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British Cinema in the Fifties, Geraghty, Christine


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Автор: Geraghty, Christine
Название:  British Cinema in the Fifties
ISBN: 9780415171571
Издательство: Taylor&Francis
Классификация:



ISBN-10: 0415171571
Обложка/Формат: Hardback
Страницы: 240
Вес: 0.54 кг.
Дата издания: 10.08.2000
Размер: 241 x 164 x 20
Читательская аудитория: Undergraduate
Подзаголовок: Gender, genre and the `new look`
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Поставляется из: Европейский союз


Secret Agents

Автор: Garber, Marjorie
Название: Secret Agents
ISBN: 0415911206 ISBN-13(EAN): 9780415911207
Издательство: Taylor&Francis
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Цена: 5817.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

America in the fifties

Автор: Dunar, Andrew J.
Название: America in the fifties
ISBN: 0815631286 ISBN-13(EAN): 9780815631286
Издательство: Mare Nostrum (Eurospan)
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Цена: 3129.00 р.
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Описание: Shows how the issues confronted America in the late twentieth century have roots in the fifties, some apparent at the time, others only in retrospect: civil rights, environmentalism, the counterculture, and ""movements"" on behalf of women, Chicanos, and Native Americans. This book is useful for instructors of American history survey courses.

From Russia With Love

Автор: Llewella Chapman
Название: From Russia With Love
ISBN: 1839024534 ISBN-13(EAN): 9781839024535
Издательство: Bloomsbury Academic
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Цена: 2503.00 р.
Наличие на складе: Поставка под заказ.

Описание: Often hailed as the 'best' James Bond film, From Russia With Love (1963) is celebrated for its direction by Terence Young, memorable performances from Sean Connery in his second outing as 007, Pedro Armendariz as Kerim, Lotte Lenya as the lesbian villain Colonel Rosa Klebb, and Robert Shaw as Red Grant, the sexually ambiguous SPECTRE assassin. And regardless of its place within the longest-running continuous film series in cinema history, it is also an outstanding example of the British spy thriller in its own right. Llewella Chapman's study of the iconic film pinpoints its place within the James Bond film franchise, and its significant cultural value to critics and fans as well as this film’s important place within British cinema history more widely. Drawing on a broad range of archival sources, Chapman traces the film's development and production history, including its adaptation from Ian Fleming's source novel, as well as its reception and lasting impact. Chapman also considers the film's portrayal of gender politics, with its queer villains counterpoised with the heterosexual couple Bond and his Russian counterpart Tatiana Romanova, the context of Cold War politics, and the influence of Alfred Hitchcock’s North by Northwest (1959).

British Historical Cinema

Автор: Monk, Claire
Название: British Historical Cinema
ISBN: 0415238102 ISBN-13(EAN): 9780415238106
Издательство: Taylor&Francis
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Цена: 5970.00 р.
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Fear Eats the Soul (Angst Essen Seele Auf)

Автор: Cottingham Laura
Название: Fear Eats the Soul (Angst Essen Seele Auf)
ISBN: 1839021799 ISBN-13(EAN): 9781839021794
Издательство: Bloomsbury Academic
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Цена: 2503.00 р.
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Описание:

In Rainer Werner Fassbinder's Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany.

It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinder's finest film.

Laura Cottingham celebrates Fassbinder's achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the director's debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique.

Masculinity in british cinema, 1990-2010

Автор: Godfrey, Sarah
Название: Masculinity in british cinema, 1990-2010
ISBN: 1399527797 ISBN-13(EAN): 9781399527798
Издательство: Bloomsbury Academic
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Цена: 4816.00 р.
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Описание:

From the new man to the metrosexual, British society from the 1990s to the 2000s was pre-occupied with questions about masculinity, and more specifically with the idea that it was somehow ‘in crisis.’ The first book-length study of British cinematic representations of masculinity in this period, this fascinating study offers a feminist analysis of key tropes in this era, including the New Lad, fatherhood and masculine violence. Positioning these representations within the specific context of British manifestations of postfeminism and neoliberalism, the book explores the shifting representations of masculinity in popular British cinema and offers a detailed analysis of important recent developments in gender culture. With case studies of films like Brassed Off (1996), The Full Monty (1997), Trainspotting (1996) and About a Boy (2002), this book is a fascinating insight into an understudied period of British cinema and culture.

Film and the Working Class: The Feature Film in British and American Society

Автор: Peter Stead
Название: Film and the Working Class: The Feature Film in British and American Society
ISBN: 0415726581 ISBN-13(EAN): 9780415726580
Издательство: Taylor&Francis
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Цена: 23734.00 р.
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Описание:

Taking the subject chronologically from the 1890s to when the book was initially published in 1989, this book analyses those films specifically concerned with working-class conditions and struggle, and discusses them within the context of the debate on the social significance of the feature film. It concentrates on films which depict labour organizations and political activists, as well as life in working-class communities and actors with working-class identities such as James Cagney.

Reviews of the original edition:

'...fills a gap in film studies...the study of social and labour history, and the development of popular culture in Britain and the United States.'

British Cinema in the Fifties

Автор: Geraghty, Christine
Название: British Cinema in the Fifties
ISBN: 041517158X ISBN-13(EAN): 9780415171588
Издательство: Taylor&Francis
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Цена: 6276.00 р.
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Women in Fifties Britain: A New Look

Автор: Penny Tinkler, Stephanie Spencer, Claire Langhamer
Название: Women in Fifties Britain: A New Look
ISBN: 0367234319 ISBN-13(EAN): 9780367234317
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: This collection re-visions the history of girls and women in Britain in the 1950s and offers new ways of thinking about established and new categories of historical analysis. Its methodological and conceptual interventions enrich and extend women`s history. It was originally published as a special issue of Women`s History Review.

Women in Fifties Britain

Название: Women in Fifties Britain
ISBN: 1138104612 ISBN-13(EAN): 9781138104617
Издательство: Taylor&Francis
Рейтинг:
Цена: 24499.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This collection re-visions the history of girls and women in Britain in the 1950s and offers new ways of thinking about established and new categories of historical analysis. Its methodological and conceptual interventions enrich and extend women`s history. It was originally published as a special issue of Women`s History Review.

Framing the Fifties: Cinema in a Divided Germany

Автор: John Davidson, Sabine Hake
Название: Framing the Fifties: Cinema in a Divided Germany
ISBN: 1845452046 ISBN-13(EAN): 9781845452049
Издательство: Berghahn
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Цена: 16988.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

The demise of the New German Cinema and the return of popular cinema since the 1990s have led to a renewed interest in the postwar years and the complicated relationship between East and West German cinema in particular. A survey of the 1950s, as offered here for the first time, is therefore long overdue. Moving beyond the contempt for "Papa's Kino" and the nostalgia for the fifties found in much of the existing literature, this anthology explores new uncharted territories, traces hidden connections, discovers unknown treasures, and challenges conventional interpretations. Informed by cultural studies, gender studies, and the study of popular cinema, this anthology offers a more complete account by focusing on popular genres, famous stars, and dominant practices, by taking into account the complicated relationships between East vs. West German, German vs. European, and European vs. American cinemas; and by paying close attention to the economic and political conditions of film production and reception during this little-known period of German film history.

Framing the Fifties: Cinema in a Divided Germany

Автор: John Davidson, Sabine Hake
Название: Framing the Fifties: Cinema in a Divided Germany
ISBN: 1845455363 ISBN-13(EAN): 9781845455361
Издательство: Berghahn
Рейтинг:
Цена: 4796.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

The demise of the New German Cinema and the return of popular cinema since the 1990s have led to a renewed interest in the postwar years and the complicated relationship between East and West German cinema in particular. A survey of the 1950s, as offered here for the first time, is therefore long overdue. Moving beyond the contempt for "Papa's Kino" and the nostalgia for the fifties found in much of the existing literature, this anthology explores new uncharted territories, traces hidden connections, discovers unknown treasures, and challenges conventional interpretations. Informed by cultural studies, gender studies, and the study of popular cinema, this anthology offers a more complete account by focusing on popular genres, famous stars, and dominant practices, by taking into account the complicated relationships between East vs. West German, German vs. European, and European vs. American cinemas; and by paying close attention to the economic and political conditions of film production and reception during this little-known period of German film history.


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