Oxford Handbook of the African American Slave Narrative, Ernest John
Автор: Jameson, Fredric Название: Political unconscious ISBN: 0415287510 ISBN-13(EAN): 9780415287517 Издательство: Taylor&Francis Рейтинг: Цена: 2908.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This ground-breaking and influential study explores the complex place and function of literature within culture. It takes its place as one of the most meaningful works of the twentieth century.
The Irish Revival of 1891 to 1922 was an extraordinary era that generated not only a remarkable crop of poets and writers but also a range of innovative political thinkers and activists. The contributors to this period exchanged ideas and opinions about what Ireland was and could become, yet much of this discourse remains out of print, some of these voices almost forgotten. Handbook of the Irish Revival: An Anthology of Irish Cultural and Political Writings 1891–1922 collects for the first time many of the essays, articles, and letters by renowned figures such as James Joyce, Maud Gonne, W. B. Yeats, George Bernard Shaw, Sean O'Casey, and J. M. Synge, among others. The anthology also contains pieces by lesser-known individuals such as Stopford A. Brooke, Mary Colum, and Helena Molony. Many of the lesser-known texts contextualize the social, political, and cultural lives, values, and aspirations of those involved in and on the periphery of the Revivalist movement. The introduction and commentary by Declan Kiberd and P. J. Mathews convey the ideas of a brilliant generation that, in spite of difficulty and demoralization, audaciously shaped a modern Ireland. Divided into sixteen sections covering issues as diverse as literature, religion, drama, education, women’s rights, and the 1916 Rising, this is the ultimate reference book for anyone with an interest in Irish literature and history.
Автор: Northup S. Название: Twelve Years a Slave ISBN: 1840225874 ISBN-13(EAN): 9781840225877 Издательство: Wordsworth Рейтинг: Цена: 1608.00 р. Наличие на складе: Нет в наличии.
Описание: Twelve Years a Slave (1853) is a memoir and slave narrative by Solomon Northup. Northup, a black man who was born free in New York, details his kidnapping and subsequent sale into slavery. After having been kept in bondage for 12 years, he was able to write to friends and family in New York, who were in turn able to secure his release.
Описание: A chronicle of the difficulties of enforcing the abolition of slave trading on the East African coast. Cruising the Indian Ocean near Zanzibar in 1849-1850 and apprehending slave dhows; attempting to rescue their cargo of slaves, Sullivan shows the struggles of enforcing laws so far from government against severe opposition.
Автор: James Название: The Storyworld Accord ISBN: 0803243987 ISBN-13(EAN): 9780803243989 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7524.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "Storyworlds," mental models of context and environment within which characters function, is a concept used to describe what happens in narrative. Narratologists agree that the concept of storyworlds best captures the ecology of narrative interpretation by allowing a fuller appreciation of the organization of both space and time, by recognizing reading as a process that encourages readers to compare the world of a text to other possible worlds, and by highlighting the power of narrative to immerse readers in new and unfamiliar environments. Focusing on the work of writers from Trinidad and Nigeria, such as Sam Selvon and Ben Okri, The Storyworld Accord investigates and compares the storyworlds of nonrealist and postmodern postcolonial texts to show how such narratives grapple with the often-collapsed concerns of subjectivity, representation, and environment, bringing together these narratological and ecocritical concerns via a mode that Erin James calls econarratology. Arguing that postcolonial ecocriticism, like ecocritical studies, has tended to neglect imaginative representations of the environment in postcolonial literatures, James suggests that readings of storyworlds in postcolonial texts helps narrative theorists and ecocritics better consider the ways in which culture, ideologies, and social and environmental issues are articulated in narrative forms and structures, while also helping postcolonial scholars more fully consider the environment alongside issues of political subjectivity and sovereignty. Erin James is an assistant professor of English at the University of Idaho and has published essays in the Journal of Commonwealth and Postcolonial Literature, Journal of Narrative Theory, The Bioregional Imagination, and Teaching Ecocriticism and Green Cultural Studies.
Автор: Jean Wyatt Название: Love and Narrative Form in Toni Morrison`s Later Novels ISBN: 0820350605 ISBN-13(EAN): 9780820350608 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9979.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the interaction among ideas of love, narrative innovation, and reader response in Toni Morrison`s seven later novels. Jean Wyatt analyses the stylistic and structural innovations of each novel, showing how disturbances in narrative chronology, surprise endings, and gaps mirror the dislocated temporality and distorted emotional responses of the novels` troubled characters.
Автор: Jean Wyatt Название: Love and Narrative Form in Toni Morrison`s Later Novels ISBN: 0820350869 ISBN-13(EAN): 9780820350868 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the interaction among ideas of love, narrative innovation, and reader response in Toni Morrison`s seven later novels. Jean Wyatt analyses the stylistic and structural innovations of each novel, showing how disturbances in narrative chronology, surprise endings, and gaps mirror the dislocated temporality and distorted emotional responses of the novels` troubled characters.
Описание: Hell Without Fires examines the spiritual and earthly results of conversion to Christianity for African-American antebellum writers. Using autobiographical narratives, the book shows how black writers transformed the earthly hell of slavery into a "New Jerusalem," a place they could call home.Yolanda Pierce insists that for African Americans, accounts of spiritual conversion revealed "personal transformations with far-reaching community effects. A personal experience of an individual's relationship with God is transformed into the possibility of liberating an entire community." The process of conversion could result in miraculous literacy, "callings" to preach, a renewed resistance to the slave condition, defiance of racist and sexist conventions, and communal uplift.These stories by five of the earliest antebellum spiritual writers--George White, John Jea, David Smith, Solomon Bayley, and Zilpha Elaw--create a new religious language that merges Christian scripture with distinct retellings of biblical stories, with enslaved people of African descent at their center. Showing the ways their language exploits the levels of meaning of words like master, slavery, sin, and flesh, Pierce argues that the narratives address the needs of those who attempted to transform a foreign god and religion into a personal and collective system of beliefs. The earthly "hell without fires"--one of the writer's characterizations of everyday life for those living in slavery--could become a place where an individual could be both black and Christian, and religion could offer bodily and psychological healing. Pierce presents a complex and subtle assessment of the language of conversion in the context of slavery. Her work will be important to those interested in the topics of slave religion and spiritual autobiography and to scholars of African American and early American literature and religion.
Humanitarianism has a narrative problem. Far too often, aid to Africa is envisioned through a tale of Western heroes saving African sufferers. While labeling white savior narratives has become a familiar gesture, it doesn’t tell us much about the story as story. Humanitarian Fictions aims to understand the workings of humanitarian literature, as they engage with and critique narratives of Africa. Overlapping with but distinct from human rights, humanitarianism centers on a relationship of assistance, focusing less on rights than on needs, less on legal frameworks than moral ones, less on the problem than on the nonstate solution. Tracing the white savior narrative back to religious missionaries of the nineteenth century, Humanitarian Fiction reveals the influence of religious thought on seemingly secular institutions and uncovers a spiritual, collectivist streak in the discourse of humanity. Because the humanitarian model of care transcends the boundaries of the state, and its networks touch much of the globe, Humanitarian Fictions redraws the boundaries of literary classification based on a shared problem space rather than a shared national space. The book maps a transnational vein of Anglophone literature about Africa that features missionaries, humanitarians, and their so-called beneficiaries. Putting humanitarian thought in conversation with postcolonial critique, this book brings together African, British, and U.S. writers typically read within separate traditions. Paustian shows how the novel—with its profound sensitivity to narrative—can enrich the critique of white saviorism while also imagining alternatives that give African agency its due.
Humanitarianism has a narrative problem. Far too often, aid to Africa is envisioned through a tale of Western heroes saving African sufferers. While labeling white savior narratives has become a familiar gesture, it doesn’t tell us much about the story as story. Humanitarian Fictions aims to understand the workings of humanitarian literature, as they engage with and critique narratives of Africa. Overlapping with but distinct from human rights, humanitarianism centers on a relationship of assistance, focusing less on rights than on needs, less on legal frameworks than moral ones, less on the problem than on the nonstate solution. Tracing the white savior narrative back to religious missionaries of the nineteenth century, Humanitarian Fiction reveals the influence of religious thought on seemingly secular institutions and uncovers a spiritual, collectivist streak in the discourse of humanity. Because the humanitarian model of care transcends the boundaries of the state, and its networks touch much of the globe, Humanitarian Fictions redraws the boundaries of literary classification based on a shared problem space rather than a shared national space. The book maps a transnational vein of Anglophone literature about Africa that features missionaries, humanitarians, and their so-called beneficiaries. Putting humanitarian thought in conversation with postcolonial critique, this book brings together African, British, and U.S. writers typically read within separate traditions. Paustian shows how the novel—with its profound sensitivity to narrative—can enrich the critique of white saviorism while also imagining alternatives that give African agency its due.
Автор: Charles Duncan Название: Absent Man: The Narrative Craft of Charles W. Chesnutt ISBN: 0821412396 ISBN-13(EAN): 9780821412398 Издательство: Wiley EDC Рейтинг: Цена: 5320.00 р. Наличие на складе: Поставка под заказ.
Описание:
As the first African-American fiction writer to achieve a national reputation, Ohio native Charles W. Chesnutt (1858–1932) in many ways established the terms of the black literary tradition now exemplified by such writers as Toni Morrison, Alice Walker, and Charles Johnson.
Following the highly autobiographical nonfiction produced by Frederick Douglass, Harriet Jacobs, and other slave narrative writers, Chesnutt’s complex, multi-layered short fiction transformed the relationship between African-American writers and their readers. But despite generous praise from W. D. Howells and other important critics of his day, and from such prominent readers as William L. Andrews, Henry Louis Gates, Jr., and Eric Sundquist in ours, Chesnutt occupies a curiously ambiguous place in American literary history.
In The Absent Man, Charles Duncan demonstrates that Chesnutt’s uneasy position in the American literary tradition can be traced to his remarkable narrative subtlety. Profoundly aware of the delicacy of his situation as a black intellectual at the turn of the century, Chesnutt infused his work with an intricate, enigmatic artistic vision that defies monolithic or unambiguously political interpretation, especially with regard to issues of race and identity that preoccupied him throughout his career.
In this first book-length study of the innovative short fiction, Duncan devotes particular attention to elucidating these sophisticated narrative strategies as the grounding for Chesnutt’s inauguration of a tradition of African-American fiction.
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