Автор: Wallace Daniel Название: Star Wars - The Smuggler`s Guide ISBN: 1789092620 ISBN-13(EAN): 9781789092622 Издательство: Titan books ltd. Рейтинг: Цена: 2325.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What started as a simple logbook has been stolen, traded, and smuggled around the Galaxy to become the Smuggler`s Guide - a collection of hidden treasure locations, advice, and hard-earned data.
Автор: Hans Anjeana Название: Gender and the Uncanny in Films of the Weimar Republic ISBN: 0814338941 ISBN-13(EAN): 9780814338940 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5267.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Weimar period in Germany was a time of radical change, when the traditions and social hierarchies of Imperial Germany crumbled, and a young, deeply conflicted republic emerged. Modernity brought changes that reached deep into the most personal aspects of life, including a loosening of gender roles that opened up new freedoms and opportunities to women. The screen vamps, garçonnes, and New Women in this movie-hungry society came to embody the new image of womanhood: sexually liberated, independent, and - at least to some - deeply threatening. In Gender and the Uncanny in Films of the Weimar Republic, author Anjeana K. Hans examines largely forgotten films of Weimar cinema through the lens of their historical moment, contemporary concerns and critiques, and modern film theory to give a nuanced understanding of their significance and their complex interplay between gender, subjectivity, and cinema.Hans focuses on so-called uncanny films in which terror lies just under the surface and the emancipated female body becomes the embodiment of a threat repressed. In six chapters she provides a detailed analysis of each film and traces how filmmakers simultaneously celebrate and punish the transgressive women that populate them. Films discussed include The Eyes of the Mummy (Die Augen der Mumie Mâ, Ernst Lubitsch, 1918), Uncanny Tales (Unheimliche Geschichten, Richard Oswald, 1919), Warning Shadows (Schatten: Eine nächtliche Halluzination, Artur Robison, 1923), The Hands of Orlac (Orlacs Hände, Robert Wiene, 1924), A Daughter of Destiny (Alraune, Henrik Galeen,1928), and Daughter of Evil (Alraune, Richard Oswald, 1930). An introduction contextualizes Weimar cinema within its unique and volatile social setting.Hans demonstrates that Weimar Germany’s conflicting emotions, hopes, and fears played out in that most modern of media, the cinema. Scholars of film and German history will appreciate the intriguing study of Gender and the Uncanny in Films of the Weimar Republic.
Автор: Wood Robin Название: The Apu Trilogy: New Edition ISBN: 0814332773 ISBN-13(EAN): 9780814332771 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4012.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Apu Trilogy is the fourth directorial monograph written by influential film critic Robin Wood and republished for a contemporary audience. Focusing on the famed trilogy from Indian director Satyajit Ray, Wood persuasively demonstrates his ability at detailed textual analysis, providing an impressively sustained reading that elucidates the complex view of life in the trilogy. Wood was one of our most insightful and committed film critics, championing films that explore the human condition. His analysis of The Apu Trilogy reveals and illuminates the films’ profoundly humanistic qualities with clarity and rigor, plumbing the psychological and emotional resonances that arise from Ray’s delicate balance of performance, camerawork, and visual design. Wood was the first English language critic to write substantively about Ray’s films, which made the original publication of his monograph on The Apu Trilogy unprecedented as well as impressive. Of late there has been a renewed interest in North America in the work of Satyajit Ray, yet no other critic has come close to equaling the scope and depth of Wood’s analysis.In his introduction, originally published in 1971, Wood says Ray’s work was met with indifference. In response, he offers possible reasons why this occurred, including social and cultural differences and the films’ slow pacing, which contemporary critics tended to associate with classical cinema. Wood notes Ray’s admiration for Western film culture, including the Hollywood cinema and European directors, particularly Jean Renoir and his realist films. Assigning a chapter to each Pather Panchali (1955), Aparajito (1957) and The World of Apu (1959), Wood goes on to explore each film more thoroughly. One of the aspects of this book that is particularly rewarding is Wood’s analytical approach to the trilogy as a whole, as well as detailed attention given to each of the three films. The book, with a new preface by Richard Lippe and foreword by Barry Keith Grant, functions as a masterclass on what constitutes an in-depth reading of a work and the use of critical tools that are relevant to such a task.Robin Wood’s The Apu Trilogy offers an excellent account of evaluative criticism that will appeal to film scholars and students alike.
Автор: Luckett Moya Название: Cinema and Community ISBN: 0814337252 ISBN-13(EAN): 9780814337257 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5267.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Caught between the older model of short film and the emerging classic era, the transitional period of American cinema (1907-1917) has typically posed a problem for studies of early American film. Yet in <em>Cinema and Community: Progressivism, Exhibition, and Film Culture in Chicago, 1907-1917, </em>author Moya Luckett uses the era's dominant political ideology as a lens to better understand its cinematic practice. Luckett argues that movies were a typically Progressive institution, reflecting the period's investment in leisure, its more public lifestyle, and its fascination with celebrity. She uses Chicago, often considered the nation's most Progressive city and home to the nation's largest film audience by 1907, to explore how Progressivism shaped and influenced the address, reception, exhibition, representational strategies, regulation, and cultural status of early cinema. <br><br>After a survey of Progressivism's general influences on popular culture and the film industry in particular, she examines the era's spectatorship theories in chapter 1 and then the formal characteristics of the early feature film-including the use of prologues, multiple diegesis, and oversight-in chapter 2. In chapter 3, Luckett explores the period's cinema in the light of its celebrity culture, while she examines exhibition in chapter 4. She also looks at the formation of Chicago's censorship board in November 1907 in the context of efforts by city government, social reformers, and the local press to establish community standards for cinema in chapter 5. She completes the volume by exploring race and cinema in chapter 6 and national identity and community, this time in relation to World War I, in chapter 7. <br><br>As well as offering a history of an underexplored area of film history, Luckett provides a conceptual framework to help navigate some of the period's key issues. Film scholars interested in the early years of American cinema will appreciate this insightful study.
Описание: Marcia Landy has gathered thirty-seven important essays on film and melodrama that have appeared in books and journals over the last two decades. In her introduction to the book, Landy explores the recent interest in the genre in relation to theoretical work in psychoanalysis and semiotics, setting the stage for the essays that follow.The book`s seven sections examine the history of melodrama, its emphasis on emotional excess, its manicheanism, and its dependence on non-verbal strategies to communicate. Essays focus on the family melodramas of the 1950s, the role of Hollywood directors and stars in the development of the genre, and melodrama in the silent films and on television. The book concludes with an exploration of the use of melodrama in European and Latin American cinema, both silent and sound. Imitations of Life thus provides a variety of perspectives-chronological, theoretical, and international-on the genre while investigating its cultural, social, and political significance.
Автор: Marco Abel, Jaimey Fisher Название: The Berlin School and its Global Contexts: A Transnational Art Cinema ISBN: 0814344909 ISBN-13(EAN): 9780814344903 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10658.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that ""the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain."" In response to this ""transnational turn,"" editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School.The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices.The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema.
Автор: Ofer Eliaz Название: Cinematic Cryptonymies: The Absent Body in Postwar Film ISBN: 0814345611 ISBN-13(EAN): 9780814345610 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10783.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How postwar film represents absent bodies via the cinematic practices of audiovisual erasure by key filmmakers.Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies through an in-depth analysis of key filmmakers from the immediate postwar moment through the present. Ofer Eliaz provides a cinematic history as well as a theoretical framework rooted in psychoanalysis that allows the reader to see and understand the absence and erasure of bodies in film as a response to historical trauma.Drawing on a psychoanalytic technique focused on what one leaves unspoken, Cinematic Cryptonymies investigates a diverse range of postwar film. The first chapter examines how Georges Franju deployed Paris as a city that hides the horrors of its past—here the vanished bodies of the victims of the Holocaust—behind its facade. Eliaz then looks at intergenerational haunting in the early horror films of Mario Bava, in which unacknowledged violence and loss is passed down across generations during the time of Italy’s economic miracle. The unique use of montage in the late films of Jean-Luc Godard is the focus of the third chapter through which the viewer only receives a fragmented and partial image of struggle—an attempt to address the failure of cinema to bear witness to the horrors of the wars and mass killings of the 1990s. Eliaz ends in the 2000s by examining the transnational films of Naomi Uman, whose experimental films engage the violence and loss experienced in different forms of border crossings, including national and social borders.Centered on the question of how one can mourn losses that are so traumatic they become unspeakable, Cinematic Cryptonymies is an important contribution to conversations on postwar film, trauma and the intersection of psychoanalysis and the humanities. Scholars interested in postwar film and history, trauma and war or psychoanalytic theory will all find this volume of interest.
Автор: Kristen Anderson Wagner Название: Comic Venus: Women and Comedy in American Silent Film ISBN: 0814345298 ISBN-13(EAN): 9780814345290 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10658.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines the social and historical significance of women's contributions to American silent Film comedy. For many people the term ""silent comedy"" conjures up images of Charlie Chaplin’s Little Tramp, Buster Keaton’s Stoneface, or Harold Lloyd hanging precariously from the side of a skyscraper. Even people who have never seen a silent film can recognize these comedians at a glance. But what about the female comedians? Gale Henry, Louise Fazenda, Colleen Moore, Constance Talmadge—these and numerous others were wildly popular during the silent fi lm era, appearing in countless motion pictures and earning top salaries, and yet their names have been almost entirely forgotten. As a consequence, recovering their history is all the more compelling given that they laid the foundation for generations of funny women, from Lucille Ball to Carol Burnett to Tina Fey. These women constitute an essential and neglected sector of film history, reflecting a turning point in women’s social and political history. Their talent and brave spirit continues to be felt today, and Comic Venus: Women and Comedy in American Silent Film seeks to provide a better understanding of women’s experiences in the early twentieth century and to better understand and appreciate the unruly and boundary-breaking women who have followed.The diversity and breadth of archival materials explored in Comic Venus illuminate the social and historical period of comediennes and silent film. It is the first book to explore the overlooked contributions made by comediennes in American silent fi lm. Those with an interest in fi lm and representations of femininity in comedy will be fascinated by the analytical connections and thoroughly researched histories of these women and their groundbreaking movements in comedy and stage.
Автор: Fischer Carl, Barraza Vania Название: Chilean Cinema in the Twenty-First-Century World ISBN: 0814346820 ISBN-13(EAN): 9780814346822 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4137.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Focusing on films from Chile since 2000 and bringing together scholars from South and North America, Chilean Cinema in the Twenty-First-Century World is the first English-language book since the 1970s to explore this small, yet significant, Latin American cinema.
Автор: Fischer Carl, Barraza Vania Название: Chilean Cinema in the Twenty-First-Century World ISBN: 0814346812 ISBN-13(EAN): 9780814346815 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10658.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Focusing on films from Chile since 2000 and bringing together scholars from South and North America, Chilean Cinema in the Twenty-First-Century World is the first English-language book since the 1970s to explore this small, yet significant, Latin American cinema.
Автор: S. Cobb Название: Adaptation, Authorship, and Contemporary Women Filmmakers ISBN: 134932910X ISBN-13(EAN): 9781349329106 Издательство: Springer Рейтинг: Цена: 9390.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A lively discussion of costume dramas to women`s films, Shelley Cobb investigates the practice of adaptation in contemporary films made by women. The figure of the woman author comes to the fore as a key site for the representation of women`s agency and the authority of the woman filmmaker.
Автор: Kaklamanidou Betty Название: New Approaches to Contemporary Adaptation ISBN: 0814346243 ISBN-13(EAN): 9780814346242 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10658.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Defiantly claims that ""all films are adaptations"". The wide-ranging chapters included in this book highlight the growing and evolving relevance of the field of adaptation studies and its many branding subfields.
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