Indo–Pak Relationship through the Cinematic Lens
ISBN: 0367273144 ISBN-13(EAN): 9780367273149
Издательство: Taylor&Francis
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Цена: 6889.00 р.
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Описание: Filming the Line of Control charts out the history of the relationship between India and Pakistan as represented in cinema, especially in light of the improved political atmosphere between the two countries.

Filming shakespeare, from metatheatre to metacinema

Автор: Rasmus, Agnieszka
Название: Filming shakespeare, from metatheatre to metacinema
ISBN: 3631571410 ISBN-13(EAN): 9783631571415
Издательство: Peter Lang
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Цена: 10930.00 р.
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Описание: This book proposes a critical interpretation of the current predicament of the province of Quebec within the Canadian federation. It uses the approaches of political theory and intellectual history to suggest that Quebec is presently exiled within Canada: it is not adequately integrated, and it seems extremely unlikely that it will be successful in any attempt to exit from the federation.

On the tracks of 007: Guide to Thailand: Revisiting the James Bond filming locations

Автор: Mulder Martijn
Название: On the tracks of 007: Guide to Thailand: Revisiting the James Bond filming locations
ISBN: 9081329448 ISBN-13(EAN): 9789081329446
Издательство: Неизвестно
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Цена: 6244.00 р.
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Описание:

When EON Productions choose Thailand to be the main setting for their ninth James Bond adventure, THE MAN WITH THE GOLDEN GUN (1974), they entered unexplored territory. After filming the dusty streets and dirty khlongs of Bangkok, the production moved southwards to the magical islands of Phang Nga Bay. When the movie came out, a worldwide audience saw its first glimpse of the beautiful country and overnight everything changed. "We put Phuket on the map ", director Guy Hamilton would later claim. And he was right. Clever tour operators rebranded the visually stunning Khao Phing Kan to James Bond Island and made it one of the most visited James Bond filming locations in the world. In 1997, the film makers returned to both Bangkok and Phang Nga Bay, to film exciting parts of TOMORROW NEVER DIES here.

Apart from the basic touristic information, James Bond's GUIDE TO THAILAND will give you clear directions to find all the Thai filming locations used in the two movies. With this book you can retrace all the action: From the route of Roger Moore's long tail boat through the khlongs to Pierce Brosnan's and Michelle Yeoh's motorbike chase through the narrow Bangkok alleys. From the long lost Astro Spiral Jump location in Rangsit to the impressive islands in Phang Nga National Park.

This full colour, 136 page travel guide includes general info on the country, detailed location maps, now-then comparison photos of all the locations and features a short introduction by Britt Ekland, who starred as Mary Goodnight in THE MAN WITH THE GOLDEN GUN.

Filming modernity and islam in colonial egypt

Автор: Abdelfattah, Heba Arafa
Название: Filming modernity and islam in colonial egypt
ISBN: 139952075X ISBN-13(EAN): 9781399520751
Издательство: Bloomsbury Academic
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Цена: 18308.00 р.
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Описание: This book studies the rise of cinema in colonial Egypt as a supplemental secular public sphere that is not anti-religion. To this end, it investigates the reception of film by three centers of powers: the colonial authorities, the Muslim clergy, and the Cairene bourgeoisie. It inquires about the representations of modernity in films produced during the time and the place filmmakers assigned to Islam in these representations. The result is a story of survival and coexistence told through the lens of cinema as modern art and popular culture negotiating its overt and covert censorship in the public sphere, despite colonization and war.

Filming the Colonial Past: The New Zealand Wars on Screen

Автор: Annabel Cooper
Название: Filming the Colonial Past: The New Zealand Wars on Screen
ISBN: 198853108X ISBN-13(EAN): 9781988531083
Издательство: Gazelle Book Services
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Цена: 5684.00 р.
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Описание: The New Zealand Wars on Screen.

Cinema, Cross-Cultural Collaboration, and Criticism

Автор: Thornley
Название: Cinema, Cross-Cultural Collaboration, and Criticism
ISBN: 1137411562 ISBN-13(EAN): 9781137411563
Издательство: Springer
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Цена: 7317.00 р.
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Описание: Cinema, Cross-Cultural Collaboration, and Criticism provides a platform for a new politics of criticism, a collaborative ethos for a different kind of relationship to cross-cultural cinema that invites further conversations between filmmakers and audiences, indigenous and others.

Late-colonial French Cinema: Filming the Algerian War of Independence

Автор: Mani Sharpe
Название: Late-colonial French Cinema: Filming the Algerian War of Independence
ISBN: 1474414222 ISBN-13(EAN): 9781474414227
Издательство: Bloomsbury Academic
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Цена: 19272.00 р.
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Описание:

    Deploying the term ‘late-colonial’ to describe a body of largely French films made during, and in response to, the Algerian War of Independence (1954-1962), this book revolves around one question – what is late-colonial French cinema? – generating two answers.

    Firstly, Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Secondly, Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of ‘redemptive pacifism’.

    Filming the Body in Crisis: Trauma, Healing and Hopefulness

    Автор: Quinlivan Davina
    Название: Filming the Body in Crisis: Trauma, Healing and Hopefulness
    ISBN: 1349560812 ISBN-13(EAN): 9781349560813
    Издательство: Springer
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    Цена: 6097.00 р.
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    Описание: How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the healing body and its material registering of trauma.

    Starring new york

    Автор: Corkin, Stanley (professor Of English, Professor Of English, University Of Cincinnati)
    Название: Starring new york
    ISBN: 0195382803 ISBN-13(EAN): 9780195382808
    Издательство: Oxford Academ
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    Цена: 8046.00 р.
    Наличие на складе: Поставка под заказ.

    Описание: An urban history of the city that never sleeps through classic films such as Shaft, Annie Hall, Death Wish, The Godfather, and Taxi Driver, Starring New York showcases the city`s lasting contribution to American cinema during a decade fraught with sociocultural changes.

    Filming the Line of Control

    Автор: Bharat, Meenakshi
    Название: Filming the Line of Control
    ISBN: 0415460948 ISBN-13(EAN): 9780415460941
    Издательство: Taylor&Francis
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    Цена: 23734.00 р.
    Наличие на складе: Есть у поставщика Поставка под заказ.

    English Filming, English Writing

    Автор: Jefferson Hunter
    Название: English Filming, English Writing
    ISBN: 0253221773 ISBN-13(EAN): 9780253221773
    Издательство: Wiley EDC
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    Цена: 3773.00 р.
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    Описание: Jefferson Hunter examines English films and television dramas as they relate to English culture in the 20th century. He traces themes such as the influence of U.S. crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s to the present. A Canterbury Tale and the documentary Listen to Britain are analyzed in the context of village pageants and other wartime explorations of Englishness at risk. English crime dramas are set against the writings of George Orwell, while a famous line from Noel Coward leads to a discussion of music and image in works like Brief Encounter and Look Back in Anger. Screen adaptation is also broached in analyses of the 1985 BBC version of Dickens's Bleak House and Merchant-Ivory's The Remains of the Day.


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