Katherine Howard, Byrne Conor

Автор: Zavarelli A.
Название: Conor
ISBN: 1791638287 ISBN-13(EAN): 9781791638283
Издательство: Неизвестно
Цена: 2240.00 р.
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Описание: When I stumbled into a mafia run club seeking a job, I was looking for protection. Little did I know I'd need protection from him. Conor O' Callahan was exactly the kind of danger I was trying to avoid. He was gorgeous as sin with an accent hotter than Hades, but that's where the charm ended. He was also cynical, cold, and downright cranky. So, you could imagine my surprise when he gave me a proposition. Marry him or lose my life. Desperate times call for desperate measures. I've learned to do what's necessary to survive in this world, and that includes marrying a mobster. Regardless of what he might say, it's only temporary. It's not like I'm going to fall for him. Because that would be stupid, right?

Автор: Conor
Название: Celts V Romans Book Two: Diarmid and the Great Invasion
ISBN: 0755216180 ISBN-13(EAN): 9780755216185
Издательство: Неизвестно
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Цена: 3929.00 р.
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Автор: Jordan Eamonn
Название: Theatre and Films of Conor McPherson
ISBN: 1350051217 ISBN-13(EAN): 9781350051218
Издательство: Bloomsbury Academic
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Цена: 18308.00 р.
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Описание: The spellbinding premiere of The Weir at the Royal Court in 1997 was
the first of many works to bring Conor McPherson to the attention of
the theatre-going public. Acclaimed plays followed, including Shining City,
The Seafarer, The Night Alive and Girl from the North Country, garnering
international acclaim and being regularly produced around the globe.
McPherson has also had significant successes as a theatre director, film
director and screenwriter, most notably, with his award-winning screenplay
for I Went Down.

This companion offers a detailed and engaging critical analysis of the
plays and films of Conor McPherson. It considers issues of gender and class
disparity, violence and wealth in the cultural and political contexts in which
the work is written and performed, as well as the inclusion of song, sound,
the supernatural, religious and pagan festive sensibilities through which
initial genre perceptions are nudged elsewhere, towards the unconscious and
ineffable. Supplemented by a number of contributed critical and performance
perspectives, including an interview with Conor McPherson, this is a book
to be read by theatre audiences, performance-makers and students who wish
to explore, contextualize and situate McPherson's provocative, exquisite and
generation-defining writings and performance