Politics of literature in a divided 21st century, Donn, Katharina (university Of Augsburg, Germany)
Автор: Donn, Katharina Название: The Politics of Literature in a Divided 21st Century ISBN: 0367222515 ISBN-13(EAN): 9780367222512 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How does literature matter politically in the 21st century? Featuring a diverse body of texts and authors, this book addresses such urgent global issues as biopolitics, migration and borders, populism, climate change, and terrorism.
Описание: Neil Gaiman has emerged as one of the most influential literary figures of the twenty-first century, from his roots in graphic novels to experimental social media collaborations, from award-winning fantasy fiction to beloved children's books. To borrow a phrase from Gaiman's internationally celebrated, viral graduation speech, he “makes good art.“Featuring seventeen original scholarly essays covering a broad range of Gaiman's prolific output, this collection includes readings of the novels American Gods, Anansi Boys, The Graveyard Book, and The Ocean at the End of the Lane; explores the children's books The Wolves in the Walls and Blueberry Girl; investigates the online short story collection A Calendar of Tales and the Doctor Who episode “Nightmare in Silver;” and looks carefully at Gaiman's return to the serial comic book form with Sandman: Overture.Artist J.H. Williams III also contributes an exclusive interview about his collaboration with Gaiman on Sandman: Overture. Finally, cartoonist and former Real World: San Francisco cast member Judd Winick includes a personal essay illustrating how artists are continually, profoundly influenced by Gaiman's creative output.Focused on helping scholars and fans alike, these essays conceptualize the latest iterations of an evolving, always-emerging artist as he makes art in the developing landscape of twenty-first century literature.
Описание: This volume reassesses the field of Chicana/o literary studies in light of the rise of Latina/o studies, the recovery of a large body of early literature by Mexican Americans, and the "transnational turn" in American studies.
Автор: Astrid Bracke Название: Climate Crisis and the 21st-Century British Novel ISBN: 147427112X ISBN-13(EAN): 9781474271127 Издательство: Bloomsbury Academic Рейтинг: Цена: 23126.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The challenge of rapid climate change is forcing us to rethink traditional attitudes to nature. This book is the first study to chart these changing attitudes in 21st-century British fiction. Climate Crisis and the 21st-Century British Novel examines twelve works that reflect growing cultural awareness of climate crisis and participate in the reshaping of the stories that surround it. Central to this renegotiation are four narratives: environmental collapse, pastoral, urban and polar. Bringing ecocriticism into dialogue with narratology and a new body of contemporary writing, Astrid Bracke explores a wide range of texts, from Zadie Smith’s NW through Sarah Hall's The Carhullan Army and David Mitchell’s Cloud Atlas to the work of a new generation of novelists such as Melissa Harrison and Ross Raisin. As the book shows, post-millennial fictions provide the imaginative space in which to rethink the stories we tell about ourselves and the natural world in a time of crisis.
Автор: Arens, Katherine Название: Belle necropolis ISBN: 1433119005 ISBN-13(EAN): 9781433119002 Издательство: Peter Lang Рейтинг: Цена: 14051.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since coming to public notice through major museum catalogues and the work of Carl Schorske around 1980, fin de si?cle Vienna has been cast as the final bloom of a dying culture. Yet this assessment is itself a historical construct, deriving from the politics of the twentieth century. This volume argues that «Habsburg nostalgia» is anything but backward looking: instead, images from this glittering Habsburg past become evidence of a culture’s sophisticated sense of how and why history is made, in both official and popular spheres. Including the first translation of an original account of Crown Prince Rudolf’s suicide at Mayerling in 1889, Belle Necropolis argues for Austria’s continued reuse of its own history to point the way toward the future rather than simply memorializing a past that only exists as living memories of shared stories, not as a truth in itself. Case studies included here range from imperial stereotypes before 1900 through their adaptations in the film 1. April 2000 and today’s musicals, and from the politics of representing Austria since Rebecca West up through Schorske’s master narrative of the Ringstrasse. Through these studies, Habsburg culture emerges as a culture of commemoration that uses its own past to overcome the limits of a small country seeking a role on the contemporary world stage.
Название: Victimhood and vulnerability in 21st century fiction ISBN: 0415788293 ISBN-13(EAN): 9780415788298 Издательство: Taylor&Francis Рейтинг: Цена: 26796.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Editors Jean-Michel Ganteau and Susana Onega) have assembled a volume which addresses the relationship between trauma and ethics, and moves one step further to engage with vulnerability studies in their relation to literature and literary form. It consists of an introduction and of twelve articles written by specialists from various European countries and includes an interview with US novelist Jayne Anne Philips, conducted by her translator into French, Marc Amfreville, addressing her latest novel, Quiet Dell, through the victimhood-vulnerability prism. The corpus of primary sources on which the volume is based draws on various literary backgrounds in English, from Britain to India, through the USA. The editors draw on material from the ethics of alterity, trauma studies and the ethics of vulnerability in line with the work of moral philosophers like Emmanuel Levinas, as well as with a more recent and challenging tradition of continental thinkers, virtually unknown so far in the English-speaking world, represented by Guillaume Le Blanc, Nathalie Maillard, and Corinne Pelluchon, among others. Yet another related line of thought followed in the volume is that represented by feminist critics like Catriona McKenzie, Wendy Rogers and Susan Dodds.
Returning to revolution's original meaning of 'cycle', Contemporary Revolutions explores how 21st-century writers, artists, and performers re-engage the arts of the past to reimagine a present and future encompassing revolutionary commitments to justice and freedom. Dealing with histories of colonialism, slavery, genocide, civil war, and gender and class inequities, essays examine literature and arts of Africa, Europe, the Middle East, the Pacific Islands, and the United States.
The broad range of contemporary writers and artists considered include fabric artist Ellen Bell; poets Selena Tusitala Marsh and Antje Krog; Syrian artists of the civil war and Sana Yazigi's creative memory web site about the war; street artist Bahia Shehab; theatre installation artist William Kentridge; and the recycles of Virginia Woolf by multi-media artist Kabe Wilson, novelist W. G. Sebald, and the contemporary trans movement.
Автор: Astrid Bracke Название: Climate Crisis and the 21st-Century British Novel ISBN: 1350107484 ISBN-13(EAN): 9781350107489 Издательство: Bloomsbury Academic Рейтинг: Цена: 6551.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The challenge of rapid climate change is forcing us to rethink traditional attitudes to nature. This book is the first study to chart these changing attitudes in 21st-century British fiction. Climate Crisis and the 21st-Century British Novel examines twelve works that reflect growing cultural awareness of climate crisis and participate in the reshaping of the stories that surround it. Central to this renegotiation are four narratives: environmental collapse, pastoral, urban and polar. Bringing ecocriticism into dialogue with narratology and a new body of contemporary writing, Astrid Bracke explores a wide range of texts, from Zadie Smith’s NW through Sarah Hall's The Carhullan Army and David Mitchell’s Cloud Atlas to the work of a new generation of novelists such as Melissa Harrison and Ross Raisin. As the book shows, post-millennial fictions provide the imaginative space in which to rethink the stories we tell about ourselves and the natural world in a time of crisis.
Drawing primarily on Judith Butler's, Jacques Derrida's, Emmanuel Levinas's and Jean-Luc Nancy's reflections on precariousness/precarity, the Self and the Other, ethical responsibility/obligation, forgiveness, hos(ti)pitality and community, the essays in this volume examine the various ways in which contemporary British drama and theatre engage with 'the precarious'. Crucially, what emerges from the discussion of a wide range of plays - including Jez Butterworth's Jerusalem, Caryl Churchill's Here We Go, Martin Crimp's Fewer Emergencies and In the Republic of Happiness, Tim Crouch's The Author, Forced Entertainment's Tomorrow's Parties, David Greig's The American Pilot and The Events, Dennis Kelly's Love and Money, Mark Ravenhill's Shoot/Get Treasure/Repeat, Philip Ridley's Mercury Fur, Robin Soans's Talking to Terrorists, Simon Stephens's Pornography, theTheatre Uncut project, debbie tucker green's dirty butterfly and Laura Wade's Posh - is the observation that contemporary (British) drama and theatre often realises its thematic and formal/structural potential to the full precisely by reflecting upon the category and the episteme of precariousness, and deliberately turning audience members into active participants in the process of negotiating ethical agency.
Описание: Drawing primarily on Judith Butler’s, Jacques Derrida’s, Emmanuel Levinas’s and Jean-Luc Nancy’s reflections on precariousness/precarity, the Self and the Other, ethical responsibility/obligation, forgiveness, hos(ti)pitality and community, the essays in this volume examine the various ways in which contemporary British drama and theatre engage with ‘the precarious’. Crucially, what emerges from the discussion of a wide range of plays – including Jez Butterworth’s Jerusalem, Caryl Churchill’s Here We Go, Martin Crimp’s Fewer Emergencies and In the Republic of Happiness, Tim Crouch’s The Author, Forced Entertainment’s Tomorrow’s Parties, David Greig’s The American Pilot and The Events, Dennis Kelly’s Love and Money, Mark Ravenhill’s Shoot/Get Treasure/Repeat, Philip Ridley’s Mercury Fur, Robin Soans’s Talking to Terrorists, Simon Stephens’s Pornography, theTheatre Uncut project, debbie tucker green’s dirty butterfly and Laura Wade’s Posh – is the observation that contemporary (British) drama and theatre often realises its thematic and formal/structural potential to the full precisely by reflecting upon the category and the episteme of precariousness, and deliberately turning audience members into active participants in the process of negotiating ethical agency.
Returning to revolution's original meaning of 'cycle', Contemporary Revolutions explores how 21st-century writers, artists, and performers re-engage the arts of the past to reimagine a present and future encompassing revolutionary commitments to justice and freedom. Dealing with histories of colonialism, slavery, genocide, civil war, and gender and class inequities, essays examine literature and arts of Africa, Europe, the Middle East, the Pacific Islands, and the United States.
The broad range of contemporary writers and artists considered include fabric artist Ellen Bell; poets Selena Tusitala Marsh and Antje Krog; Syrian artists of the civil war and Sana Yazigi's creative memory web site about the war; street artist Bahia Shehab; theatre installation artist William Kentridge; and the recycles of Virginia Woolf by multi-media artist Kabe Wilson, novelist W. G. Sebald, and the contemporary trans movement.
The book discusses the issue of religiosity in the context of American Jewish literature, emphasizing the significance of Judaism as an indispensable element in the formation of American Jewish female identity. The empirical part of the book is devoted to a critical comprehensive analysis of selected fiction by contemporary American Jewish female writers, representatives of the third generation, whose works were published between 1980–2005. The literary analyses of the selected narratives reveal a strong connection between the identity of American Jewish women and Judaism, and the simultaneous need to modify it in the face of socio-political transformations occurring in the American society at the turn of the twenty-first century
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