Описание: Locating the consequences of the eruption of magical unreason within the context of England`s imperial history, this study examines Merlin and his legacy, the roles of magicians throughout history, the racism at work in the character of Stephen Black, the meaning behind the fantasy of magic`s return, and the Englishness of English magic itself.
Автор: Wolf Mark J P Название: Building Imaginary Worlds ISBN: 0415631203 ISBN-13(EAN): 9780415631204 Издательство: Taylor&Francis Рейтинг: Цена: 8420.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Mark J.P. Wolf's study of imaginary worlds theorizes world-building within and across media, including literature, comics, film, radio, television, board games, video games, the Internet, and more. Building Imaginary Worlds departs from prior approaches to imaginary worlds that focused mainly on narrative, medium, or genre, and instead considers imaginary worlds as dynamic entities in and of themselves. Wolf argues that imaginary worlds-which are often transnarrative, transmedial, and transauthorial in nature-are compelling objects of inquiry for Media Studies. Chapters touch on:
a theoretical analysis of how world-building extends beyond storytelling, the engagement of the audience, and the way worlds are conceptualized and experienced
a history of imaginary worlds that follows their development over three millennia from the fictional islands of Homer's Odyssey to the present
internarrative theory examining how narratives set in the same world can interact and relate to one another
an examination of transmedial growth and adaptation, and what happens when worlds make the jump between media
an analysis of the transauthorial nature of imaginary worlds, the resulting concentric circles of authorship, and related topics of canonicity, participatory worlds, and subcreation's relationship with divine Creation
Building Imaginary Worlds also provides the scholar of imaginary worlds with a glossary of terms and a detailed timeline that spans three millennia and more than 1,400 imaginary worlds, listing their names, creators, and the works in which they first appeared.
Mark J.P. Wolf's study of imaginary worlds theorizes world-building within and across media, including literature, comics, film, radio, television, board games, video games, the Internet, and more. Building Imaginary Worlds departs from prior approaches to imaginary worlds that focused mainly on narrative, medium, or genre, and instead considers imaginary worlds as dynamic entities in and of themselves. Wolf argues that imaginary worlds--which are often transnarrative, transmedial, and transauthorial in nature--are compelling objects of inquiry for Media Studies. Chapters touch on:
a theoretical analysis of how world-building extends beyond storytelling, the engagement of the audience, and the way worlds are conceptualized and experienced
a history of imaginary worlds that follows their development over three millennia from the fictional islands of Homer's Odyssey to the present
internarrative theory examining how narratives set in the same world can interact and relate to one another
an examination of transmedial growth and adaptation, and what happens when worlds make the jump between media
an analysis of the transauthorial nature of imaginary worlds, the resulting concentric circles of authorship, and related topics of canonicity, participatory worlds, and subcreation's relationship with divine Creation
Building Imaginary Worlds also provides the scholar of imaginary worlds with a glossary of terms and a detailed timeline that spans three millennia and more than 1,400 imaginary worlds, listing their names, creators, and the works in which they first appeared.
Описание: Terry Pratchett`s writing celebrates the possibilities opened up by inventiveness and imagination. These essays use inventiveness and creation as a thematic core to combine normally disparate themes, such as science fiction studies, the effect of collaborative writing, steampunk aesthetics, intertextuality, and neomedievalism and colonialism.
Автор: Young Название: George R.R. Martin and the Fantasy Form ISBN: 1138502162 ISBN-13(EAN): 9781138502161 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Written in clear and accessible prose, George R. R. Martin and the Fantasy Form is a timely work which encourages a reassessment of Martin and his approach to his most famous novels.
Автор: Dominic J. Nardi, N. Trevor Brierly Название: Discovering Dune: Essays on Frank Herbert`s Epic Saga ISBN: 1476682011 ISBN-13(EAN): 9781476682013 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8455.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Presents fourteen essays from various academic disciplines - including philosophy, political science, disability studies, Islamic theology, environmental studies, and Byzantine history - that examine all six of Frank Herbert`s Dune books. As a compendium, it asserts that a multidisciplinary approach to the texts can lead to fresh discoveries.
So much to read, so little time? Get a brief overview of the Japanese KonMari method of organizing and take control of your life.
Japanese cleaning consultant and New York Times-bestselling author Marie Kondo is known for the revolutionary method of organization detailed in her book The Life-Changing Magic of Tidying Up, which has helped millions create and keep tidy homes. With chapter-by-chapter breakdowns, this summary explains the key points of her book, including:
How a calm, comfortable home can ease your mind
Why a "little-by-little" approach doesn't work
How to identify items that "spark joy" and dispose of those that don't
How to declutter your home by category
Complete with historical context, important quotes, fascinating trivia, a glossary of terms, and other features, this summary and analysis of The Life-Changing Magic of Tidying Up is intended to complement your reading experience and bring you closer to a great work of nonfiction.
Die englischsprachige Reihe zur Medi vistik strebt eine methodisch reflektierte, anspruchsvolle Verbindung von Text- und Kulturwissenschaft an. Sie widmet sich den kulturellen Grundthemen der mittelalterlichen Welt aus der Perspektive der Literatur- und Geschichtswissenschaft. 'Grundthemen' sind die kulturpr genden Denkbilder, Weltanschauungen, Sozialstrukturen und Alltagsbedingungen des mittelalterlichen Lebens, also z. B. Kindheit und Alter, Sexualit t, Religion, Medizin, Rituale, Arbeit, Armut und Reichtum, Aberglauben, Erde und Kosmos, Stadt und Land, Krieg, Emotionen, Kommunikation, Reisen usw. Die Reihe greift wichtige aktuelle Fachdiskussionen auf und stellt ein Forum der interdisziplin ren Mittelalterforschung dar.
Fundamentals of Medieval Culture steht Sammelb nden ebenso offen wie Monographien. Intention ist immer, kompendienhafte Werke zu zentralen Fragen der mittelalterlichen Kulturgeschichte vorzulegen, die einen soliden berblick ber einen geschlossenen Themenkreis aus der Perspektive verschiedener Fachdisziplinen vermitteln. Im Ganzen bietet die Reihe so eine Enzyklop die der mittelalterlichen Literatur- und Kulturgeschichte und ihrer Hauptthemen.
Описание: In 1939, Aleksandr Volkov (1891–1977) published Wizard of the Emerald City, a revised version of L. Frank Baum’s The Wonderful Wizard of Oz. Only a line on the copyright page explained the book as a “reworking” of the American story. Readers credited Volkov as author rather than translator. Volkov, an unknown and inexperienced author before World War II, tried to break into the politically charged field of Soviet children’s literature with an American fairy tale. During the height of Stalin’s purges, Volkov adapted and published this fairy tale in the Soviet Union despite enormous, sometimes deadly, obstacles. Marketed as Volkov’s original work, Wizard of the Emerald City spawned a series that was translated into more than a dozen languages and became a staple of Soviet popular culture, not unlike Baum’s fourteen-volume Oz series in the United States. Volkov’s books inspired a television series, plays, films, musicals, animated cartoons, and a museum. Today, children’s authors and fans continue to add volumes to the Magic Land series. Several generations of Soviet Russian and Eastern European children grew up with Volkov’s writings, yet know little about the author and even less about his American source, L. Frank Baum. Most Americans have never heard of Volkov and know nothing of his impact in the Soviet Union, and those who do know of him regard his efforts as plagiarism. Erika Haber demonstrates how the works of both Baum and Volkov evolved from being popular children’s literature and became compelling and enduring cultural icons in both the US and USSR/Russia, despite being dismissed and ignored by critics, scholars, and librarians for many years.
Описание: Recipient of the 2018 Outstanding Faculty Research Achievement Award in the Department of Languages, Literatures, and Linguistics at Syracuse University.In 1939, Aleksandr Volkov (1891-1977) published Wizard of the Emerald City, a revised version of L. Frank Baum's The Wonderful Wizard of Oz. Only a line on the copyright page explained the book as a ""reworking"" of the American story. Readers credited Volkov as author rather than translator. Volkov, an unknown and inexperienced author before World War II, tried to break into the politically charged field of Soviet children's literature with an American fairy tale. During the height of Stalin's purges, Volkov adapted and published this fairy tale in the Soviet Union despite enormous, sometimes deadly, obstacles.Marketed as Volkov's original work, Wizard of the Emerald City spawned a series that was translated into more than a dozen languages and became a staple of Soviet popular culture, not unlike Baum's fourteen-volume Oz series in the United States. Volkov's books inspired a television series, plays, films, musicals, animated cartoons, and a museum. Today, children's authors and fans continue to add volumes to the Magic Land series. Several generations of Soviet Russian and Eastern European children grew up with Volkov's writings, yet know little about the author and even less about his American source, L. Frank Baum. Most Americans have never heard of Volkov and know nothing of his impact in the Soviet Union, and those who do know of him regard his efforts as plagiarism.Erika Haber demonstrates how the works of both Baum and Volkov evolved from being popular children's literature and became compelling and enduring cultural icons in both the US and USSR/Russia, despite being dismissed and ignored by critics, scholars, and librarians for many years.
Автор: Ahmed Dr Shokhan Rasool Название: Magic and Gender in Early Modern England: Renaissance Drama ISBN: 1496990498 ISBN-13(EAN): 9781496990495 Издательство: Неизвестно Рейтинг: Цена: 2669.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Shen Qinna Название: The Politics of Magic: Defa Fairy-Tale Films ISBN: 0814339034 ISBN-13(EAN): 9780814339039 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4137.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From Paul Verhoeven's The Cold Heart in 1950 to Konrad Petzold's The Story of the Goose Princess and Her Loyal Horse Falada in 1989, East Germany's state-sponsored film company, DEFA (Deutsche Film-Aktiengesellschaft), produced over forty feature-length, live-action fairy-tale films based on nineteenth-century folk and literary tales. While many of these films were popular successes and paved the way for the studio's other films to enter the global market, DEFA's fairy-tale corpus has not been studied in its entirety. In The Politics of Magic: DEFA Fairy-Tale Films, Qinna Shen fills this gap by analyzing the films on thematic and formal levels and examining their embedded agendas in relation to the cultural politics of the German Democratic Republic.In five chapters, Shen compares the films with earlier print versions of the same stories and analyzes revisions made in DEFA's film adaptations. She also distinguishes the DEFA fairy-tale films from National Socialist, West German, and Disney adaptations of the same tales. Her archival work reconstitutes the cultural-historical context in which films were produced and received, and incorporates the films into the larger narrative of DEFA. For the first time, the banned DEFA fairy-tale comedy, The Robe (1961/1991), is discussed in depth. The book's title The Politics of Magic is not intended to suggest that DEFA fairy-tale films were merely mouthpieces of official ideology and propaganda. On the contrary, Shen shows that the films run the gamut from politically dogmatic to implicitly subversive, from kitschy to experimental. She argues that the fairy-tale cloak permitted them to convey ideology in a subtle, indirect manner that allowed viewers to forget Cold War politics for a while and to delve into a world of magic where politics took on an allegorical form.The fact that some DEFA fairy-tale films developed an international audience (particularly The Story of Little Mook and Three Hazelnuts for Cinderella) not only attests to these films' universal appeal but also to the surprising marketability of this branch of GDR cinema and its impact beyond the GDR's own narrow temporal and geographic boundaries. Shen's study will be significant reading for teachers and students of folklore studies and for scholars of German, Eastern European, cultural, film, media, and gender studies.
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