Описание: The Banking Industry Architecture Network (BIAN) is a global, not-for profit association of banks, solution providers, consultancy companies, integrators and academic partners with the shared aim of defining a semantic standard for the banking industry covering almost all the well-known architectural layers. The BIAN was formed in 2008 by a group of banks and solution providers with the shared aim of defining a semantic Service Operation standard for the financial services industry. At a later stage other standards bodies, like ISO and IFX, joined along with some academic partners. BIAN`s expectation is that a standard definition of business functions and service interactions that describe the general construct of any bank will be of significant benefit to the industry. When compared to an increasing number of proprietary designs, a dedicated industry standard, like BIAN, provides the following main benefits:¢ It enables the more efficient and effective development and integration of software solutions for and between banks;¢ It significantly lowers the overall integration costs;¢ It improves the operational efficiency within and between banks and provides the opportunity for greater solution and capability re-use within and among banks;¢ It supports the current need for more industry integration and collaboration through the usage of (open) APIs;¢ It supports the adoption of more flexible business service sourcing models and enhances the evolution and adoption of shared third party business services;¢ It supports FinTechs and RegTechs to gain an easy insight in the complex financial services industry structure.This book is intended for those enterprise, business and solution architects in the financial services industry (FSI) who are interested in applying the BIAN Industry Standard in their organization. It will provide readers with in-depth knowledge to help them understand the full construct of BIAN artifacts, how to apply them and how they can contribute to help the BIAN standard fulfill their (organization`s) needs.The authors of the book expect the readers to have an in-depth knowledge of IT architectural principles and methodologies. The Banking Industry Architecture Network (BIAN) is a global, not-for profit association of banks, solution providers, consultancy companies, integrators and academic partners with the shared aim of defining a semantic standard for the banking industry covering almost all the well-known architectural layers. The BIAN was formed in 2008 by a group of banks and solution providers with the shared aim of defining a semantic Service Operation standard for the financial services industry. At a later stage other standards bodies, like ISO and IFX, joined along with some academic partners. BIAN`s expectation is that a standard definition of business functions and service interactions that describe the general construct of any bank will be of significant benefit to the industry. When compared to an increasing number of proprietary designs, a dedicated industry standard, like BIAN, provides the following main benefits:¢ It enables the more efficient and effective development and integration of software solutions for and between banks;¢ It significantly lowers the overall integration costs;¢ It improves the operational efficiency within and between banks and provides the opportunity for greater solution and capability re-use within and among banks;¢ It supports the current need for more industry integration and collaboration through the usage of (open) APIs;¢ It supports the adoption of more flexible business service sourcing models and enhances the evolution and adoption of shared third party business services;¢ It supports FinTechs and RegTechs to gain an easy insight in the complex financial services industry structure.This book is intended for those enterprise, business and solution architects in the financial services industry (FSI) who are interested in apply
Описание: Provides an in-depth study of the American youth market in the 1990s as well as the America`s history and politics, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997) and Cherry Falls (2000). These films speak to the fears and anxieties of American youth during one of its most prosperous eras.
Автор: Turner Название: Found Footage Horror Films ISBN: 1138388513 ISBN-13(EAN): 9781138388512 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book adopts a cognitive theoretical framework to address the mental processes triggered by found footage horror films. Films studied include The Blair Witch Project, Rec, Paranormal Activity, Exhibit A, Cloverfield, Man Bites Dog, The Last Horror Movie, and Zero Day.
Описание: This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of `digital haunting`, contemporary horror cinema reflects - and exploits - the anxieties of our age.
Описание: The theme of the double has inspired works by E.T.A. Hoffmann, Poe, de Maupassant, Dostoevsky and others, and has been the basis for classic films in the genres of mystery, horror and science fiction. This theme is examined in film noir and neo-noir, with a special emphasis on the works of Alfred Hitchcock.
Автор: Curti, Roberto Название: Italian gothic horror films, 1970-1979 ISBN: 1476664692 ISBN-13(EAN): 9781476664699 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre. This book examines the Italian Gothic horror of the period, providing previously unpublished details and production data taken from official papers, original scripts and interviews with filmmakers, scriptwriters and actors.
Описание: Zombies have changed dramatically in the new millennium. They are no longer the comical, shuffling, mindless monsters of George Romero’s Night of the Living Dead (1968). In works such as 28 Days Later… (2002) and World War Z (2013) they are fast, rabid, and absolutely terrifying in large hordes. In Warm Bodies (2013) and In the Flesh (2013-2015), they are thoughtful, sensitive, and capable of ethics and empathy. Audiences of this modern cinematic monster have changed, too, from teenaged camp and gore enthusiasts to broader and more diverse populations around the globe.Zombie stories are continually shifting and evolving to meet fan demands, to challenge genre expectations, and to raise critical questions: What happens when society collapses? What does it mean to be human? What makes a monster? Who survives the zombie (post)apocalypse, and why? What can we learn about gender, genre, and historical context, from the protagonists of zombie films and television? Explore these critical inquires and more, through the close examination of classic and current screen narratives and their often radical representations of the living and the undead, with the support of leading theories from film, genre, and zombie studies.
Описание: This richly illustrated guide to dozens of California filming locations covers three decades of science fiction, fantasy and horror movies. Arranged alphabetically by movie title - from Amazing Colossal Man to Zotz! - the entries provide many "then" and "now" photos, with directions to the locations.
Автор: Palmer Scott V. Название: British Horror Films of the 1970s ISBN: 1635874750 ISBN-13(EAN): 9781635874754 Издательство: Неизвестно Цена: 15264.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
This is the Hardback version of the revised and expanded edition.
Today's science fiction movies are blessed with obscene budgets and have an army of technicians slaving over the special effects. Back in the 1950s, there were one or two guys doing the effects and the budget for the whole movie was $65,000 or less. The movies were made in ten days or less, in black and white, by people working outside of the studio system.
This book takes a light-hearted (and light-headed) look at those movies, as seen through the eyes of the children who saw them and the actors, directors, producers and writers who made them and some of the political and social events that influenced them. It will take you back to the time when there were two-tone cars, gas stations on every corner and doctors who made house calls. And should it tickle a painful memory of an ill-spent afternoon watching the Daughter of Dr. Jekyll or Fire Maidens from Outer Space take solace in the knowledge that Randy Robertson and I saw every one of these silly movies, usually more than once.
"This is one of the most enjoyable books I have read in quite some time." -- www.kitleyskrypt.com
"I highly recommend it." -- Terror from Beyond the Daves
Автор: Hanich, Julian (free University Berlin, Germany) Название: Cinematic emotion in horror films and thrillers ISBN: 0415516579 ISBN-13(EAN): 9780415516570 Издательство: Taylor&Francis Рейтинг: Цена: 7961.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich's path-breaking book, in which he takes a detailed look at the various aesthetic strategies of fear as well as the viewer's frightened experience. By drawing on prototypical scenes from horror films and thrillers like Rosemary's Baby, The Silence of the Lambs, Seven and The Blair Witch Project, Hanich identifies five types of fear at the movies and thus provides a much more nuanced classification than previously at hand in film studies. His descriptions of how the five types of fear differ according to their bodily, temporal and social experience inside the auditorium entail a forceful plea for relying more strongly on phenomenology in the study of cinematic emotions. In so doing, this book opens up new ways of dealing with these emotions. Hanich's study does not stop at the level of fear in the movie theater, however, but puts the strong cinematic emotion against the backdrop of some of the most crucial developments of our modern world: disembodiment, acceleration and the loosening of social bonds. Hanich argues that the strong affective, temporal, and social experiences of frightening movies can be particularly pleasurable precisely because they help to counterbalance these ambivalent changes of modernity.
Автор: Curti Roberto Название: Italian Gothic Horror Films, 1980-1989 ISBN: 1476672431 ISBN-13(EAN): 9781476672434 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7484.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines the Italian Gothic films of the 1980s. The book includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, scriptwriters and actors. Entries include a complete cast and crew list, plot summary, production history and analysis.
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