Описание: The adaptation of French texts into medieval Swedish reveals the progress of a Europe-wide literary culture.
Автор: Zeldenrust, Lydia Название: Melusine romance in medieval europe ISBN: 1843845210 ISBN-13(EAN): 9781843845218 Издательство: Boydell & Brewer Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The legend of Melusine examined in a pan-European context.
Автор: Pizan Christine De Название: Debate of the Romance of the Rose ISBN: 0226670139 ISBN-13(EAN): 9780226670133 Издательство: Wiley Рейтинг: Цена: 6336.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 1401, Christine de Pizan (1365-1430?), one of the most renowned and prolific woman writers of the Middle Ages, wrote a letter to the provost of Lille criticizing the highly popular and widely read "Romance of the Rose" for its blatant and unwarranted misogynistic depictions of women. This work gives context to this debate.
Автор: Waquelin Jean Название: Medieval Romance of Alexander ISBN: 1843845202 ISBN-13(EAN): 9781843845201 Издательство: Boydell & Brewer Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Nigel Bryant`s is the first translation of an example of the many medieval romances about Alexander, as popular in their day as those about Arthur.
Автор: Marion A. Wells Название: Secret Wound: Love-Melancholy and Early Modern Romance ISBN: 0804750467 ISBN-13(EAN): 9780804750462 Издательство: Wiley EDC Рейтинг: Цена: 12698.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book offers a new reading of early modern romance in the light of historically contemporary accounts of mind, and specifically the medical tradition of love-melancholy. The book argues that the medical profile of the melancholic lover provides an essential context for understanding the characteristic patterns of romance: narrative deferral, epistemological uncertainty, and the endless quest for a quasi-phantasmic beloved. Unlike many recent studies of romance, this book establishes a detailed historical basis for investigating the psychological structure of romance. Wells begins by tracing the development of the medical disorder first known in the Latin west as amor hereos (lovesickness) from its earliest roots in Greek and Arabic medicine to its translation into the Latin medical tradition. Drawing on this detailed historical material, the book considers three important early modern romances: Ariosto's Orlando Furioso, Tasso's Gerusalemme Liberata, and Spenser's The Faerie Queene, concluding with a brief consideration of the significance of this literary and medical legacy for Romanticism. Most broadly, the interdisciplinary nature of this study allows the author to investigate the central critical problem of early modern subjectivity in substantially new ways.
Автор: Piercy, Dr Hannah (person) Название: Resistance to love in medieval english romance ISBN: 1843846721 ISBN-13(EAN): 9781843846727 Издательство: Boydell & Brewer Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores resistance as a widespread motif in medieval romance to consider themes of consent, gender, and desire. Medieval romance is usually considered a genre that celebrates love, desire, and sexuality within marriage. However, moments of resistance within it offer a point of tension, where normative scripts and expectations are exposed and opened up to challenge.This book explores such resistance as a widespread motif in the genre, tracing the subversive possibilities it presents, and through them uncovering how romance constitutes particular kinds of love as desirable, shaped by intersecting factors, including gender, status, race, religion, and morality. Drawing upon contemporary work on consent, the politics of desire, and asexuality, it examines how resistance is often transformed into acceptance, through consensual negotiation or coercive force: the romances discussed here demonstrate that a certain level of force, pressure, and persuasion is accepted as a means of forming relationships within the genre, but this reliance on coercion reveals the effort to which romances must go to uphold normative structures of desire. Considering a variety of works, from Marie de France's twelfth-century Guigemar to Thomas Malory's Morte Darthur, Geoffrey Chaucer's Franklin's Tale to William Caxton's fifteenth-century prose romances, this book argues that romance teaches its readers what and whom to desire, as well as how to behave when negotiating their desires, and explores the wider implications for understanding consent, gender, and desire in medieval England. This book is available as an Open Access ebook under the Creative-Commons License CC-BY-NC-ND
Автор: Whetter, K.S. Название: Understanding Genre and Medieval Romance ISBN: 0754661423 ISBN-13(EAN): 9780754661429 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Putter, Ad Название: The Spirit of Medieval English Popular Romance ISBN: 0582298881 ISBN-13(EAN): 9780582298880 Издательство: Taylor&Francis Рейтинг: Цена: 9186.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Erwin, Bonnie J. Название: Z?opedagogies ISBN: 0367664542 ISBN-13(EAN): 9780367664541 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
It has long been a commonplace of literary history that in the twelfth century, first in the French-speaking territories controlled by the Anglo-Norman and Capetian ruling families, and especially within the milieu of the English royal court, antique and chivalric romances appear simultaneously with a new kind of historical chronicle driven by contemporary affairs. In short order, historiography and romance, whether written in Latin or in the vernaculars, became culturally dominant kinds of narrative expression throughout the rest of Europe.
Why did this happen? Why did these two new kinds of writing appear simultaneously and spread so rapidly within the same cultural milieu? In Reality Fictions, Robert M. Stein argues that the emergence of historiography and romance was linked to large-scale transformations in the structure of power attendant on Capetian and Anglo-Norman state-making. He maintains that an understanding of the changes in the twelfth-century literary constellation requires us to consider the structure of literary production as a whole and in its relation to the world from which it emerges and to which it responds. Stein argues that romance and history writing grew out of the same cultural need and were intended to perform the same cultural tasks, thus determining their simultaneous appearance, rapid development, and formal affinities.
In the rearrangements of power that were part of the state-making designs of Capetian and Anglo-Norman ruling families, new imaginative and conceptual entities became matters demanding serious representation, often in new discursive configurations, and often for the first time—the boundaries between self and other, the experience of eros, the differentiation of public from private life all took on new contours. A brilliant study of literary innovation, Reality Fictions provides a new understanding of the large variety of overlapping institutional, epistemological, and practical structures of power that the European Middle Ages presents to us and the ways that dislocations and transformations of power are registered in the consciousness of those who live through them.
Автор: Wadiak Walter Название: Savage Economy: The Returns of Middle English Romance ISBN: 0268101183 ISBN-13(EAN): 9780268101183 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5643.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Savage Economy: The Returns of Middle English Romance, Walter Wadiak traces the evolution of the medieval English romance from its thirteenth-century origins to 1500, and from a genre that affirmed aristocratic identity to one that appealed more broadly to an array of late medieval communities. Essential to this literary evolution is the concept and practice of “noble” gift-giving, which binds together knights and commoners in ways that both echo and displace the notorious violence of many of these stories. Wadiak begins with the assumption that “romance” names a particular kind of chivalric fantasy to which violence is central, just as violence was instrumental to the formation and identity of the medieval warrior aristocracy. A traditional view is that the violence of romance stories is an expression of aristocratic privilege wielded by a military caste in its relations with one another as well as with those lower on the social scale. In this sense, violence is the aristocratic gift that underwrites and reaffirms the feudal power of a privileged group, with the noble gift performing the symbolic violence on which romance depends in order to present itself as both a coded threat and an expression of chivalric values. Well-known examples of romance in Middle English, such as Sir Gawain and the Green Knight and Chaucer’s Knight’s Tale, are considered alongside more “popular” examples of the genre to demonstrate a surprising continuity of function across a range of social contexts. Wadiak charts a trajectory from violence aimed directly at securing feudal domination to the subtler and more diffuse modes of coercion that later English romances explore. Ultimately, this is a book about the ways in which romance lives on as an idea, even as the genre itself begins to lose ground at the close of the Middle Ages.
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