The Mummy on Screen: Orientalism and Monstrosity in Horror Cinema, Basil Glynn
Автор: Harrington, Erin Название: Women, monstrosity and horror film ISBN: 1472467299 ISBN-13(EAN): 9781472467294 Издательство: Taylor&Francis Рейтинг: Цена: 26030.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries - of taste, of bodies, of reason - are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women.
This book offers an in-depth analysis of women in horror films through an exploration of 'gynaehorror' films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and 'mad science'; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and 'abject barren' bodies in horror.
The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.
Автор: Wilson Natalie Название: Willful Monstrosity: Gender and Race in 21st Century Horror ISBN: 1476673446 ISBN-13(EAN): 9781476673448 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6098.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Taking in a wide range of film, television, and literature, this volume explores 21st century horror and its monsters from an intersectional perspective with a marked emphasis on gender and race. The analysis, which covers over 70 narratives, is organised around four primary monstrous figures - zombies, vampires, witches and monstrous women.
Автор: Erin Harrington Название: Women, Monstrosity and Horror Film: Gynaehorror ISBN: 0367208067 ISBN-13(EAN): 9780367208066 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers an analysis of women in horror films through an exploration of `gynaehorror`: films concerned with all aspects of female reproductive horror.
Автор: Bustanov, Alfrid K. (university Of Amsterdam, The Название: Soviet orientalism and the creation of central asian nations ISBN: 0815365721 ISBN-13(EAN): 9780815365723 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Orientalism - the idea that the standpoint of Western writers on the East greatly affected what they wrote about the East, the "Other" - applied also in Russia and the Soviet Union, where the study of the many exotic peoples incorporated into the Russian Empire, often in quite late imperial times, became a major academic industry, where, as in the West, the standpoint of writers greatly affected what they wrote. Russian/Soviet orientalism had a particularly important impact in Central Asia, where in early Soviet times new republics, later states, were created, often based on the distorted perceptions of scholars in St Petersburg and Moscow, and often cutting across previously existing political and cultural boundaries. The book explores how the Soviet orientalism academic industry influenced the creation of Central Asian nations. It discusses the content of oriental sources and discourses, considers the differences between scholars working in St Petersburg and Moscow and those working more locally in Central Asia, providing a rich picture of academic politics, and shows how academic cultural classification cemented political boundaries, often in unhelpful ways.
Автор: Combe Kirk Название: Masculinity and Monstrosity in Contemporary Hollywood Films ISBN: 1137360801 ISBN-13(EAN): 9781137360809 Издательство: Springer Рейтинг: Цена: 10976.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In film, Men are good and Monsters are bad. In this book, Combe and Boyle consider the monstrous body as a metaphor for the cultural body and regard gendered behavior as a matter of performativity. Taken together, these two identity positions, manliness and monsterliness, offer a window into the workings of current American society.
Описание: This is the first study of monstrosity in Jewish history from the Middle Ages to modernity. Drawing on Jewish history, literary studies, folklore, art history and the history of science, it examines both the historical depiction of Jews as monsters and the creative use of monstrous beings in Jewish culture.Jews have occupied a liminal position within European society and culture, being deeply immersed yet outsiders to it. For this reason, they were perceived in terms of otherness and were often represented as monstrous beings. However, at the same time, European Jews invoked, with tantalizing ubiquity, images of magical, terrifying and hybrid beings in their texts, art and folktales. These images were used by Jewish authors and artists to push back against their own identification as monstrous or diabolical and to tackle concerns about religious persecution, assimilation and acculturation, gender and sexuality, science and technology and the rise of antisemitism. Bringing together an impressive cast of contributors from around the world, this fascinating volume is an invaluable resource for academics, postgraduates and advanced undergraduates interested in Jewish studies, as well as the history of monsters.
Описание: Reveals monstrosity to be a central conceptual challenge in every ancient Greek and Roman philosophical system
Reconstructs the concept of monstrosity in classic thought from its earliest beginnings, through pre-Platonic and Attic philosophy to the Hellenistic systems and finally arriving at Neapolitanism
Covers all the major figures: from Hesiod to Augustine, through Democritus, Plato, Aristotle, Epicurus and Lucretius
Addresses questions of time, causality, necessity, finality, order, justice and anomaly
Shows the diverse aspects of reflections on monstrosity and the problems related to its interpretation
Amazons and giants, snakes and gorgons, centaurs and gryphons: monsters abounded in ancient culture. They raise enduring philosophical questions: about chaos and order; about divinity and perversion; about meaning and purpose; about the hierarchy of nature or its absence. Del Lucchese grapples with the concept of monstrosity, showing how ancient philosophers explored metaphysics, ontology, theology and politics to respond to the challenge of radical otherness in nature and in thought.
Each chapter explores the emergence of monstrosity in a set of authors and theories. In chapter 1, monsters rise as the challenging adversaries of the new gods of the early cosmogonies. But they can also be powerful productive forces that support building the new order or ambiguous characters that catalyse the unfolding of the tragic universe. In chapter 2, the Pre-Platonic systems of Anaxagoras, Empedocle and Democritus pave the way for the recognition of the philosophical status of monstrosity.
This status becomes central in Attic philosophy, first with Plato's mythological monstrosities and then with the construction of a hierarchical structure of the universe - taken up in chapter 3. Chapter 4 focuses on Aristotle's study of physical monstrosity and its role within his metaphysical and aetiological framework.
Chapters 5-7 deal with the extraordinarily elaborate responses to Attic philosophy by the major Hellenistic systems: Epicureanism, Stoicism and Scepticism. The final chapter looks at the Middle and Neoplatonist response to Hellenism and explores the richness of late-antiquity's reflection on monstrosity up to its absorption and reworking by early Christian thought.
Автор: Miller Sarah Alison Название: Medieval Monstrosity and the Female Body ISBN: 1138817449 ISBN-13(EAN): 9781138817449 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Miller argues that one incarnation of monstrosity in the Middle Ages-the female body-exists in special relation to medieval conceptualizations of the monstrous. Because female corporeality is pervasive, proximate, and necessary, it illustrates the supreme allure and danger of the monster, thereby highlighting the powers and problems of teratology.
Автор: Jackson Kimberley Название: Technology, Monstrosity, and Reproduction in Twenty-First Ce ISBN: 1137361034 ISBN-13(EAN): 9781137361035 Издательство: Springer Рейтинг: Цена: 10366.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Through a wide spectrum of horror sub-genres, this book examines how the current state of horror reflects the anxieties in Western culture. Horror films bring them to a mass audience and offer new figures for the nameless faceless `antagonist` that plagues us and provides material with which to build a different understanding of ourselves.
Описание: Every culture knows the phenomenon of monsters, terrifying creatures that represent complete alterity and challenge every basic notion of self and identity within a cultural paradigm. In Latin and Greek culture, the monster was created as a marvel, appearing as something which, like transgression itself, did not belong to the assumed natural order of things. Therefore, it could only be created by a divinity responsible for its creation, composition, goals and stability, but it was triggered by some in- or non-human action performed by humans. The identification of something as monstrous denotes its place outside and beyond social norms and values. The monster-evoking transgression is most often indistinguishable from reactions to the experience of otherness, merging the limits of humanity with the limits of a given culture. The topic entails a large intersection among the cultural domains of law, literature, philosophy, anthropology, and technology. Monstrosity has indeed become a necessary condition of our existence in the 21st century: it serves as a representation of change itself. In the process of analysis there are three theoretical approaches: psychoanalytical, representational, ontological. The volume therefore aims at examining the concept of monstrosity from three main perspectives: technophobic, xenophobic, superdiversity. Today’s globalized world is shaped in the unprecedented phenomenon of international migration. The resistance to this phenomenon causes the demonization of the Other, seen as the antagonist and the monster. The monster becomes therefore the ethnic Other, the alien. To reach this new perspective on monstrosity we must start by examining the many facets of monstrosity, also diachronically: from the philological origin of the term to the Roman and classical viewpoint, from the Renaissance medical perspective to the religious background, from the new filmic exploitations in the 20th and 21st centuries to the very recent ethnological and anthropological points of view, to the latest technological perspective , dealing with artificial intelligence.
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