Описание: In the past decade a range of formal spatial analysis methods has been developed for the study of human engagement, experience and socialisation within the built environment. Many, although not all, of these emanate from the fields of architectural and urban studies, and draw upon social theories of space that lay emphasis on the role of visibility, movement, and accessibility in the built environment. These approaches are now gaining in popularity among researchers of prehistoric and historic built spaces and are given increasingly more weight in the interpretation of past urban environments. Spatial Analysis and Social Spaces brings together contributions from specialists in archaeology, social theory, and urban planning who explore the theoretical and methodological frameworks associated with the application of new and established spatial analysis methods in past built environments. The focus is mainly on more recent computer-based approaches and on techniques such as access analysis, visibility graph analysis, isovist analysis, agent-based models of pedestrian movement, and 3D visibility approaches. The contributors to this volume examine the relationship between space and social life from many different perspectives, and provide illuminating examples from the archaeology of Greece, Italy and Cyprus, in which intra-site analysis offers valuable insights into the built spaces and societies under study.
Автор: Robert Harland Название: Graphic Design in Urban Environments ISBN: 1472597745 ISBN-13(EAN): 9781472597748 Издательство: Bloomsbury Academic Рейтинг: Цена: 5780.00 р. Наличие на складе: Поставка под заказ.
Описание: Graphic Design in Urban Environments introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems. These elements, smaller than buildings, are generally understood by urban designers to comprise such phenomena as sculpture, clock towers, banners, signs, large screens, the portrayal of images on buildings through “smart screens,” and other examples of what urban designers call “urban objects.”The graphic object as it is defined here also refers to a range of familiar things invariably named in the literature as maps, street numbers, route signs, bus placards, signs, architectural communication, commercial vernacular, outdoor publicity, lettering, banners, screens, traffic and direction signs and street furniture. One can also add markings of a sports pitch, lighting, bollards, even red carpets or well dressings. By looking at the environment, and design and deconstructing form and context relationships, the defining properties and configurational patterns that make up graphic objects are shown in this book to link the smallest graphic detail (e.g. the number 16) to larger symbolic statements (e.g. the Empire State Building). From a professional design practice perspective, a cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.
Urban Roar argues for the existence of 'autonomous affectivities' that roar beneath the din of the urban, seeking the attention of us humans so captured by the environments of our own making. In hearing the urban roar, it is the mythic intention of this book to discover ways in which we can work with the intensities of more-than-human forces to vitalize our cities. The book explores methods by which artists, particularly those sound artists involved in fieldwork practices, might encounter and translate autonomous affectivities between different environments. Of particular interest is Jung's concept of synchronicity and its relationship to artistic creation - as experience, flow and catalyst - in manifesting autonomous affectivities into diverse and affective environments.
The book makes use of both theoretical and practical approaches: from a study of scholarship through which it is argued that an autonomous affectivity is equivalent to an archetype (via Jung) and an essence (via Deleuze's reading of Spinoza), to theoretical considerations of the situated body in everyday contexts, to practical study of an artistic research experiment designed to reveal and index autonomous affectivities encountered during fieldwork practices, for the purpose of influencing urban design interventions. In this fresh analysis, Lacey reveals the possibilities in urban environments.
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