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Peak Music Experiences: A New Perspective on Popular music, Identity and Scenes, Green Ben


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Автор: Green Ben
Название:  Peak Music Experiences: A New Perspective on Popular music, Identity and Scenes
ISBN: 9780367553845
Издательство: Taylor&Francis
Классификация:


ISBN-10: 0367553848
Обложка/Формат: Hardcover
Страницы: 178
Вес: 0.45 кг.
Дата издания: 12.11.2021
Серия: Routledge studies in popular music
Язык: English
Иллюстрации: 2 tables, black and white
Размер: 23.39 x 15.60 x 1.27 cm
Читательская аудитория: Postgraduate, research & scholarly
Подзаголовок: A new perspective on popular music, identity and scenes
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Ben Green investigates the phenomenon of peak music experiences from a social and cultural perspective, including discussions on it as sources of inspiration; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining music scenes.


Peak Music Experiences

Автор: Green, Ben
Название: Peak Music Experiences
ISBN: 0367553856 ISBN-13(EAN): 9780367553852
Издательство: Taylor&Francis
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Цена: 6430.00 р.
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Popular Music Scenes and Cultural Memory

Автор: Andy Bennett; Ian Rogers
Название: Popular Music Scenes and Cultural Memory
ISBN: 1137402032 ISBN-13(EAN): 9781137402035
Издательство: Springer
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Цена: 10366.00 р.
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Описание:

This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia.
In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally.
Cosplay: East Asian popular culture in a transnational perspective, vol.1

Автор: Martin Petersen
Название: Cosplay: East Asian popular culture in a transnational perspective, vol.1
ISBN: 8740833941 ISBN-13(EAN): 9788740833942
Издательство: Gazelle Book Services
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Цена: 4934.00 р.
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Описание: "Cosplay deals with a community of Danish fans of Japanese popular culture whose fandom makes them distinctly identifiable as productive fans; namely fans who appropriate characters, story worlds and design from manga, anime and video games and who produce cosplay. It is argued that the Danish cosplayers constitute a confident, vibrant community, which sees itself in the midst of actualizing manga and Japanese media worlds against the backdrop of childhood and early youth literacies and intimacies. Cosplay is the first publication in the four volume series East Asian popular culture in a transnational perspective: A National Museum of Denmark Collection. What happens when anime, manga, video games & photo booths from Japan and South Korean pop music & comics flow into Denmark? This series explores issues pertaining to East Asian popular culture in a Danish context and asks what it can contribute to our understanding of cultural flows in an East/West perspective."

Hallyu: East Asian popular culture in a transnational perspective, vol. 2

Автор: Martin Petersen
Название: Hallyu: East Asian popular culture in a transnational perspective, vol. 2
ISBN: 874083395X ISBN-13(EAN): 9788740833959
Издательство: Gazelle Book Services
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Цена: 4934.00 р.
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Описание: Hallyu deals with Danish fans of Korean popular culture. As consumers of Korean popular culture, not least K-pop (Korean pop music), these fans aspire to integrate into the Korean social fabric through career choice; they produce K-pop realities by performing Korean dance, conforming to Korean aesthetics or beauty ideals, thinking through Korean story-worlds and finding viable alternatives to Danish youth sociality. This constitutes an example of how East Asian popular culture is present in the formation of Danish youth culture in the 2010s. Hallyu is the second publication in the four volume series East Asian popular culture in a transnational perspective: A National Museum of Denmark Collection. What happens when Korean pop music & comics and anime, manga, video games & photo booths from Japan flow into Denmark? This series explores issues pertaining to East Asian popular culture in a Danish context and asks what it can contribute to our understanding of cultural flows in an East/West perspective.

Popular Song in the First World War

Автор: Mullen, John
Название: Popular Song in the First World War
ISBN: 0367585391 ISBN-13(EAN): 9780367585396
Издательство: Taylor&Francis
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Цена: 7042.00 р.
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Bruce Springsteen: All the Songs

Автор: Margotin, Philippe,Guesdon, Jean-Michel
Название: Bruce Springsteen: All the Songs
ISBN: 1784726494 ISBN-13(EAN): 9781784726492
Издательство: Hachette UK
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Цена: 4574.00 р.
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Описание: A new, definitive look at one of music`s greatest songbooks, by two expert authors.

Nocturnes: Popular Music and the Night

Автор: Geoff Stahl; Giacomo Bott?
Название: Nocturnes: Popular Music and the Night
ISBN: 3319997858 ISBN-13(EAN): 9783319997858
Издательство: Springer
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Цена: 12196.00 р.
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Описание: The night and popular music have long served to energise one another, such that they appear inextricably bound together as trope and topos. This history of reciprocity has produced a range of resonant and compelling imaginaries, conjured up through countless songs and spaces dedicated to musical life after dark. Nocturnes: Popular Music and the Night is one of the first volumes to examine the relationship between night and popular music. Its scope is interdisciplinary and geographically diverse.The contributors gathered here explore how the problems, promises, and paradoxes of the night and music play off of one another to produce spaces of solace and sanctuary as well as underpinning strategies designed to police, surveil and control movements and bodies. This edited collection is a welcome addition to debates and discussions about the cultures of the night and how popular music plays a continuing role in shaping them.

Somatechnics and Popular Music in Digital Contexts

Автор: Glitsos Laura
Название: Somatechnics and Popular Music in Digital Contexts
ISBN: 3030181243 ISBN-13(EAN): 9783030181246
Издательство: Springer
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Цена: 6097.00 р.
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Описание: This book is a celebration and explication of the body in the world and the ways that our body situates our consciousness as a lived formation, one which is oriented by the experience of music listening. Finally, the book looks at music itself as a kind of technology that generates new modes of bodily being.

Britishness, Popular Music, and National Identity

Автор: Morra, Irene
Название: Britishness, Popular Music, and National Identity
ISBN: 0415834813 ISBN-13(EAN): 9780415834810
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Music and irish identity

Автор: Smyth, Gerry
Название: Music and irish identity
ISBN: 1472442725 ISBN-13(EAN): 9781472442727
Издательство: Taylor&Francis
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Цена: 25265.00 р.
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Описание:

Music and Irish Identity represents the latest stage in a life-long project for Gerry Smyth, focusing here on the ways in which music engages with particular aspects of Irish identity. The nature of popular music and the Irish identity it supposedly articulates have both undergone profound change in recent years: the first as a result of technological and wider industrial changes in the organisation and dissemination of music as seen, for example, with digital platforms such as YouTube, Spotify and iTunes. A second factor has been Ireland's spectacular fall from economic grace after the demise of the "Celtic Tiger," and the ensuing crisis of national identity. Smyth argues that if, as the stereotypical association would have it, the Irish have always been a musical race, then that association needs re-examination in the light of developments in relation to both cultural practice and political identity. This book contributes to that process through a series of related case studies that are both scholarly and accessible. Some of the principal ideas broached in the text include the (re-)establishment of music as a key object of Irish cultural studies; the theoretical limitations of traditional musicology; the development of new methodologies specifically designed to address the demands of Irish music in all its aspects; and the impact of economic austerity on musical negotiations of Irish identity. The book will be of seminal importance to all those interested in popular music, cultural studies and the wider fate of Ireland in the twenty-first century.

Adapting Idols: Authenticity, Identity and Performance in a Global Television Format

Автор: Bruin
Название: Adapting Idols: Authenticity, Identity and Performance in a Global Television Format
ISBN: 1138279641 ISBN-13(EAN): 9781138279643
Издательство: Taylor&Francis
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Цена: 8573.00 р.
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Описание: Since the first series of Pop Idol aired in the UK just over a decade ago, Idols television shows have been broadcast in more than forty countries all over the world. In all those countries the global Idols format has been adapted to local cultures and production contexts, resulting in a plethora of different versions, ranging from the Dutch Idols to the Pan-Arab Super Star and from Nigerian Idol to the international blockbuster American Idol. Despite its worldwide success and widespread journalistic coverage, the Idols phenomenon has received only limited academic attention. Adapting Idols: Authenticity, Identity and Performance in a Global Television Format brings together original studies from scholars in different parts of the world to identify and evaluate the productive dimensions of Idols. As one of the world's most successful television formats, Idols offers a unique case for the study of cultural globalization. Chapters discuss how Idols shows address particular national or regional identity politics and how Idols is consumed by audiences in different territories. This book illustrates that even though the same television format is used in countries all over the globe, practices of adaptation can still result in the creation of unique local cultural products.

Protest Music in France

Автор: Lebrun
Название: Protest Music in France
ISBN: 1138265764 ISBN-13(EAN): 9781138265769
Издательство: Taylor&Francis
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Цена: 8573.00 р.
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Описание: Barbara Lebrun traces the evolution of 'protest' music in France since 1981, exploring the contradictions that emerge when artists who take their musical production and political commitment 'seriously', cross over to the mainstream, becoming profitable and consensual. Contestation is understood as a discourse shaped by the assumptions and practices of artists, producers, the media and audiences, for whom it makes sense to reject politically reactionary ideas and the dominant taste for commercial pop. Placing music in its economic, historical and ideological context, however, reveals the fragility and instability of these oppositions. The book firstly concentrates on music production in France, the relationships between independent labels, major companies and the state's cultural policies. This section provides the material background for understanding the development of rock alternatif, France's self-styled 'subversive' genre of the 1980s, and explains the specificity of a 'protest' music culture in late-twentieth-century France, in relation to the genre's tradition in the West. The second part looks at representations of a 'protest' identity in relation to discourses of national identity, focusing on two 1990s sub-genres. The first, chanson neo-realiste, contests modernity through the use of acoustic instruments, but its nostalgic 'protest' raises questions about the artists' real engagement with the present. The second, rock metis, borrows from North African and Latino rhythms and challenges the 'neutral' Frenchness of the Republic, while advocating multiculturalism in problematic ways. A discussion of Manu Chao's career, a French artist who has achieved success abroad, also allows an exploration of the relationship between transnationalism and anti-globalization politics. Finally, the book examines the audiences of French 'protest' music and considers festivals as places of 'non-mainstream' identity negotiation. Based on first-hand interviews, this section highlights the vocabulary of emotions that audiences use to make sense of an 'alternative' performance, unveiling the contradictions that underpin their self-definition as participants in a 'protest' culture. The book contributes to debates on the cultural production of 'resistance' and the representation of post-colonial identities, uncovering the social constructedness of the discourse of 'protest' in France. It pays attention to its nation-specific character while offering a wider reflection on the fluidity of 'subversive' identities, with potential applications across a range of Western music practices.


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