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The Unifying Moment, Eisendrath Craig R.


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Автор: Eisendrath Craig R.
Название:  The Unifying Moment
ISBN: 9780674330931
Издательство: Harvard University Press
Издательство: Harvard University Press
Классификация:
ISBN-10: 0674330935
Обложка/Формат: Hardcover
Страницы: 306
Вес: 0.43 кг.
Дата издания: 13.04.2014
Язык: English
Издание: Reprint 2013 ed.
Размер: 20.32 x 12.70 x 1.91 cm
Читательская аудитория: General (us: trade)
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Поставляется из: США


Gallery Of Clouds

Автор: Eisendrath, Rachel
Название: Gallery Of Clouds
ISBN: 1681375435 ISBN-13(EAN): 9781681375434
Издательство: Random House (USA)
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Цена: 1835.00 р.
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Описание: A personal and critical work that celebrates the pleasure of books and reading.

Largely unknown to readers today, Sir Philip Sidney's sixteenth-century pastoral romance Arcadia was long considered one of the finest works of prose fiction in the English language. Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as "some luminous globe" wherein "all the seeds of English fiction lie latent." In Gallery of Clouds, Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: "The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at proud sail, my mother. These clouds stay still only as long as I look at them, and then they change."

Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. She holds out her manuscript to her--an infinite moment passes--and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces connected through an association of metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne's practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African-American librarian in the Chicago public library system; a fragment of Spenser; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Benjamin's "scholarly romance" The Arcades. Eisendrath's wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and bounding grace.

Poetry in a World of Things: Aesthetics and Empiricism in Renaissance Ekphrasis

Автор: Eisendrath Rachel
Название: Poetry in a World of Things: Aesthetics and Empiricism in Renaissance Ekphrasis
ISBN: 022651661X ISBN-13(EAN): 9780226516615
Издательство: Wiley
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Цена: 4118.00 р.
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Описание: We have become used to looking at art from a stance of detachment. In order to be objective, we create a "mental space" between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers in a wide variety of fields tried to describe material objects as "things in themselves"--things, that is, without the admixture of imagination. Generations of scholars have heralded this shift as the Renaissance "discovery" of the observable world.

In Poetry in a World of Things, Rachel Eisendrath explores how poetry responded to this new detachment by becoming a repository for a more complex experience of the world. The book focuses on ekphrasis, the elaborate literary description of a thing, as a mode of resistance to this new empirical objectivity. Poets like Petrarch, Spenser, Marlowe, and Shakespeare crafted highly artful descriptions that recovered the threatened subjective experience of the material world. In so doing, these poets reflected on the emergence of objectivity itself as a process that was often darker and more painful than otherwise acknowledged. This highly original book reclaims subjectivity as a decidedly poetic and human way of experiencing the material world and, at the same time, makes a case for understanding art objects as fundamentally unlike any other kind of objects.


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