Описание: A considerable part of the military history of the 17th century is dominated by the conflict between the Christian powers and the Ottoman Empire. Much has been written about the politics and the campaigns that led to the siege of Vienna in 1683 and the defeat suffered by the Sultan's armies, while, until today, there are relatively few studies on the long war that opposed Venice to the Ottoman Empire. The importance of the event in the context of politics not only of the Mediterranean, but of all Europe, is easily found in the number of chancelleries involved in the war, both directly on the battlefield or in diplomatic negotiations. The strategic duel involved the belligerents in the control of the supply routes, and the metropolitan territory of both sides remained almost excluded from military operations. It was a conflict where the logistics organization and the ability to supply the armies made the difference, similar in many ways to the campaigns in the south-western Pacific during the Second World War. It could be said that the Cretan War was the first conflict of contemporary age, but fought with the means of the 17thcentury. Other aspects make this conflict a topic of great interest. Just remember that in the last years of war, men from almost all the countries of Europe were concentrated in Crete - and for the Ottomans also from Asia and Africa. Even with regard to the reconstruction of military clothing and equipment, this work finally opens a window on a period not very frequented by researchers, although these are years in which great transformation took place both in the armaments and in the development of new combat tactics. The different types of soldiers involved in the conflict have been illustrated with care in colour plates, based on the most significant coeval examples and employing several unpublished sources.
Описание: This interdisciplinary edited collection draws early modern art and material culture into the discussion of the "oceanic turn" in cultural studies, with a focus on the Mediterranean.
Описание: In Naval Warfare and Maritime Conflict in the Late Bronze and Early Iron Age Mediterranean, Jeffrey P. Emanuel examines the evidence for maritime violence in the Mediterranean region during both the Late Bronze Age and the tumultuous transition to the Early Iron Age in the years surrounding the turn of the 12th century BCE.
There has traditionally been little differentiation between the methods of armed conflict engaged in during the Late Bronze and Early Iron Ages, on both the coasts and the open seas, while polities have been alternately characterized as legitimate martial actors and as state sponsors of piracy. By utilizing material, documentary, and iconographic evidence and delineating between the many forms of armed conflict, Emanuel provides an up-to-date assessment not only of the nature and frequency of warfare, raiding, piracy, and other forms of maritime conflict in the Late Bronze Age and Late Bronze-Early Iron Age transition, but also of the extent to which modern views about this activity remain the product of inference and speculation.
Описание: This volume reevaluates the role and social significance of plain pottery traditions in a range of early complex societies of the Near East and Eastern Mediterranean from both historically specific perspectives and from a comparative point of view.
Описание: This book argues that Western ideas of freedom have become widely accepted in Asia, as the key determinant for measuring a range of legal, ethical and political practices. The book finds that modern conceptions of freedom become adapted to local contexts throughout Asia. It avoids cultural relativism and generalisations, but does find a number of common ideas relating to freedom across the region.
How the interactions of nonelites influenced Athenian material culture and society
The seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves. Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts--cemeteries, sanctuaries, workshops, and symposia--offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art. Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.
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