Wong Music and Gender in English Renaissance Drama 9781138108400

Варианты приобретения

Цена: 8420.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: Есть
Deprecated: substr(): Passing null to parameter #1 ($string) of type string is deprecated in E:\WWW\html\prod_show.php on line 417

Deprecated: substr(): Passing null to parameter #1 ($string) of type string is deprecated in E:\WWW\html\prod_show.php on line 418

При оформлении заказа до:
Ориентировочная дата поставки:
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Wong
Название: Music and Gender in English Renaissance Drama
ISBN: 9781138108400
Издательство: Taylor&Francis
Классификация:

Литературоведение: с 1500 до 1800 г.

Литературоведение: пьесы и драматурги

ISBN-10: 1138108405
Обложка/Формат: Paperback
Страницы: 232
Вес: 0.43 кг.
Дата издания: 24.05.2017
Серия: Routledge advances in theatre & performance studies
Язык: English
Иллюстрации: 18 halftones, black and white; 18 illustrations, black and white
Размер: 229 x 152
Читательская аудитория: Undergraduate
Ключевые слова: Literary studies: c 1500 to c 1800, LITERARY CRITICISM / Renaissance,MUSIC / General,PERFORMING ARTS / Theater / History & Criticism
Основная тема: Early Modern/Renaissance Literature
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание:

This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wongs analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period.

Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotomous qualities of the heavenly and the demonic finds extensive application in recent studies of music in early modern English plays. However, while ideological dualities identified in music in traditional Renaissance thinking may seem unequivocal, various musical representations of characters and situations in early modern drama would prove otherwise. Wong, building upon the conventional model of binarism, explores how playwrights created their musical characters and scenarios according to the received cultural use and perception of music, and, at the same time, experimented with the multivalent meanings and significance embodied in theatrical music.

Music and Gender in English Renaissance Drama, Wong