Автор: Healy Ann Marie, Jones Nick, Parks Suzan-Lori Название: The Oberon Anthology of Contemporary American Plays: Volume Two ISBN: 1786823209 ISBN-13(EAN): 9781786823205 Издательство: Неизвестно Рейтинг: Цена: 5337.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The second volume in this series brings together some of the best new writing from contemporary American playwrights. Each play is introduced by critically acclaimed writers themselves. The volume includes: THE EDGE OF OUR BODIES by Adam Rapp, Introduced by AM Homes THE COWARD by Nick Jones, Introduced by Marsha Norman THE BOOK OF GRACE by Suzan-Lori Parks, Introduced by Oskar Eustis WHAT ONCE WE FELT by Ann Marie Healy, Introduced by Paula Vogel
Название: Oberon anthology of contemporary french plays ISBN: 1786820722 ISBN-13(EAN): 9781786820723 Издательство: Bloomsbury Рейтинг: Цена: 3008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A diverse selection of contemporary plays from a range of established and up-and-coming playwrights based in France, edited and translated by Chris Campbell, literary manager of the Royal Court.
Автор: Wieland Christoph Martin Название: Wielands Oberon: Ein Gedicht in Vierzehn Ges Ngen ISBN: 1288006594 ISBN-13(EAN): 9781288006595 Издательство: Неизвестно Цена: 4242.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Oberon Matt Название: The Quaid Conspiracy ISBN: 0620508469 ISBN-13(EAN): 9780620508469 Издательство: Неизвестно Цена: 1724.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As one of the UK` s leading needle felters, Fi Oberon is much in demand for her gorgeous animal sculptures created from felt. The Natural World of Needle Felting, her first book, aims to be the most beautiful and engaging on the market on this increasingly popular subject.
Описание: Renowned music historian Philipp Spitta has written that "of all the German musicians of the 19th century, none has exercised a greater influence over his own generation and that succeeding it than Weber." Spitta's statement reflects Weber's popularity at the end of the nineteenth 19th century--both for his place as a foundational figure of German Romantic opera and for his role in the early German Nationalist movement in music. Indeed, Weber's Der Freisch tz is still considered the first German Romantic opera, enjoying a place of privilege in the modern operatic repertoire with performances held the world over and at least two cinematic productions. Despite its enormous popularity throughout the 19th nineteenth century, however, Weber's swan song, Oberon, has remained separate from the mainstream thrust of our modern understanding of German Romantic opera. In Carl Maria von Weber: Oberon and the Cosmopolitanism in the Early German Romantic, music historian and theorist Joseph E. Morgan reassesses Weber's work and aesthetics not just for their influence but also as an expression of the aesthetics and cosmopolitanism that underlay the early Romantic and Nationalist movement in Germany. In a discussion with analyses that features nearly one- hundred musical examples, Morgan tracks the development of Weber's musical style across his career. The investigation culminates with Weber's last and long-misunderstood work, explaining its thematic and harmonic organization, its stylistic idiosyncrasies, and the tenuous place that it holds on the margins of the operatic canon. The discussion is enhanced and corroborated by frequent attention to correlating developments in other art from the period, including painting, poetry, and literature. This text will be of interest to students, scholars, and connoisseurs wishing to acquire a new insight on the performance, reception, and aesthetics of early German Romantic opera. Further, because of the interdisciplinary nature of the investigation, anyone researching the early Romantic and Nationalist movement in Germany will also certainly find valuable insights in this book.
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