Cohen Margaret The Underwater Eye: How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy 9780691197975

Варианты приобретения

Цена: 5544.00р.
Кол-во:
о цене
Наличие: Отсутствует. Возможна поставка под заказ.

При оформлении заказа до: 2026-05-14
Ориентировочная дата поставки: Июнь
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Cohen Margaret (Маргарет Коэн)
Название: The Underwater Eye: How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy
Перевод названия: Маргарет Коэн: Подводный глаз. Как кинокамера открыла глубины и дала новые просторы фантазии
ISBN: 9780691197975
Издательство: Wiley
Классификация:

Литература: история и критика

Культурология

Исследования средств массовой информации

Телевидение и общество

ISBN-10: 0691197970
Обложка/Формат: Hardcover
Страницы: 344
Вес: 0.73 кг.
Дата издания: 12.04.2022
Серия: Crei lectures in macroeconomics
Язык: English
Издание: Main
Иллюстрации: 16 color + 112 b/w illus.
Размер: 23.37 x 16.00 x 3.30 cm
Читательская аудитория: General (us: trade)
Подзаголовок: A newborn black & white baby book (high-contrast design & patterns) (panda, koala, sloth, monkey, kangaroo, giraffe, elephant, lion, tiger, chameleon, shark, dolphin, turtle, penguin, polar bear, and more!) (engage early readers: children`s learning
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: A rich history of underwater filmmaking and how it has profoundly influenced the aesthetics of movies and public perception of the oceansIn The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality. Examining works by filmmakers ranging from J.

E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 The Life Aquatic with Steve Zissou entirely in a pool, The Underwater Eye traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as 20,000 Leagues Under the Sea, Creature from the Black Lagoon, Sea Hunt, the Bond films, Jaws, The Abyss, and Titanic.

In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change.

The Underwater Eye: How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy, Cohen Margaret