The wartime period in Britain is now seen as an extremely fertile period of British creativity in music, film and art. Often, these projects were funded and supported by the government, who saw its role as a custodian of British culture, and by extension, of British values, at a time when those values seemed under great threat. In the late thirties the Nazi Party had stressed the superiority of Germanic culture and the promotion of Richard Wagner and Carl Orff was central to Hitler's cultural program. In Britain, the War Office under Winston Churchill chose to promote Edward Elgar and Hubert Parry, but also to appropriate and 'de-Nazify' Ludwig van Beethoven- whose Fifth Symphony was used extensively in wartime broadcasts and has since become synonymous with VE Day. Meanwhile, the work of Ralph Vaughn Williams, whose music was commissioned by Powell and Pressburger for use in 49th Parallel, reclaimed a particularly English past stretching back to the Tudors. While artists such as John Piper, Eric Ravillious and Evelyn Dunbar produced works specifically commissioned by the state which were intended to commemorate and glorify Britain, the British Council and the BBC played an active role in commissioning and broadcasting their musical equivalents. In film, Humphrey Jenning's documentaries were designed to further push the wartime agenda, along with films produced by Ealing Studios. Here, John Morris assesses the history of this body of work, shedding new light on the period. A cultural history of music in wartime based on detailed archival research, Culture and Propaganda in World War II is essential reading for historians of the period, musicians, film scholars and propaganda analysts.
Описание: Kamenetsky shows how Nazis used children`s literature to shape a "Nordic Germanic" worldview, intended to strengthen the German folk community, the Fuhrer, and the fatherland by imposing a racial perspective on mankind. Their thus corroded the last remnants of the Weimar Republic`s liberal education, while promoting a following for Hitler.
A Battle for Neutral Europe describes and analyses the forgotten story of the British government's cultural propaganda organization, the British Council, in its campaign to win the hearts and minds of people in neutral Europe during the Second World War. The book draws on a range of previously unused material from archives from across Europe and private memoirs to provide a unique insight into the work of the leading British artists, scientists, musicians and other cultural figures who travelled to Spain, Portugal, Sweden and Turkey at great personal risk to promote British life and thought in a time of war.
Edward Corse shows how the British Council played a subtle but crucial role in Britain's war effort and draws together the lessons of the British Council experience to produce a new model of cultural propaganda.
Описание: The War Artists' Advisory Committee (WAAC) were responsible for the production of some of the most iconic images of the Second World War. Despite its rich historical value, this collection has been poorly utilised by historians and hasn't been subjected to the levels of analysis afforded to other forms of wartime culture. This innovative study addresses this gap by bringing official war art into dialogue with the social, economic and military histories of the Second World War.
Rebecca Searle explores the tensions between the documentarist and propagandistic roles of the WAAC in their representation of aerial warfare in the battle for production, the Battle of Britain, the Blitz and the bombing of Germany. Her analyses demonstrate that whilst there was a strong correlation between war art and propaganda, the WAAC depicted many aspects of experience that were absent from wartime propaganda, such as class divisions within the services, gendered hierarchies within industries, civilian death and the true nature of the bombing of Germany. In addition, she shows that propagandistic constructions were not entirely separate from lived experience, but reflected experience and shaped the way that individuals made sense of the war.
Accessibly written, highly illustrated and packed with valuable examples of the use of war art as historical source, this book will enhance our understanding of the social and cultural history of Britain during the Second World War.
Автор: Onianwa Oluchukwu Ignatus Название: Oilfields and Airpower in African Conflict: The Case of Biafra ISBN: 1680532200 ISBN-13(EAN): 9781680532203 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 17550.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this intrepid study, noted Nigerian historian Onianwa Oluchukwu Ignatus investigates the air war component of the Nigerian-Biafran War, a crucial postcolonial conflict in Africa. It focuses on the Biafra’s air operations against oil installations and facilities owned by multinational oil companies in Nigeria. In addition to exploring global airpower historiography, this study explores the tactical aspects of how the renewed air war changed the military equation of the conflict when both sides were at loggerheads in peace settlement and relief arrangements. This episode was important in postcolonial military history of Africa, when modern air weapons were developed at the local level for offensive military capability.While the air operations of the Biafrans were sporadic yet destructive, they caused considerable damage to public utilities in Nigeria. Internally, the air attacks paved the way for internal disturbances in the oil producing areas by damaging oil companies’ activities and the reducing foreign investment. Externally, it caused a loss of confidence in Nigeria. The Biafran air offensive proved to be the key strategy in Nigeria’s response to the crisis, which focused on neutralizing Biafran airpower.
Описание: In the mountains and jungles of occupied Burma during World War II, British special forces launched a series of secret operations, assisted by parts of the Burmese population. The men of the SOE, trained in sabotage and guerrilla warfare, worked in the jungle, deep behind enemy lines, to frustrate the puppet Burmese government of Ba Maw and continue the fight against Hirohito's Japan in a theatre starved of resources. Here, Richard Duckett uses newly declassified documents from the National Archives to reveal for the first time the extent of British special forces' involvement - from the 1941 operations until beyond Burma's independence from the British Empire in 1948. Duckett argues convincingly that Operation Character' and Operation Billet' - large SOE missions launched in support of General Slim's XIV Army offensive to liberate Burma - rank among the most militarily significant of the SOE's secret missions. Featuring a wealth of photographs and accompanying material never before published, including direct testimony recorded by veterans of the campaign and maps from the SOE files, The SOE in Burma tells a compelling story of courage and struggle in during World War II
Описание: As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers’ radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound’s notorious pro-fascist broadcasts. In this way, the book reveals modernism’s engagement with new technologies that opened up transnational boundaries under the pressures of war.
Автор: Rogacheva Maria Название: The Private World of Soviet Scientists from Stalin to Gorbachev ISBN: 1316647269 ISBN-13(EAN): 9781316647264 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Rogacheva sheds new light on the complex transition of Soviet society from Stalinism into the post-Stalin era. Using the case study of Chernogolovka, one of dozens of scientific towns built in the USSR under Khrushchev, she explains what motivated scientists to participate in the Soviet project during the Cold War.
In the Second World War, the home fronts of many countries became as important as the battle fronts. As governments tried to win and hold the trust of domestic and international audiences, communication became central to their efforts. This volume offers cutting-edge research by leading and emerging scholars on how information was used, distributed and received during the war. With a transnational approach encompassing Germany, Iberia, the Arab world and India, it demonstrates that the Second World War was as much a war of ideas and influence as one of machines and battles.
Simon Eliot, Marc Wiggam and the contributors address the main communication problems faced by Allied governments, including how to balance the free exchange of information with the demands of national security and wartime alliances, how to frame war aims differently for belligerent, neutral and imperial audiences and how to represent effectively a variety of communities in wartime propaganda. In doing so, they reveal the contested and transnational character of the ways in which information was conveyed during the Second World War. Allied Communication during the Second World War offers innovative and nuanced perspectives on the thin border between information and propaganda during this global war and will be vital reading for World War II and media historians alike.
Описание: The book explores how Churchill was portrayed in the UK press during the Second World War, comparing his depictions in Scottish, Welsh, Northern Irish, and provincial English newspapers. It analyses how Churchill was received and depicted by newspapers in the UK and why differences in these depictions emerged in each area.
Описание: The book explores how Churchill was portrayed in the UK press during the Second World War, comparing his depictions in Scottish, Welsh, Northern Irish, and provincial English newspapers. It analyses how Churchill was received and depicted by newspapers in the UK and why differences in these depictions emerged in each area.
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