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135 Artists` Ideas for Planet Earth, Obrist, Hans Ulrich, Back to Earth


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Автор: Obrist, Hans Ulrich, Back to Earth
Название:  135 Artists` Ideas for Planet Earth
ISBN: 9780141997261
Издательство: Random House
Классификация:








ISBN-10: 0141997265
Обложка/Формат: Hardback
Страницы: 224
Вес: 0.50 кг.
Дата издания: 03.06.2021
Язык: English
Размер: 187 x 114 x 25
Читательская аудитория: Tertiary education (us: college)
Основная тема: Climate change, Theory Of Art, Art Techniques & Principles, Art & Design Styles: Conceptual Art
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Поставляется из: Англии
Описание: Chemical industries, dairy units, oil and gas refineries, petro-chemical complexes and fertilizer manufacturing units are few of those areas which are incomplete without anti-corrosive treatment for concrete surface. Environmental effects, spillage and dust- emission are few of those processes which can corrode concrete. Protection of concrete surface of constructed elements from corrosive attack arising through very harsh corrosive conditions from all those (and many more) sources of corrosion becomes a moral duty of a Civil Engineer. This book is an effort in this direction to share the applied knowledge with the budding Engineers so that they are aware of such protective measures to be taken for the situations they are put into which I am sure, you must have found it to be of significant importance. One save of production stoppage with use of knowledge contained in this book would serve the very purpose of bringing it out.


Hans ulrich obrist: a brief history of curating

Название: Hans ulrich obrist: a brief history of curating
ISBN: 390582955X ISBN-13(EAN): 9783905829556
Издательство: Неизвестно
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Цена: 2222.00 р.
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Описание: Part of JRPRinger's innovative Documents series, published with Les Presses du Rйel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, the image we have of the curator today: the curator-as-artist, a roaming, freelance designer of exhibitions, or in his own witty formulation, a 'spiritual guest worker'... If artists since Marcel Duchamp have affirmed selection and arrangement as legitimate artistic strategies, was it not simply a matter of time before curatorial practice--itself defined by selection and arrangement--would come to be seen as an art that operates on the field of art itself?


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