Television in Africa in the Digital Age, Motsaathebe Gilbert, Chiumbu Sarah H.
Автор: Motsaathebe Gilbert, Chiumbu Sarah H. Название: Television in Africa in the Digital Age ISBN: 3030688569 ISBN-13(EAN): 9783030688561 Издательство: Springer Рейтинг: Цена: 14635.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book places television in Africa in the digital context. It address the onslaught of multimedia platforms, digital migration and implication of this technology for society. The discussions in the chapters contained in this book encompass a wide range of issues such as digital disruption of television news, internet television and video on demand platforms, adaptations, digital migration, business strategies and management approaches, PBS, consumption patterns, scheduling and programming, evangelical television, and many others. The book is an important reading for academics, students and television practitioners. It offers an insightful view of television in Africa.
Описание: When the BBC`s television series Sherlock debuted in summer 2010, no one knew what an international phenomenon it would become. Since then, Sherlock has encouraged a diverse fandom. Like the object of their affection, Sherlock Holmes, fans scrutinize clues about the series` meaning and deduce what happens off screen or off the set, then share their findings across the internet.
Автор: Jeffries Dru Название: #wwe: Professional Wrestling in the Digital Age ISBN: 0253044901 ISBN-13(EAN): 9780253044907 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9405.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The millions of fans who watch World Wrestling Entertainment (WWE) programs each year are well aware of their role in building the narrative of the sport. #WWE: Professional Wrestling in the Digital Age explores the intersections between media, technology, and fandom in WWE's contemporary programming and business practices. In the Reality Era of WWE (2011 to the present), wrestling narratives have increasingly drawn on real-life personalities and events that stretch beyond the story-world created and maintained by WWE. At the same time, the internet and fandom have a greater influence on the company than ever before. By examining various sites of struggle and negotiation between WWE executives and in-ring performers, between the product and its fans, and between the company and the rest of the wrestling industry, the contributors to this volume highlight the role of various media platforms in shaping and disseminating WWE narratives. Treating the company and its product not merely as sports entertainment, but also as a brand, an employer, a company, a content producer, and an object of fandom, #WWE conceptualizes the evolution of professional wrestling's most successful company in the digital era.
Автор: Jeffries Dru Название: #wwe: Professional Wrestling in the Digital Age ISBN: 025304491X ISBN-13(EAN): 9780253044914 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3511.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The millions of fans who watch World Wrestling Entertainment (WWE) programs each year are well aware of their role in building the narrative of the sport. #WWE: Professional Wrestling in the Digital Age explores the intersections between media, technology, and fandom in WWE's contemporary programming and business practices. In the Reality Era of WWE (2011 to the present), wrestling narratives have increasingly drawn on real-life personalities and events that stretch beyond the story-world created and maintained by WWE. At the same time, the internet and fandom have a greater influence on the company than ever before. By examining various sites of struggle and negotiation between WWE executives and in-ring performers, between the product and its fans, and between the company and the rest of the wrestling industry, the contributors to this volume highlight the role of various media platforms in shaping and disseminating WWE narratives. Treating the company and its product not merely as sports entertainment, but also as a brand, an employer, a company, a content producer, and an object of fandom, #WWE conceptualizes the evolution of professional wrestling's most successful company in the digital era.
Название: Netflix at the nexus ISBN: 1433161869 ISBN-13(EAN): 9781433161865 Издательство: Peter Lang Рейтинг: Цена: 15367.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Netflix’s meteoric rise as an online content provider has been well documented and much debated in the popular press and in academic circles as an industry disrupter, while also blamed for ending TV’s "Golden Age." For academic researchers, Netflix exists at the nexus of multiple fields: internet research, information studies, media studies, and television and has an impact on the creation of culture and how individuals relate to the media they consume. Netflix at the Nexus examines Netflix’s broad impact on technology and television from multiple perspectives, including the interface, the content, and user experiences. Chapters by leading international scholars in television and internet studies provide a transnational perspective on Netflix’s changing role in the media landscape. As a whole, this collection provides a comprehensive consideration of the impact of streaming television.
Описание: In this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape. For more than half a century, South America's largest over-the-air network, TV Globo, produced long-form melodramatic serials that cultivated the notion of the urban, upper-middle-class white Brazilian. Carter looks at how the expansion of internet access, the popularity of web series, the rise of independent production companies, and new legislation not only challenged TV Globo's market domination but also began to change the face of Brazil's growing audiovisual landscape. Combining sociohistorical, economic, and legal contextualization with close readings of audiovisual productions, Carter argues that a fragmented media has opened the door to new voices and narratives that represent a more diverse Brazilian identity. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez.
Описание: Examines the machinations of voyeurism in the digital age and the realization of power through digital visual forms. These essays look at the uses of power over the female body, at the repression of women through symbolic violence, and at discourses of power as they are played out onscreen.
Описание: This book examines television drama in the age of streaming-a time when television has been reshaped for national and international consumption via both linear `flow` and on-demand user modes.
Описание: This book examines television drama in the age of streaming-a time when television has been reshaped for national and international consumption via both linear `flow` and on-demand user modes.
Описание: In Media in Postapartheid South Africa, author Sean Jacobs turns to media politics and the consumption of media as a way to understand recent political developments in South Africa and their relations with the African continent and the world. Jacobs looks at how mass media define the physical and human geography of the society and what it means for comprehending changing notions of citizenship in postapartheid South Africa. Jacobs claims that the media have unprecedented control over the distribution of public goods, rights claims, and South Africa's integration into the global political economy in ways that were impossible under the state-controlled media that dominated the apartheid years. Jacobs takes a probing look at television commercials and the representation of South Africans, reality television shows and South African continental expansion, soap operas and postapartheid identity politics, and the internet as a space for reassertions and reconfigurations of identity. As South Africa becomes more integrated into the global economy, Jacobs argues that local media have more weight in shaping how consumers view these products in unexpected and consequential ways.
Описание: In Media in Postapartheid South Africa, author Sean Jacobs turns to media politics and the consumption of media as a way to understand recent political developments in South Africa and their relations with the African continent and the world. Jacobs looks at how mass media define the physical and human geography of the society and what it means for comprehending changing notions of citizenship in postapartheid South Africa. Jacobs claims that the media have unprecedented control over the distribution of public goods, rights claims, and South Africa's integration into the global political economy in ways that were impossible under the state-controlled media that dominated the apartheid years. Jacobs takes a probing look at television commercials and the representation of South Africans, reality television shows and South African continental expansion, soap operas and postapartheid identity politics, and the internet as a space for reassertions and reconfigurations of identity. As South Africa becomes more integrated into the global economy, Jacobs argues that local media have more weight in shaping how consumers view these products in unexpected and consequential ways.
Автор: Barnaby Edwards, David Bushman Название: A World of Demons: The Villains of Doctor Who ISBN: 1949024377 ISBN-13(EAN): 9781949024371 Издательство: Gazelle Book Services Рейтинг: Цена: 2757.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "One may tolerate a world of demons for the sake of an angel"-Jean-Antoninette ("Reinette") Poisson, aka Madame de Pompadour, "The Girl in the Fireplace" What a world of demons Doctor Who has presented us with over the past seven decades: from Daleks and Cybermen to Weeping Angels and the Silence, the greatest villains of the Who-niverse have achieved an iconic status all their own, cementing themselves in the minds of millions of viewers (why else would Parker Brothers have devised a version of Monopoly after them?). If, as the Seventh Doctor once said, "You can always judge a man by the quality of his enemies," the Doctor is great indeed, rescuing the universe time and again from some of the most formidable and terrifying villains in science fiction history. Now, for the first time, an entire anthology of essays is dedicated to deconstructing this gallery of blackguards.
Who are the greatest Who villains of all time? Why are they so frightening? And-apologies to Shakespeare-what do they tell us about the villainy of our own fears?
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