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Filmmakers on Film: Global Perspectives, 


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Название:  Filmmakers on Film: Global Perspectives
ISBN: 9781839024870
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1839024879
Обложка/Формат: Hardback
Страницы: 280
Вес: 0.71 кг.
Дата издания: 21.09.2023
Язык: English
Иллюстрации: 0 illus; 0 illus
Размер: 250 x 190 x 25
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Film theory & criticism,Films, cinema,Individual film directors, film-makers, PERFORMING ARTS / Film / Direction & Production,PERFORMING ARTS / Film / General,PERFORMING ARTS / Film / History & Criticism
Подзаголовок: Global perspectives
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Поставляется из: Англии
Описание: This book bridges the gap between film theory and filmmakers’ thoughts and poetics, and proposes a new way to address and elaborate film theory.It brings together primary sources by filmmakers themselves, drawing on their films, interviews, books, texts, and manifestos. Divided into three parts, the book covers the main aspects of this approach. Part one discusses the concepts of ‘author’ and ‘filmmaker’. Part two evaluates the creative processes of a broad range of filmmakers, including Victor Gaviria (Colombia), Kleber Mendonca Filho (Brazil), Jean-Luc Godard and Agnes Varda (France), Abbas Kiarostami (Iran) Pa. Ranjith (India), Andy Warhol (USA), Maya Deren (Ukraine-USA) and Nuri Bilge Ceylan (Turkey). The final part examines filmmakers’ various techniques, particularly the use of multi-images, after-(dialectical)-images, and the use of sound as a sensorial and narrative tool. This curated selection of writings, with contributors from a range of countries including the USA, UK, India, China, Portugal, Brazil, Belgium and New Zealand, reflects the global perspective of this new approach. The volume also discusses the ways in which filmmakers influence each other, the spectator as seen by filmmakers, and ways to critically address a filmography that takes into account filmmakers other than the director.


Coraline: A Closer Look at Studio LAIKA`s Stop-Motion Witchcraft

Автор: Mihaela Mihailova
Название: Coraline: A Closer Look at Studio LAIKA`s Stop-Motion Witchcraft
ISBN: 1501381431 ISBN-13(EAN): 9781501381430
Издательство: Bloomsbury Academic
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Цена: 5587.00 р.
Наличие на складе: Заказано в издательстве.

Описание: Coraline (Henry Selick, 2009) is stop-motion studio LAIKA's feature-length debut based on the popular children's novel by British author Neil Gaiman. Heralding a revival in global interest in stop-motion animation, the film is both an international cultural phenomenon and a breakthrough moment in the technological evolution of the craft. This open access collection brings together an international group of practitioners and scholars to examine Coraline's place in animation history and culture, dissect its politics, and unpack its role in the technological and aesthetic development of its medium.

More broadly, it celebrates stop motion as a unique and enduring artform while embracing its capacity to evolve in response to cultural, political, and technological changes, as well as shifting critical and audience demands. Divided into three sections, this volume's chapters situate Coraline within an interconnected network of historical, industrial, discursive, theoretical, and cultural contexts. They place the film in conversation with the medium's aesthetic and technological history, broader global intellectual and political traditions, and questions of animation reception and spectatorship.

In doing so, they invite recognition - and appreciation - of the fact that Coraline occupies many liminal spaces at once. It straddles the boundary between children's entertainment and traditional 'adult' genres, such as horror and thriller. It complicates a seemingly straight(forward) depiction of normative family life with gestures of queer resistance.

Finally, it marks a pivotal point in stop-motion animation's digital turn. Following the film's recent tenth anniversary, the time is right to revisit its production history, evaluate its cultural and industry impact, and celebrate its legacy as contemporary stop-motion cinema's gifted child. As the first book-length academic study of this contemporary animation classic, this volume serves as an authoritative introduction and a primary reference on the film for scholars, students, practitioners, and animation fans.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

Global Animation Theory: International Perspectives at Animafest Zagreb

Автор: Franziska Bruckner, Holger Lang, Nikica Gilic, Daniel Suljic, Hrvoje Turkovic
Название: Global Animation Theory: International Perspectives at Animafest Zagreb
ISBN: 1501365010 ISBN-13(EAN): 9781501365010
Издательство: Bloomsbury Academic
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Цена: 6358.00 р.
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Описание: This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Scanning historical and current trends in animation through different perspectives including art history, film, media and cultural studies is a prominent facet of today’s theoretical and historical approaches in this rapidly evolving field. Global Animation Theory offers detailed and diverse insights into the methodologies of contemporary animation studies, as well as the topics relevant for today’s study of animation. The contact between practical and theoretical approaches to animation at Animafest Scanner, is closely connected to host of this event, the World Festival of Animated Film Animafest Zagreb. It has given way to academic writing that is very open to practical aspects of animation, with several contributors being established not only as animation scholars, but also as artists. This anthology presents, alongside an introduction by the editors and a preface by well known animation scholar Giannalberto Bendazzi, 15 selected essays from the first three Animafest Scanner editions. They explore various significant aspects of animation studies, some of them still unknown to the English speaking communities.

Migrants` Perspectives, Migrants in Perspective: World Cinema

Название: Migrants` Perspectives, Migrants in Perspective: World Cinema
ISBN: 1474456766 ISBN-13(EAN): 9781474456760
Издательство: Bloomsbury Academic
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Цена: 19272.00 р.
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Описание: Analyses how migrants are portrayed in film from different viewpoints.

New Perspectives on the War Film

Автор: Tholas Clйmentine, Goldie Janis L., Ritzenhoff Karen A.
Название: New Perspectives on the War Film
ISBN: 3030230988 ISBN-13(EAN): 9783030230982
Издательство: Springer
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Цена: 14635.00 р.
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Описание: New Perspectives on the War Film addresses the gap in the representation of many forgotten faces of war in mainstream movies and global mass media.

Migrants` Perspectives, Migrants in Perspective: World Cinema

Автор: Frank Jacob, Nicole Beth Wallenbrock
Название: Migrants` Perspectives, Migrants in Perspective: World Cinema
ISBN: 1474456774 ISBN-13(EAN): 9781474456777
Издательство: Bloomsbury Academic
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Цена: 5394.00 р.
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Описание:

Presenting the depiction of migration through a variety of cinematic outlets, this volume explores film’s depiction of human displacement in different geographic circumstances and probes the reasons why cinema so frequently evokes a stereotype of in-transit people. Techniques of affect and distance are revealed in the contributors’ close film studies of wide-ranging matter which include works by the Dardenne brothers, transnational video artists Ghazel and Bouchra Khalili, and studies of Syrian films at Western festivals.

Migrants’ Perspective, Migrants in Perspective: World Cinema deciphers the semiotics of migration and its representation in cinema, exploring both the complications of shooting a migrant subject, and the challenges of including the migrants’ point of view.

Spielberg`s Holocaust: Critical Perspectives on Schindler`s List

Автор: Yosefa Loshitzky
Название: Spielberg`s Holocaust: Critical Perspectives on Schindler`s List
ISBN: 0253210984 ISBN-13(EAN): 9780253210982
Издательство: Wiley EDC
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Цена: 3259.00 р.
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Описание: "This anthology of essays on Steven Spielberg's 1993 film is a solid achievement. It is a repository of considerable critical insight and frequently passionate argument." —Holocaust and Genocide Studies
"An excellent collection; highly recommended for general readers and students at all levels." —Choice
"This collection of essays opens further the debate on how to represent the Holocaust as Holocaust representation and memory move into ever-greater areas of daily American and Jewish American culture." —Tikkun
Schindler's List not only afforded director Steven Spielberg a cinematic vehicle loaded with Hollywood-hardware to create his master narrative about the Holocaust, the film also invited a renewed scholarly and intellectual discussion about racism, "historical voyeurism" and the "limits of representation." This thought-provoking critical anthology tackles these issues and many others.

New Perspectives on Early Cinema History: Concepts, Approaches, Audiences

Автор: Daniel Biltereyst, Mario Slugan
Название: New Perspectives on Early Cinema History: Concepts, Approaches, Audiences
ISBN: 1350451452 ISBN-13(EAN): 9781350451452
Издательство: Bloomsbury Academic
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Цена: 5009.00 р.
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Описание: In this book, editors Mario Slugan and Daniel Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de tetes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper’s Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany.

Fairy-Tale Films Beyond Disney: International Perspectives

Автор: Zipes Jack, Greenhill Pauline, Magnus-Johnston Kendra
Название: Fairy-Tale Films Beyond Disney: International Perspectives
ISBN: 0415709296 ISBN-13(EAN): 9780415709293
Издательство: Taylor&Francis
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Цена: 25265.00 р.
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Описание:

The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes's award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world's top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki's Spirited Away, to Jan Svankmajer's Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen.

Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.

Cinema-monde: Decentred Perspectives on Global Filmmaking in French

Автор: Michael Gott, Thibaut Schilt
Название: Cinema-monde: Decentred Perspectives on Global Filmmaking in French
ISBN: 1474431844 ISBN-13(EAN): 9781474431842
Издательство: Bloomsbury Academic
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Цена: 5974.00 р.
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Описание: With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cinema-monde explores the porous borders around francophone spaces and the ways in which languages and identities `travel` in contemporary cinema.

B-Movie Gothic: International Perspectives

Автор: Justin Edwards, Johan Hoglund
Название: B-Movie Gothic: International Perspectives
ISBN: 1474455093 ISBN-13(EAN): 9781474455091
Издательство: Bloomsbury Academic
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Цена: 5009.00 р.
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Описание: Examines the influence of Gothic B-movies on the cinematic traditions of the United States, Britain, Scandinavia, Spain, Turkey, Japan, Hong Kong and India, highlighting their transgressive, transnational and provocative nature.

Contemporary gothic and horror film

Автор: Mcdonald, Keith Johnson, Wayne
Название: Contemporary gothic and horror film
ISBN: 1785277731 ISBN-13(EAN): 9781785277733
Издательство: Неизвестно
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Цена: 27301.00 р.
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Описание:

This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears, by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and finally, the zombie film. In recent years, the concept of transnationalism has 'trans'-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself. It also facilitated studies to focus on notions of hybridity where terms were not fixed but were constantly shifting and mobile.

The central idea of the book is that after horror/Gothic film was dragged into disrepute by the rise of torture porn and endless North American remakes, a set of international filmmakers are seeking to emphasize the aesthetic, artistic and philosophical potential of the Gothic. Such filmmakers include Guillermo del Toro (Crimson Peak), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Park Chan-wook (The Handmaiden, Stoker), Tomas Alfredson (Let the Right One In), Wim Wenders (Only Lovers Left Alive), Ben Wheatley (A Field in England), Jane Campion (Top of the Lake), and Carol Morley (The Falling).

Although written in an accessible manner, the book incorporates theory and engages extensively into research to tap into key developments in Gothic studies - transnationalism, fandom and genre fiction, and transmedia exchanges - bringing these together along with popular culture and associated phenomena.

From Fidelity to History

Автор: Scholz Anne-Marrie
Название: From Fidelity to History
ISBN: 0857457314 ISBN-13(EAN): 9780857457318
Издательство: Berghahn
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Цена: 16988.00 р.
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Описание:

Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and The Portrait of a Lady (1997), and the classics The Third Man (1949) and The Bridge on the River Kwai (1957)-the author demonstrates the ways adapted literary works function as social and cultural events in history and how these become important sites of cultural negotiation and struggle.


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