Автор: Mercado, Gustavo Название: The Filmmaker`s Eye ISBN: 1138780316 ISBN-13(EAN): 9781138780316 Издательство: Taylor&Francis Рейтинг: Цена: 5205.00 р. Наличие на складе: Заказано в издательстве.
Описание: This fully revised and updated edition of the classic book on cinematic composition provides readers with the necessary skills and technical know-how to create polished and narratively eloquent images, using a unique approach that combines an analytical, technical, and aesthetic understanding of the essential visual grammar of the shot.
Автор: Greenberg, Michael R. Название: Soviet Cinematography, 1918-1991 ISBN: 0202304620 ISBN-13(EAN): 9780202304625 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Нет в наличии.
Spanish Cinema Against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s--with the work of Luis Bu uel and Salvador Dal , experimentalist Jos Val de Omar, and militant documentary filmmaker Carlos Velo--through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.
Transborder Media Spaces offers a new perspective on how media forms like photography, video, radio, television, and the Internet have been appropriated by Mexican indigenous people in the light of transnational migration and ethnopolitical movements. In producing and consuming self-determined media genres, actors in Tamazulapam Mixe and its diaspora community in Los Angeles open up media spaces and seek to forge more equal relations both within Mexico and beyond its borders. It is within these spaces that Ayuujk people carve out their own, at times conflicting, visions of development, modernity, gender, and what it means to be indigenous in the twenty-first century.
Автор: St. Pierre, Paul Matthew Название: Cinematography in the weimar republic ISBN: 1611479460 ISBN-13(EAN): 9781611479461 Издательство: Неизвестно Рейтинг: Цена: 13553.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary.
Описание: Klezmer Tunes for Clarinet• Traditional Klezmer tunes• Notes on performance and style• Complete with play-along CDRudolf Mauz presents a wide-ranging collection of Klezmer tunes and Jewish melodies for clarinet. The collection features pieces for clarinet and keyboard accompaniment, as well as a selection of clarinet duets including well-known traditional pieces and original numbers by Rudolf Mauz. The music has been carefully edited to create stylistic, authentic arrangements. The volume is accompanied by a CD with demonstration recordings of all tunes as well as play-along versions. Besetzung:clarinet and piano
Описание: Through analysis of several key collaborations in American cinema from the silent era to the late twentieth century such as those of D W Griffith and Billy Bitzer, and Alfred Hitchcock and Robert Burks, this book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.
The potential of films to educate has been crucial for the development of cinema intended to influence culture, and is as important as conceptions of film as a form of art, science, industry, or entertainment. Using the concept of institutionalization as a heuristic for generating new approaches to the history of educational cinema, contributors to this volume study the co-evolving discourses, cultural practices, technical standards, and institutional frameworks that transformed educational cinema from a convincing idea into an enduring genre. The Institutionalization of Educational Cinema examines the methods of production, distribution, and exhibition established for the use of educational films within institutions-such as schools, libraries, and industrial settings in various national and international contexts and takes a close look at the networks of organizations, individuals, and government agencies that were created as a result of these films' circulation. Through case studies of educational cinemas in different North American and European countries that explore various modes of institutionalization of educational film, this book highlights the wide range of vested interests that framed the birth of educational and nontheatrical cinema.
Автор: Schmitt Gavin Название: Karl Freund: The Life and Films ISBN: 1476678898 ISBN-13(EAN): 9781476678894 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6791.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Offers the first book-length look at one of the world`s greatest cameramen. It details the events of his early life, his entrance into the world of film, his work in both Germany and America, and his legacy, while also putting his life and films into the historical context of the 20th century.
Автор: Ellis David Название: In Conversation with Cinematographers ISBN: 1442251093 ISBN-13(EAN): 9781442251090 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 17952.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Although cinematographers are vital to the filmmaking process, they don't always get the recognition they deserve. Directors of cinematography often are responsible for the look of a film and its lasting impression on the viewer, but their skills are not as readily appreciated as those of directors or screenwriters. David A. Ellis had the privilege of meeting with a number of accomplished cinematographers to discuss their art and craft. In Conversation with Cinematographers features interviews with 21 directors of photography--as well as two notable camera operators--most of whom still work in film and television today. In this volume, readers are taken behind the scenes of some of the most successful films and shows of the last several decades. Interviewed in this book are: - Sue Gibson (Hear My Song, The Forsyte Saga) - Gavin Finney (Colditz, Mr Selfridge, Wolf Hall) - Oliver Stapleton (The Cider House Rules, State and Main, The Proposal) - Phil Meheux (The Fourth Protocol, Casino Royale) - Brian Tufano (Trainspotting, Billy Elliot, The Evacuees) - Clive Tickner (Traffik, The Puppet Masters, Inspector Morse) - Stephen Goldblatt (The Prince of Tides, Angels in America, The Help) - Seamus McGarvey (High Fidelity, Atonement, The Hours) - Peter MacDonald (Excalibur, Hamburger Hill, Rambo 3) - Mike Southon (Gothic, Doctor Who: The Hider in the House) - Rob Hardy (Every Secret Thing, Testament of Youth, Ex Machina) - Harvey Harrison (101 Dalmatians, The Expendables, Sahara) - Mike Valentine (Shakespeare in Love, Skyfall, The Bourne Ultimatum) - Robin Browne (Gandhi, A Passage to India, Air America) - Adam Suschitzky (Life on Mars, The Whisperers) - Ken Westbury (Dr. Fischer of Geneva, The Singing Detective) - Simon Kossoff (Young Charlie Chaplin, Client 9, The Daisy Chain) - Chris Seager (Call the Midwife, Game of Thrones) - David Worley (Quantum of Solace, Thor: The Dark World, The Full Monty) - Trevor Coop (Amadeus, Ballykissangel, Chocolat) - Haris Zambarloukos (Mama Mia, Cinderella, Jack Ryan: Shadow Recruit) - Peter Hannan (The Gathering Storm, My House in Umbria, The Razor's Edge) - Roger Pratt (Shadowlands, Harry Potter and the Goblet of Fire, Batman) These cinematographers recount their experiences on sets and reveal what it was like to work with some of the most acclaimed directors of recent times, including Danny Boyle, Francis Ford Coppola, Clint Eastwood, Lasse Hallstrom, David Lynch and Steven Spielberg. With valuable insight into the craft of moviemaking and featuring more than forty photos, this collection of interviews will appeal to film professors, scholars, and students, as well as anyone with an interest in the art of cinematography.
Описание: Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary. Germany`s enduring contribution to film history was the collaborative model of filmemacherin, with directors and cinematographers working together as equal partners.
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