What happens when the body becomes art in the age of biotechnological reproduction? In Chinese Surplus Ari Larissa Heinrich examines transnational Chinese aesthetic production to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life. From the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art," he shows how vivid images of a blood transfusion as performance art or a plastinated corpse without its skin—however upsetting to witness—constitute the new "realism" of our times. Adapting Foucauldian biopolitics to better account for race, Heinrich provides a means to theorize the relationship between the development of new medical technologies and the representation of the human body as a site of annexation, extraction, art, and meaning-making.
Автор: Claudia Brown Название: Great Qing: Painting in China, 1644-1911 ISBN: 0295747234 ISBN-13(EAN): 9780295747231 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5016.00 р. Наличие на складе: Поставка под заказ.
Описание:
Addressing the previous lack of a comprehensive English-language study of Qing painting, art historian Claudia Brown’s account ranges from the tumultuous Ming–Qing transition to the end of imperial rule. In response to omissions in previous treatments, she examines major influences shaping the period and explores the relationship between painting and mapmaking, the role of patrons and collectors, printmaking and publishing, religious themes, and Western influences.
With more than two hundred color illustrations, Great Qing highlights fine examples of Qing painting in American museums, works from all regions of China, and paintings by women. Brown’s gorgeous, attentively rendered survey covers three centuries of momentous change and is intended for general audiences as well as art collectors, museum curators, and students and historians of Chinese art, culture, and society.
Clothing and accessories from nineteenth-century China reveal much about women’s participation in the commercialization of textile handicrafts and the flourishing of urban popular culture. Focusing on women’s work and fashion, A Fashionable Century presents an array of visually compelling clothing and accessories neglected by traditional histories of Chinese dress, examining these products’ potential to illuminate issues of gender and identity.
In the late Qing, the expansion of production systems and market economies transformed the Chinese fashion system, widening access to fashionable techniques, materials, and imagery. Challenging the conventional production model, in which women embroidered items at home, Silberstein sets fashion within a process of commercialization that created networks of urban guilds, commercial workshops, and subcontracted female workers. These networks gave rise to new trends influenced by performance and prints, and they offered women opportunities to participate in fashion and contribute to local economies and cultures.
Rachel Silberstein draws on vernacular and commercial sources, rather than on the official and imperial texts prevalent in Chinese dress history, to demonstrate that in these fascinating objects—regulated by market desires, rather than imperial edict—fashion formed at the intersection of commerce and culture.
A Fashionable Century is the winner of the Costume Society of America's Millia Davenport Publication Award and was long-listed for the Textile Society of America's R. L. Shep Award. The judges described the book as "an extraordinary achievement in scholarship working with source materials that are little-known outside of China and not otherwise available in English."
Автор: BuYun Chen Название: Empire of Style: Silk and Fashion in Tang China ISBN: 0295745304 ISBN-13(EAN): 9780295745305 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8778.00 р. Наличие на складе: Поставка под заказ.
Описание:
Tang dynasty (618-907) China hummed with cosmopolitan trends. Its capital at Chang'an was the most populous city in the world and was connected via the Silk Road with the critical markets and thriving cultures of Central Asia and the Middle East. In Empire of Style, BuYun Chen reveals a vibrant fashion system that emerged through the efforts of Tang artisans, wearers, and critics of clothing. Across the empire, elite men and women subverted regulations on dress to acquire majestic silks and au courant designs, as shifts in economic and social structures gave rise to what we now recognize as precursors of a modern fashion system: a new consciousness of time, a game of imitation and emulation, and a shift in modes of production.
This first book on fashion in premodern China is informed by archaeological sources--paintings, figurines, and silk artifacts--and textual records such as dynastic annals, poetry, tax documents, economic treatises, and sumptuary laws. Tang fashion is shown to have flourished in response to a confluence of social, economic, and political changes that brought innovative weavers and chic court elites to the forefront of history.
Art History Publication Initiative. For more information, visit http: //arthistorypi.org/books/empire-of-style
Описание: This is a systematic study of monetary policy and financial institutions in China during its decentralization- and market-oriented economic reform. The book identifies the mechanisms of the monetary expansion as the general feature of monetary policy.
Автор: Ho Denise Y. Название: Curating Revolution: Politics on Display in Mao`s China ISBN: 1108417957 ISBN-13(EAN): 9781108417952 Издательство: Cambridge Academ Рейтинг: Цена: 15682.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Curating Revolution examines the relationship between Maoist China`s exhibition culture and its political campaigns. From collection to display and from narration to reception, museums and exhibitions made China`s Communist revolution material, shaping how people understood its history and ideology and the ways in which they participated in its turbulent political movements.
What happens when the body becomes art in the age of biotechnological reproduction? In Chinese Surplus Ari Larissa Heinrich examines transnational Chinese aesthetic production to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life. From the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art," he shows how vivid images of a blood transfusion as performance art or a plastinated corpse without its skin—however upsetting to witness—constitute the new "realism" of our times. Adapting Foucauldian biopolitics to better account for race, Heinrich provides a means to theorize the relationship between the development of new medical technologies and the representation of the human body as a site of annexation, extraction, art, and meaning-making.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
