Автор: Margie Borschke Название: This is Not a Remix: Piracy, Authenticity and Popular Music ISBN: 1501318918 ISBN-13(EAN): 9781501318917 Издательство: Bloomsbury Academic Рейтинг: Цена: 15418.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet. Borschke examines the innovations that have sprung from the use of recording formats in grassroots music scenes, from the vinyl, tape and acetate that early disco DJs used to create remixes to the mp3 blogs and vinyl revivalists of the 21st century. This is Not A Remix challenges claims that ‘remix culture’ is a substantially new set of innovations and highlights the continuities and contradictions of the Internet era. Through an historical focus on copy as a property and practice, This Is Not a Remix focuses on questions about the materiality of media, its use and the aesthetic dimensions of reproduction and circulation in digital networks. Through a close look at sometimes illicit forms of composition—including remixes, edits, mashup, bootlegs and playlists—Borschke ponders how and why ideals of authenticity persist in networked cultures where copies and copying are ubiquitous and seemingly at odds with romantic constructions of authorship. By teasing out unspoken assumptions about media and culture, this book offers fresh perspectives on the cultural politics of intellectual property in the digital era and poses questions about the promises, possibilities and challenges of network visibility and mobility.
Описание: Through stories about the professional rapper who founded the first hip-hop school and the aspiring artists currently enrolled there, Hip Hop Genius delivers a vision for how hip-hop`s genius can lead to a fundamental remix of the way we think of teaching, school design, and leadership.
Автор: Huber, David Miles Название: The MIDI Manual ISBN: 0367549972 ISBN-13(EAN): 9780367549978 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Нет в наличии.
Описание: Nominated for the 2018 Association for Recorded Sound Collections (ARSC) Awards for Excellence in Historical Recorded Sound Research.
The first book of the four-book series, "The Beatles Recording Reference Manual: Volume 1: My Bonnie through Beatles For Sale (1961-1964)" tracks the evolution of the band from their earliest recordings and initial hits, through "Please Please Me," "With The Beatles," "A Hard Day's Night," and "Beatles For Sale." From the first take to the final remix, discover the making of the greatest recordings of all time.
Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
The collection and analysis of hundreds of recordings (takes, outtakes, remixes and release versions), books, magazine articles, photos, film and video evidence, and interviews with key engineers who worked on the sessions filter out the noise of myth and conflicting fact to arrive at an accurate telling of the creation of The Beatles classic recordings.
Book features:
Commercial releases during the period (albums, singles and extended play (EP) discs)
Song-by-song narratives of work during the period in order of first recording (Each narration includes an introduction to the song, information on the technical team responsible for production and a description of the construction of the song from the first take to the final remix, detailing the entire recording process.).
An easy to follow diagram of the recording process.
A year-by-year overview of the recording studios used by the band, including the available equipment configurations.
A year-by-year overview of the instruments and amplifiers used by the band.
A session-by-session breakdown of every technical component used in the creation of the songs (listing the session date, location, work completed, technical staff, musicians, instruments used, amplifiers used, recording equipment, microphones and studio effects used).
A listing of mono and stereo master remixes, their dates of creation and their release versions (for UK release).
Tables outlining the use during the period of electric and acoustic guitars, basses, drums, percussion, keyboards and other instruments, amplifiers, EMI Studios outboard equipment and microphones.
An explanation of technical equipment in relation to The Beatles recording sessions.
A glossary of terms.
A complete bibliography.
Автор: Snoman Rick Название: Dance Music Manual ISBN: 0415825644 ISBN-13(EAN): 9780415825641 Издательство: Taylor&Francis Рейтинг: Цена: 5051.00 р. Наличие на складе: Нет в наличии.
Описание: What are the differences between trance and chill out? How can you create compelling, professional-sounding original or remixed dance tracks? With Dance Music Manual, you’ll get coverage of every aspect of dance music production—from designing sounds to compression, from effects to mixing and mastering—and go even further, with advice on publishing and promoting your tracks. No matter your level of experience, this book is packed with techniques and practical tips to help you achieve professional results, whether you’re an aspiring dance music producer, DJ, remixer, recording engineer, musician, or composer. The companion website provides examples of synthesis programming, compression, effects, MIDI files and examples of the tracks discussed within this edition. The third edition includes up-to-date dance music coverage, including new chapters on arranging dance music, layering kicks, more on music theory, fundamentals of rhythm, building professional drum loops, gain structure, producing dubstep, and advice on the very latest production techniques.
Описание: The fifth and final book of this critically acclaimed series, "The Beatles Recording Reference Manual: Volume 5: Let It Be through Abbey Road (1969 - 1970)" follows The Beatles as they "get back to where they once belonged...". Not once, but twice. With "Let It Be", they attempted to recapture the spontaneity of their early years and recordings, while "Abbey Road" was a different kind of return - to the complexity, finish and polish that they had applied to their work beginning with "Revolver" and through to "The Beatles".
From the first take to the final remix, discover the making of the greatest recordings of all time.
Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act.
The collection and analysis of hundreds of recordings (takes, outtakes, remixes and released versions), books, magazine articles, photos, film and video evidence, and interviews with key engineers who worked on the sessions filter out the noise of myth and conflicting fact to arrive at an accurate telling of the creation of The Beatles' classic recordings.
Book features:
Commercial releases during the period (albums, singles and extended play (EP) discs)
Song-by-song narratives of work during the period in order of first recording (Each narration includes an introduction to the song, information on the technical team responsible for production and a description of the construction of the song from the first take to the final remix, detailing the entire recording process.).
An easy to follow diagram of the recording process.
A year-by-year overview of the recording studios used by the band, including the available equipment configurations.
A year-by-year overview of the instruments and amplifiers used by the band.
A session-by-session breakdown of every technical component used in the creation of the songs (listing the session date, location, work completed, technical staff, musicians, instruments used, amplifiers used, recording equipment, microphones and studio effects used).
A listing of mono and stereo master remixes, their dates of creation and their release versions (for UK release).
Tables outlining the use during the period of electric and acoustic guitars, basses, drums, percussion, keyboards and other instruments, amplifiers, EMI Studios outboard equipment and microphones.
An explanation of technical equipment in relation to The Beatles recording sessions.
A glossary of terms.
A complete bibliography.
The recording of each song is described step-by-step, revealing the backing tracks, overdubs, edits, and remixes that led to the final release versions the world knows and loves. Easy to follow diagrams offer insight into the recording process at each major milestone. Detailed appendices expose the behind the scenes work accomplished in each session and reveal every piece of gear and studio equipment used to create their landmark recordings.
Song by song and session by session, discover the musicians and technicians, studios, gear, and techniques used by The Beatles to create their musical masterpieces.
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