Описание: In nineteenth-century Punjab, a cultural tug-of-war ensued as both Sufi mystics and British officials aimed to engage the local artisans as a means of realizing their ideological ambitions. When it came to influence and impact, the Sufi shrines had a huge advantage over the colonial art institutions, such as the Mayo School of Arts in Lahore. The mystically-inspired shrines, built as a statement of Muslim ruling ambitions, were better suited to the task of appealing to local art traditions. By contrast the colonial institutions, rooted in the Positivist Romanticism of the Victorian West, found assimilation to be more of a challenge. In questioning their relative success and failures at influencing local culture, the book explores the extent to which political control translates into cultural influence. Folktales, Sufi shrines, colonial architecture, institutional education methods and museum exhibitions all provide a wealth of sources for revealing the complex dynamic between the Punjabi artisans, the Sufi community and the colonial British.In this unique look at a little-explored aspect of India's history, Hussain Ahmad Khan explores this evidence in order to illuminate this web of cultural influences. Examining the Sufi-artisan relationship within the various contexts of political revolt, the decline of the Mughals and the struggle of the Sufis to establish an Islamic state, this book argues that Sufi shrines were initially constructed with the aim of affirming a distinct 'Muslim' identity. At the same time, art institutions established by colonial officials attempted to promote eclectic architecture representing the 'British Indian empire', as well as to revive the pre-colonial traditions with which they had previously seemed out of touch. This important book sheds new light on the dynamics of power and culture in the British Empire.
Описание: Poonam Bala`s Contesting Colonial Authority explores the interplay of conformity and defiance amongst the plural medical tradition in colonial India. The contributors reveal how Indian elites, nationalists, and the rest of the Indian population participated in the move to revisit and frame a new social character of Indian Medicine.
Название: Early Nineteenth-Century Panjab ISBN: 1138960276 ISBN-13(EAN): 9781138960275 Издательство: Taylor&Francis Рейтинг: Цена: 25265.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book provides an English translation of the descriptive parts of Char Bagh-i-Panjab. Written by Ganesh Das after the annexation of Lahore by the British, the text is the only surviving contemporary work with significant information on the social, religious, and cultural life of Punjab (present-day India and Pakistan) the early nineteenth century.
Название: Early Nineteenth-Century Panjab ISBN: 0815395914 ISBN-13(EAN): 9780815395911 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book provides an English translation of the descriptive parts of Char Bagh-i-Panjab. Written by Ganesh Das after the annexation of Lahore by the British, the text is the only surviving contemporary work with significant information on the social, religious, and cultural life of Punjab (present-day India and Pakistan) the early nineteenth century.
Описание: Mallampalli targets those interested in the encounter between the British Empire and Indian Islam. His fresh findings address the history of modern India, British Empire, Muslim reformism, the `global` and `local`, and conspiracy theories, raising poignant questions about the limits of state power when confronting alleged jihadists.
Описание: An examination of the imperial period in Russia, encompassing political, economic, cultural, diplomatic, and military history. It addresses issues such as major Russian social groups, women, the Orthodox Church and the police. No other single volume in any language offers such a comprehensive analysis of Russian history in this period.
Описание: In October 1875, two months after the takeover of the Somali coastal town of Zeila, an Egyptian force numbering 1,200 soldiers departed from the city to occupy Harar, a prominent Muslim hub in the Horn of Africa. In doing so, they turned this sovereign emirate into an Egyptian colony that became a focal meeting point of geopolitical interests, with interactions between Muslim Africans, European powers, and Christian Ethiopians.In Emirate, Egyptian, Ethiopian, Ben-Dror tells the story of Turco-Egyptian colonial ambitions and the processes that integrated Harar into the global system of commerce that had begun enveloping the Red Sea. This new colonial era in the city’s history inaugurated new standards of government, society, and religion. Drawing on previously untapped Egyptian, Harari, Ethiopian, and European archival sources, Ben-Dror reconstructs the political, social, economic, religious, and cultural history of the occupation, which included building roads, reorganizing the political structure, and converting many to Islam. He portrays the complexity of colonial interactions as an influx of European merchants and missionaries settled in Harar. By shedding light on the dynamic historical processes, Ben-Dror provides new perspectives on the important role of non-European imperialists in shaping the history of these regions.
Описание: In October 1875, two months after the takeover of the Somali coastal town of Zeila, an Egyptian force numbering 1,200 soldiers departed from the city to occupy Harar, a prominent Muslim hub in the Horn of Africa. In doing so, they turned this sovereign emirate into an Egyptian colony that became a focal meeting point of geopolitical interests, with interactions between Muslim Africans, European powers, and Christian Ethiopians.In Emirate, Egyptian, Ethiopian, Ben-Dror tells the story of Turco-Egyptian colonial ambitions and the processes that integrated Harar into the global system of commerce that had begun enveloping the Red Sea. This new colonial era in the city’s history inaugurated new standards of government, society, and religion. Drawing on previously untapped Egyptian, Harari, Ethiopian, and European archival sources, Ben-Dror reconstructs the political, social, economic, religious, and cultural history of the occupation, which included building roads, reorganizing the political structure, and converting many to Islam. He portrays the complexity of colonial interactions as an influx of European merchants and missionaries settled in Harar. By shedding light on the dynamic historical processes, Ben-Dror provides new perspectives on the important role of non-European imperialists in shaping the history of these regions.
Описание: Even though there were relatively few people of colour in postrevolutionary France, images of and discussions about black women appeared regularly in a variety of French cultural sectors and social milieus. Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country`s postrevolutionary national identity.
Описание: Even though there were relatively few people of colour in post-revolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire , Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s post-revolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat by examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harboured by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewellery fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonizations of Jeanne Duval, long-time lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
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