Indie tv, Wei, Shen (eu-asia Institute, Essca, Angers, France)
Автор: Rachel Lifter Название: Fashioning Indie: Popular Fashion, Music and Gender ISBN: 1350126322 ISBN-13(EAN): 9781350126329 Издательство: Bloomsbury Academic Рейтинг: Цена: 18308.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
When indie rocker Pete Doherty began a relationship with supermodel Kate Moss in 2005, the British indie music scene, which first appeared in the 1980s, became mainstream. Its signature look-slender bodies clad in skinny jeans-had reached the height of popular fashion.
With in-depth research into the lucrative transformation of indie style first into high concept menswear and later into the womenswear phenomenon known as "festival fashion," Fashioning Indie provides a unique account of what happens when a subculture is incorporated into the commercial fashion system.
Rachel Lifter argues that, amidst these changes, the ideal figure of indie also transformed: from a slender, white, guitar-playing man into the festival fashionista. Celebrated for her "individual style," the festival fashionista also proved to be an ideal subject of 21st-century popular fashion, wherein the lines between alternative style and mainstream fashion cultures blurred.
As the music and fashions of festivals face increasing scrutiny in debates about diversity and inclusion, and the transformations of indie style coincide with the global expansion of the second-hand retail sector, Fashioning Indie provides essential insights into the broader culture of popular fashion in the 21st century and the values that inform it.
Автор: Rachel Lifter Название: Fashioning Indie: Popular Fashion, Music and Gender ISBN: 1350238074 ISBN-13(EAN): 9781350238077 Издательство: Bloomsbury Academic Рейтинг: Цена: 6165.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 2005, British supermodel Kate Moss went to Glastonbury with her then-boyfriend, indie rocker Pete Doherty. Their unwashed appearance captured widespread attention, propelling the British indie music scene and its signature look-slender bodies clad in skinny jeans-to the center of popular fashion.
Using this fashionable watershed as a launching point, Fashioning Indie narrates indie's evolution: from a 1980s British music subculture into a 21st-century international fashion phenomenon. It explores the lucrative transformation of indie style, first into high concept menswear and later into "festival fashion"-a womenswear phenomenon that remade what indie looked like and provided a launching point to reimagine who the ideal subject of indie could be.
Fashioning Indieis essential reading for academic and popular audiences, offering an original account of what happens when a subculture is incorporated into the commercial fashion system. As the music and fashions of festivals face increasing scrutiny in debates about diversity and inclusion, and the transformations of indie style coincide with the global expansion of the second-hand retail sector, the book offers also essential insights into the broader culture of popular fashion in the 21st century and the values that inform it.
Автор: Chris McAuliffe, Mark Gibson, Maura Edmond, Tony Moore Название: Fringe to Famous: Indie and Mainstream Cultural Production in Australia ISBN: 1501334883 ISBN-13(EAN): 9781501334887 Издательство: Bloomsbury Academic Рейтинг: Цена: 18501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Fringe to Famous examines exchange between small scenes of cultural production and mainstream institutions and markets. Drawing on Australian examples in music, streetwear, comedy, screen and digital games, it argues that there has been much greater crossover between the two than is generally recognized. The book resists a tendency to represent fringe and mainstream as abstract opposites, bringing a focus instead to concrete historical formations. It offers an alternative both to romantic celebrations of a ‘pure’ fringe – discredited now by half a century of critical responses to the counterculture – and to an increasingly hardened anti-romantic reaction. Drawing on extensive original interviews, Fringe to Famous offers an overview of transformations in Australian culture since the 1980s, concluding with suggestions for cultural policy ‘after the creative industries’. It proposes an idea of ‘generative hybridity’ between fringe and mainstream that allows us to imagine new possibilities for arts and culture in the 2020s and beyond.
Описание: By January 1978, the Sex Pistols were the most talked about band on the planet. This book covers the Pistols 1978 tour of America from varying perspectives - with many people sharing their experiences for the first time. The book also endeavours to separate fact from the many fallacies that still surround those twelve days of mayhem when the Sex Pistols wended their way across an unsuspecting USA.
Автор: Worley Matthew Название: No Future ISBN: 1316625605 ISBN-13(EAN): 9781316625606 Издательство: Cambridge Academ Рейтинг: Цена: 3325.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Fascinating new account of punk`s emergence as a fashion, musical form, attitude and aesthetic in Britain from 1976 to 1984. Matthew Worley reveals the ways in which punk was constructed, understood and utilised as a cultural medium against the backdrop of a 1970s Britain in deep social and political crisis.
Автор: King, Geoff Название: American Independent Cinema ISBN: 0415684293 ISBN-13(EAN): 9780415684293 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Lyons, James Название: Indie TV ISBN: 0367677296 ISBN-13(EAN): 9780367677299 Издательство: Taylor&Francis Рейтинг: Цена: 21437.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Uncompromising and innovative, hardcore punk in Washington, DC, birthed a new sound and nurtured a vibrant subculture aimed at a specific segment of the city's youth. Shayna L. Maskell explores DC's hardcore scene during its short but storied peak. Led by bands like Bad Brains and Minor Threat, hardcore in the nation's capital unleashed music as angry and loud as it was fast and minimalistic. Maskell examines the music's aesthetics and the unique impact of DC's sociopolitical realities on the sound and the scene that emerged. As she shows, aspects of the music's structure merged with how bands performed it to put across distinctive representations of race, class, and gender. But those representations could be as complicated and contradictory as they were explicit.
A fascinating analysis of a punk rock hotbed, Politics as Sound tells the story of how a generation created music that produced--and resisted--politics and power.
Описание: Uncompromising and innovative, hardcore punk in Washington, DC, birthed a new sound and nurtured a vibrant subculture aimed at a specific segment of the city's youth. Shayna L. Maskell explores DC's hardcore scene during its short but storied peak. Led by bands like Bad Brains and Minor Threat, hardcore in the nation's capital unleashed music as angry and loud as it was fast and minimalistic. Maskell examines the music's aesthetics and the unique impact of DC's sociopolitical realities on the sound and the scene that emerged. As she shows, aspects of the music's structure merged with how bands performed it to put across distinctive representations of race, class, and gender. But those representations could be as complicated and contradictory as they were explicit.
A fascinating analysis of a punk rock hotbed, Politics as Sound tells the story of how a generation created music that produced--and resisted--politics and power.
Описание: Jack Leywood joins the Canadian Navy and quickly makes a name for himself as a crack student being the first in his class. His luck changes when he discovers the joys of racing sail with one of his ships officers. His temper flares when he and his pal discover a young girl dead of an overdose and the germ of an idea forms he would take on the drug lords of the Union Corse sending heroin ashore in New Brunswick. Then using his racing ketch as a base, his friends join him to begin taking down the yachts dropping off the white death and finally attracts the attention of Charles DeGaulle who decorates him for bravery and the dragons are born.
Автор: Fathallah Judith May Название: Emo: How Fans Defined a Subculture ISBN: 1609387244 ISBN-13(EAN): 9781609387242 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3742.00 р. Наличие на складе: Поставка под заказ.
Описание: A popular music phenomenon in the early 2000s, emo is short for `emotional hardcore`, and refers to both a music genre and a youth scene notable for its androgynous style. Judith May Fathallah pushes beyond the stereotypes and social stigma to explore how online fandom has shaped the definition of emo.
Автор: Newman Michael Z. Название: Indie: An American Film Culture ISBN: 0231144644 ISBN-13(EAN): 9780231144643 Издательство: Wiley Рейтинг: Цена: 13939.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream.
By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.
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