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Ornament of the world, Menocal, Maria Rosa


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Цена: 2579.00р.
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Автор: Menocal, Maria Rosa
Название:  Ornament of the world
ISBN: 9780316168717
Издательство: Little Brown
Классификация:


ISBN-10: 0316168718
Обложка/Формат: Paperback
Страницы: 352
Вес: 0.30 кг.
Дата издания: 03.07.2003
Язык: English
Иллюстрации: Section: 8, b/w
Размер: 21.34 x 14.07 x 2.67 cm
Читательская аудитория: Tertiary education (us: college)
Рейтинг:
Поставляется из: Европейский союз
Описание: The illuminating and inspiring (Los Angeles Times) bestseller that reveals a lost golden age of medieval Spain, when Muslims, Jews, and Christians lived together in an atmosphere of tolerance and literature and science flourished.


Writing in Dante`s Cult of Truth: From Borges to Bocaccio

Автор: Mar?a Rosa Menocal
Название: Writing in Dante`s Cult of Truth: From Borges to Bocaccio
ISBN: 0822311046 ISBN-13(EAN): 9780822311041
Издательство: Wiley EDC
Рейтинг:
Цена: 14243.00 р.
Наличие на складе: Поставка под заказ.

Описание:

Using the works of Dante as its critical focus, María Rosa Menocal’s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations.
Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante’s own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante’s Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.
Writing in Dante`s Cult of Truth: From Borges to Bocaccio

Автор: Mar?a Rosa Menocal
Название: Writing in Dante`s Cult of Truth: From Borges to Bocaccio
ISBN: 0822311178 ISBN-13(EAN): 9780822311171
Издательство: Wiley EDC
Рейтинг:
Цена: 3430.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Using the works of Dante as its critical focus, María Rosa Menocal’s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations.
Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante’s own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante’s Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.

Автор: Mar?a Rosa Menocal
Название: Shards of Love: Exile and the Origins of the Lyric
ISBN: 0822314053 ISBN-13(EAN): 9780822314059
Издательство: Wiley EDC
Рейтинг:
Цена: 15272.00 р.
Наличие на складе: Поставка под заказ.

Описание:

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history.
It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.
Shards of Love: Exile and the Origins of the Lyric

Автор: Mar?a Rosa Menocal
Название: Shards of Love: Exile and the Origins of the Lyric
ISBN: 0822314193 ISBN-13(EAN): 9780822314196
Издательство: Wiley EDC
Рейтинг:
Цена: 3945.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history.
It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

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