Johnston The Musical Life of Nineteenth-Century Belfast 9780754663256

Варианты приобретения

Цена: 23734.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: Есть
Deprecated: substr(): Passing null to parameter #1 ($string) of type string is deprecated in E:\WWW\html\prod_show.php on line 417

Deprecated: substr(): Passing null to parameter #1 ($string) of type string is deprecated in E:\WWW\html\prod_show.php on line 418

При оформлении заказа до:
Ориентировочная дата поставки:
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Johnston
Название: The Musical Life of Nineteenth-Century Belfast
ISBN: 9780754663256
Издательство: Taylor&Francis
Классификация:

Романтическая музыка (с 1830 до 1900)

ISBN-10: 0754663256
Обложка/Формат: Hardback
Страницы: 353
Вес: 0.89 кг.
Дата издания: 28.11.2015
Серия: Music in nineteenth-century britain
Язык: English
Размер: 169 x 321 x 32
Читательская аудитория: Professional & vocational
Ключевые слова: Romantic music (c 1830 to c 1900), HISTORY / Europe / Great Britain,MUSIC / History & Criticism
Основная тема: Romantic Music (1830-1900)
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfast’s thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfast’s musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfast’s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.

The Musical Life of Nineteenth-Century Belfast, Johnston