Название: NeoGeo - A New Edge to Abstraction ISBN: 389955194X ISBN-13(EAN): 9783899551945 Издательство: Gestalten Рейтинг: Цена: 5053.00 р. Наличие на складе: Нет в наличии.
Описание: NeoGeo documents the new flirtation with geometrical forms and solid colours in today's design. The examples in the book make it clear that this current trend to abstract work is not a nostalgic phenomenon; rather, it borrows from illustration, collage, typography and computer art to create a whole new visual language
Название: Alexander Calder: Baume Naming Abstraction ISBN: 3775737103 ISBN-13(EAN): 9783775737104 Издательство: Hatje Cantz Цена: 4331.00 р. Наличие на складе: Нет в наличии.
Описание: Alexander Calder (1898–1976) transposed modernist visual abstraction to space, naming his works allusively for the aspects of motion or balance they portrayed. Leaving Paris for his native United States in 1933, he settled in an old farmhouse in Roxbury, Connecticut, where nature became a new source of inspiration for his creativity. The monumental standing mobile The Tree (1966) demonstrates the relationship between abstraction and realization. In a combination of mobile and stabile, the artist questions the development of the abstract image that can be traced back to the figurative motif of the tree. This work is the focus of Calder Gallery II at the Fondation Beyeler. Centered on the Calder’s outdoor sculpture and his development of large-scale works, the presentation includes original and related maquettes that anticipate The Tree and a striking group of rarely seen sculptures from the 1930s to 1950s.
Описание: Concrete Cuba, produced on the occasion of the 2015–2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro ?lvarez, Wifredo Arcay, Mario Carre?o, Salvador Corratg?, Sand? Dari?, Luis Mart?nez Pedro, Alberto Menocal, Jos? M. Mijares, Pedro de Ora?, Jos? ?ngel Rosabal, Lol? Soldevilla, and Rafael Soriano. The limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora?.
Описание: A groundbreaking study of the development of form in eighteenth-century aesthetics In this original work, Abigail Zitin proposes a new history of the development of form as a concept in and for aesthetics. Her account substitutes women and artisans for the proverbial man of taste, asserting them as central figures in the rise of aesthetics as a field of philosophical inquiry in eighteenth-century Europe. She shows how the idea of formal abstraction so central to conceptions of beauty in this period emerges from the way practitioners think about craft and skill across the domestic, industrial, and so-called high arts. Zitin elegantly maps the complex connections among aesthetics, form, and formalism, drawing out the understated presence of practice in the writings of major eighteenth-century thinkers including Locke, Addison, Burke, and Kant. This new take on an old story ultimately challenges readers to reconsider form and why it matters.
Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate.
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