Warning: Trying to access array offset on false in E:\WWW\html\user.php on line 117 Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema 9781474452953
Описание: This book presents the first substantial academic study of Tyrone Power and employs a range of approaches, including stardom and genre theory, to reappraise his career from various angles including gender, genre and image.
Название: Tyrone Power: The Last Idol ISBN: 1684424690 ISBN-13(EAN): 9781684424696 Издательство: Неизвестно Цена: 3447.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This biography captures the restless spirit of Tyrone Power.
Power was an American film, stage, and radio actor who appeared in dozens of films, often as the handsome romantic lead. Guiles argues with vivid detail why Power was "without qualification the finest romantic voice of this century."
Tyrone Power was as versatile in life as he was on the screen.
He was several men, and during the creation of this book I have been fortunate in having the other principal "lead" in each of these lives as an active partner, coming very close at times to the point of collaboration. He was the last idol created by the vast star-making machine, Twentieth Century-Fox.
Coming from a family of multi-generational actors, Tyrone Power broke the proverbial mold. His on-screen charisma in the 30's and 40's propelled him to the forefront of the "must-have" actors. His on-screen accomplishments were many, yet he did not hesitate to enter the military when his country went to war. After the war, he continued in his career but the years took their toll.
A fascinating look behind the scenes of Hollywood of the 30's and 40's and the impact of the times on a great actor.
Автор: Guiles Fred Lawrence Название: Tyrone Power: The Last Idol ISBN: 1684424682 ISBN-13(EAN): 9781684424689 Издательство: Неизвестно Цена: 5930.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This biography captures the restless spirit of Tyrone Power.
Power was an American film, stage, and radio actor who appeared in dozens of films, often as the handsome romantic lead. Guiles argues with vivid detail why Power was "without qualification the finest romantic voice of this century."
Tyrone Power was as versatile in life as he was on the screen.
He was several men, and during the creation of this book I have been fortunate in having the other principal "lead" in each of these lives as an active partner, coming very close at times to the point of collaboration. He was the last idol created by the vast star-making machine, Twentieth Century-Fox.
Coming from a family of multi-generational actors, Tyrone Power broke the proverbial mold. His on-screen charisma in the 30's and 40's propelled him to the forefront of the "must-have" actors. His on-screen accomplishments were many, yet he did not hesitate to enter the military when his country went to war. After the war, he continued in his career but the years took their toll.
A fascinating look behind the scenes of Hollywood of the 30's and 40's and the impact of the times on a great actor.
Описание: Analysing a wide set of TV and film genres - including crime, legal and medical dramas, comedies, horror, and reality programming - this book covers the complex ways that media responds to social movements, sometimes giving voice to brand-new or previously silenced stories, but just as often making facile references that can fuel cultural backlash.
Автор: Marcus, Kenneth H. (university Of La Verne, California) Название: Schoenberg and hollywood modernism ISBN: 1107652499 ISBN-13(EAN): 9781107652491 Издательство: Cambridge Academ Рейтинг: Цена: 6019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple connections in Hollywood as well as within academia.
Автор: B. Hagin Название: Death in Classical Hollywood Cinema ISBN: 1349314390 ISBN-13(EAN): 9781349314393 Издательство: Springer Рейтинг: Цена: 7927.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, the gangster film, melodrama and the war film.
Описание: The classical Hollywood films that were released between the 1930s and 1960s were some of the most famous products of global trade, crisscrossing borders and rising to international dominance. In analysing a series of Hollywood films that illustrate moments of nuanced transnational engagement with the "foreign," Projecting the World: Representing the "Foreign" in Classical Hollywood enriches our understanding of mid-twentieth-century Hollywood cinema as a locus of imaginative geographies that explore the United States’ relationship with the world. While previous scholarship has asserted the imperialism and racism at the core of classical Hollywood cinema, Anna Cooper and Russell Meeuf’s collection delves into the intricacies—and sometimes disruptions—of this assumption, seeing Hollywood films as multivalent and contradictory cultural narratives about identity and politics in an increasingly interconnected world.Projecting the World illustrates how Hollywood films negotiate shifting historical contexts of internationalisation through complex narratives about transnational exchange—a topic that has thus far been neglected in scholarship on classical Hollywood. The essays analyse the "foreign" with topics such as the 1930s island horror film, the 1950s Mexico-set bullfighting film, Hollywood’s projection of "exoticism" on Argentina, and John Wayne’s film sets in Africa. Against the backdrop of expanding consumer capitalism and the growth of U.S. global power, Hollywood films such as Tarzan and Anatahan, as well as musicals about Paris, offered resonant images and stories that dramatised America’s international relationships in complicated ways.A fascinating exploration of an oft-overlooked aspect of classical Hollywood films, Projecting the World offers a series of striking new analyses that will entice cinema lovers, film historians, and those interested in the history of American neocolonialism.
Автор: Dixon Wheeler Winston Название: Death of the Moguls: The End of Classical Hollywood ISBN: 0813553768 ISBN-13(EAN): 9780813553764 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13167.00 р. Наличие на складе: Поставка под заказ.
Описание: Death of the Moguls is a detailed assessment of the last days of the ""rulers of film."" Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios' collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn't reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theatres; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative on the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to colour, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.
Автор: Dixon Wheeler W. Название: Death of the Moguls: The End of Classical Hollywood ISBN: 0813553776 ISBN-13(EAN): 9780813553771 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4158.00 р. Наличие на складе: Поставка под заказ.
Описание: Death of the Moguls is a detailed assessment of the last days of the ""rulers of film."" Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios' collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn't reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theatres; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative on the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to colour, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.
Автор: Marcus Название: Schoenberg and Hollywood Modernism ISBN: 1107064996 ISBN-13(EAN): 9781107064997 Издательство: Cambridge Academ Рейтинг: Цена: 17266.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple connections in Hollywood as well as within academia.
Автор: Katie Barnett Название: Fathers on Film: Paternity and Masculinity in 1990s Hollywood ISBN: 1350191604 ISBN-13(EAN): 9781350191600 Издательство: Bloomsbury Academic Рейтинг: Цена: 6165.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The father is an enduring and iconic figure in Hollywood cinema and in the 1990s, narratives of redemptive fatherhood featured prominently in some of the decade’s most popular films like Kindergarten Cop (1990), Mrs Doubtfire (1993), Jurassic Park (1993) and The Lion King (1994). Interpreting such films through the lens of feminist and queer theory, along with masculinity studies and psychoanalysis, Katie Barnett offers an insightful and interdisciplinary discussion of cinematic fathers.
Barnett reveals that the father figure is often portrayed as one that invests in and is part of a discourse of reproductive futurism. This plays out across a range of genres including rom-coms, fantasy, sci-fi, drama, and disaster. By exploring both blockbuster and more low-budget films of the 1990s, Barnett explores the figure of the father against the crisis of masculinity in the United States, and indeed more globally, at this time.
Описание: Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ‘‘war against the obesity epidemic’’. In Fat on Film, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers (2007), Precious (2009), Kung Fu Panda (2008), Paul Blart (2009)and Pitch Perfect (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ‘‘obesity epidemic’’ discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.
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