Peripheries at the Centre: Borderland Schooling in Interwar Europe, Machteld Venken
Автор: Haro Aso Название: Alice In Borderland, Vol. 03Pa ISBN: 1974728560 ISBN-13(EAN): 9781974728565 Издательство: Viz Media Рейтинг: Цена: 2638.00 р. Наличие на складе: Есть (1 шт.) Описание: An action-packed thriller and source of the hit Netflix drama where the only way to survive is to play the game!
Автор: Haro Aso Название: Alice in Borderland, Vol. 2 ISBN: 1974728552 ISBN-13(EAN): 9781974728558 Издательство: Viz Media Рейтинг: Цена: 3133.00 р. Наличие на складе: Есть (2 шт.) Описание: An action-packed thriller and source of the hit Netflix drama where the only way to survive is to play the game!
Автор: Haro Aso Название: Alice In Borderland, Vol. 04Pa ISBN: 1974728579 ISBN-13(EAN): 9781974728572 Издательство: Viz Media Рейтинг: Цена: 2638.00 р. Наличие на складе: Есть (2 шт.) Описание: An action-packed thriller and source of the hit Netflix drama where the only way to survive is to play the game!
Автор: Haro Aso Название: Alice In Borderland, Vol. 5 Pa ISBN: 1974728587 ISBN-13(EAN): 9781974728589 Издательство: Viz Media Рейтинг: Цена: 2638.00 р. Наличие на складе: Ожидается поступление.
Описание: An action-packed thriller and source of the hit Netflix drama where the only way to survive is to play the game!
Автор: Haro Aso Название: Alice In Borderland, Vol. 1 Pa ISBN: 1974728374 ISBN-13(EAN): 9781974728374 Издательство: Viz Media Рейтинг: Цена: 3133.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An action-packed thriller and source of the hit Netflix drama where the only way to survive is to play the game!
Following the Treaty of Versailles, European nation-states were faced with the challenge of instilling national loyalty in their new borderlands, in which fellow citizens often differed dramatically from one another along religious, linguistic, cultural, or ethnic lines. Peripheries at the Centre compares the experiences of schooling in Upper Silesia in Poland and Eupen, Sankt Vith, and Malmedy in Belgium — border regions detached from the German Empire after the First World War. It demonstrates how newly configured countries envisioned borderland schools and language learning as tools for realizing the imagined peaceful Europe that underscored the political geography of the interwar period.
Описание: As a resurgent Poland emerged at the end of World War I, an eclectic group of Polish border guards, state officials, military settlers, teachers, academics, urban planners, and health workers descended upon Volhynia, an eastern borderland province that was home to Ukrainians, Poles, and Jews. Its aim was not simply to shore up state power in a place where Poles constituted an ethnic minority, but also to launch an ambitious civilizing mission that would transform a poor Russian imperial backwater into a region that was at once civilized, modern, and Polish. Over the next two decades, these men and women recast imperial hierarchies of global civilization-in which Poles themselves were often viewed as uncivilized-within the borders of their supposedly anti-imperial nation-state. As state institutions remained fragile, long-debated questions of who should be included in the nation re-emerged with new urgency, turning Volhynia's mainly Yiddish-speaking towns and Ukrainian-speaking villages into vital testing grounds for competing Polish national visions. By the eve of World War II, with Nazi Germany and the Soviet Union growing in strength, schemes to ensure the loyalty of Jews and Ukrainians by offering them a conditional place in the nation were replaced by increasingly aggressive calls for Jewish emigration and the assimilation of non-Polish Slavs. Drawing on research in local and national archives across four countries and utilizing a vast range of written and visual sources that bring Volhynia to life, On Civilization's Edge offers a highly intimate story of nation-building from the ground up. We eavesdrop on peasant rumors at the Polish-Soviet border, read ethnographic descriptions of isolated marshlands, and scrutinize staged photographs of everyday life. But the book's central questions transcend the Polish case, inviting us to consider how fears of national weakness and competitions for local power affect the treatment of national minorities, how more inclusive definitions of the nation are themselves based on exclusions, and how the very distinction between empires and nation-states is not always clear-cut.
Описание: In this original intellectual history, Anna di Robilant traces the history of one of the most influential legal, political, and intellectual projects of modernity: the appropriation of Roman property law by liberal nineteenth-century jurists to fit the purposes of modern Europe. Drawing from a wealth of primary sources, many of which have never been translated into English, di Robilant outlines how a broad network of European jurists reinvented the classical Roman concept of property to support the process of modernisation. By placing this intellectual project within its historical context, she shows how changing class relations, economic policies and developing ideologies converged to produce the basis of modern property law. Bringing these developments to the twentieth century, this book demonstrates how this largely fabricated version of Roman property law shaped and continues to shape debates concerning economic growth, sustainability, and democratic participation.
Описание: The first comparative historical analysis - local, national and transnational - of the cross-border Central African copperbelt; a key work in studies of labour, urbanisation and African studies.
Автор: Kacandes Irene, Komska Yuliya Название: Eastern Europe Unmapped: Beyond Borders and Peripheries ISBN: 1789205301 ISBN-13(EAN): 9781789205305 Издательство: Berghahn Рейтинг: Цена: 4796.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Arguably more than any other region, the area known as Eastern Europe has been defined by its location on the map. Yet its inhabitants, from statesmen to literati and from cultural-economic elites to the poorest emigrants, have consistently forged or fathomed links to distant lands, populations, and intellectual traditions. Through a series of inventive cultural and historical explorations, Eastern Europe Unmapped dispenses with scholars’ long-time preoccupation with national and regional borders, instead raising provocative questions about the area’s non-contiguous—and frequently global or extraterritorial—entanglements.
Описание: This book examines the theater of narration, an Italian performance genre and aesthetic that revisits historical events of national importance from local perspectives, drawing on the rich relationship between personal experiences and historical accounts. Incorporating original research from the private archives of leading narrators—artists who write and perform their work—Juliet Guzzetta argues that the practice teaches audiences how ordinary people aren’t simply witnesses to history but participants in its creation. The theater of narration emerged in Italy during the labor and student protests, domestic terrorism, and social progress of the 1970s. Developing Dario Fo and Franca Rame’s style of political theater, influenced by Jerzy Grotowski and Bertolt Brecht, and following in the freewheeling actor-author traditions of the commedia dell’arte, narrators created a new form of popular theater that grew in prominence in the 1990s and continues to gain recognition. Guzzetta traces the history of the theater of narration, contextualizing its origins—both political and intellectual—and centers the contributions of Teatro Settimo, a performance group overlooked in previous studies. She also examines the genre’s experiments in television and media. The first full-length book in English on the subject, The Theater of Narration leverages close readings and a wealth of primary sources to examine the techniques used by narrators to remake history—a process that reveals the ways in which history itself is a theater of narration.
Описание: This book examines the theater of narration, an Italian performance genre and aesthetic that revisits historical events of national importance from local perspectives, drawing on the rich relationship between personal experiences and historical accounts. Incorporating original research from the private archives of leading narrators—artists who write and perform their work—Juliet Guzzetta argues that the practice teaches audiences how ordinary people aren’t simply witnesses to history but participants in its creation. The theater of narration emerged in Italy during the labor and student protests, domestic terrorism, and social progress of the 1970s. Developing Dario Fo and Franca Rame’s style of political theater, influenced by Jerzy Grotowski and Bertolt Brecht, and following in the freewheeling actor-author traditions of the commedia dell’arte, narrators created a new form of popular theater that grew in prominence in the 1990s and continues to gain recognition. Guzzetta traces the history of the theater of narration, contextualizing its origins—both political and intellectual—and centers the contributions of Teatro Settimo, a performance group overlooked in previous studies. She also examines the genre’s experiments in television and media. The first full-length book in English on the subject, The Theater of Narration leverages close readings and a wealth of primary sources to examine the techniques used by narrators to remake history—a process that reveals the ways in which history itself is a theater of narration.
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