This volume contributes to the growing interest in understanding the phenomenon of prayer and praying in the Hebrew Bible, Early Judaism, and nascent Christianity. Papers by the leading scholars in these fields revisit long-standing questions and chart new paths of inquiry into the nature, form, and practice of addressing the divine in the ancient world.
The essays in this volume deal with particular texts of and about prayer, practices of prayer, as well as figures and locations (historical and literary) that are associated with prayer and praying. These studies apply a range of methods and theoretical approaches to prayer and the language of prayer in literatures of Early Judaism and Christianity. Some studies apply the classical methods of biblical studies to Second Temple texts of prayer, including form critical and text critical approaches; others engage in literary and narrative analysis of ancient works that recount discourse directed to the divine. Still other studies draw on anthropological and sociological analyses of prayer or marshal particular theories of discourse, ethics, and moral agency to offer fresh interpretations of address to God in the literature of Second Temple Judaism and earliest Christianity.
In Miserere Mei, Clare Costley King'oo examines the critical importance of the Penitential Psalms in England between the end of the fourteenth and the beginning of the seventeenth century. During this period, the Penitential Psalms inspired an enormous amount of creative and intellectual work: in addition to being copied and illustrated in Books of Hours and other prayer books, they were expounded in commentaries, imitated in vernacular translations and paraphrases, rendered into lyric poetry, and even modified for singing. Miserere Mei explores these numerous transformations in materiality and genre. Combining the resources of close literary analysis with those of the history of the book, it reveals not only that the Penitential Psalms lay at the heart of Reformation-age debates over the nature of repentance, but also, and more significantly, that they constituted a site of theological, political, artistic, and poetic engagement across the many polarities that are often said to separate late medieval from early modern culture.
Miserere Mei features twenty-five illustrations and provides new analyses of works based on the Penitential Psalms by several key writers of the time, including Richard Maidstone, Thomas Brampton, John Fisher, Martin Luther, Sir Thomas Wyatt, George Gascoigne, Sir John Harington, and Richard Verstegan. It will be of value to anyone interested in the interpretation, adaptation, and appropriation of biblical literature; the development of religious plurality in the West; the emergence of modernity; and the periodization of Western culture. Students and scholars in the fields of literature, religion, history, art history, and the history of material texts will find Miserere Mei particularly instructive and compelling.
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