Название: NeoGeo - A New Edge to Abstraction ISBN: 389955194X ISBN-13(EAN): 9783899551945 Издательство: Gestalten Рейтинг: Цена: 5053.00 р. Наличие на складе: Нет в наличии.
Описание: NeoGeo documents the new flirtation with geometrical forms and solid colours in today's design. The examples in the book make it clear that this current trend to abstract work is not a nostalgic phenomenon; rather, it borrows from illustration, collage, typography and computer art to create a whole new visual language
Автор: Westheider Ortrud, Philipp Michael Название: Gerhard Richter: Abstraction ISBN: 379135745X ISBN-13(EAN): 9783791357454 Издательство: Random House (USA) Рейтинг: Цена: 4598.00 р. Наличие на складе: Нет в наличии.
Описание: Gerhard Richter`s abstract works are the subject of this extraordinary book, which brings together eighty works from collections around the world.
Автор: Ottinger, Didier Sarre, Marie Название: Abstraction and Calligraphy: Towards a Universal Language ISBN: 1785513524 ISBN-13(EAN): 9781785513527 Издательство: Abrams Рейтинг: Цена: 6970.00 р. Наличие на складе: Поставка под заказ.
Описание: This catalogue accompanies the latest in the Louvre Abu Dhabi`s exciting series of exhibitions charting the relationship between Eastern and Western artistic traditions.
Автор: Ottinger, Didier Sarre, Marie Название: Abstraction and Calligraphy (French) ISBN: 1785513532 ISBN-13(EAN): 9781785513534 Издательство: Abrams Рейтинг: Цена: 6970.00 р. Наличие на складе: Поставка под заказ.
Описание: This catalogue accompanies the latest in the Louvre Abu Dhabi`s exciting series of exhibitions charting the relationship between Eastern and Western artistic traditions. Text in French.
Название: Primitivism, Cubism, Abstraction ISBN: 0300055161 ISBN-13(EAN): 9780300055160 Издательство: Wiley yUP Рейтинг: Цена: 3127.00 р. Наличие на складе: Поставка под заказ.
Описание: This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader. The book presents a survey of art from the first two decades of the 20th century. The authors begin by exploring how aspects of the primitive were invoked by rural artists' colonies formed in France and Germany at the end of the 19th century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian.
Описание: Concrete Cuba, produced on the occasion of the 2015–2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro ?lvarez, Wifredo Arcay, Mario Carre?o, Salvador Corratg?, Sand? Dari?, Luis Mart?nez Pedro, Alberto Menocal, Jos? M. Mijares, Pedro de Ora?, Jos? ?ngel Rosabal, Lol? Soldevilla, and Rafael Soriano. The limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora?.
Название: Alexander Calder: Baume Naming Abstraction ISBN: 3775737103 ISBN-13(EAN): 9783775737104 Издательство: Hatje Cantz Цена: 4331.00 р. Наличие на складе: Нет в наличии.
Описание: Alexander Calder (1898–1976) transposed modernist visual abstraction to space, naming his works allusively for the aspects of motion or balance they portrayed. Leaving Paris for his native United States in 1933, he settled in an old farmhouse in Roxbury, Connecticut, where nature became a new source of inspiration for his creativity. The monumental standing mobile The Tree (1966) demonstrates the relationship between abstraction and realization. In a combination of mobile and stabile, the artist questions the development of the abstract image that can be traced back to the figurative motif of the tree. This work is the focus of Calder Gallery II at the Fondation Beyeler. Centered on the Calder’s outdoor sculpture and his development of large-scale works, the presentation includes original and related maquettes that anticipate The Tree and a striking group of rarely seen sculptures from the 1930s to 1950s.
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