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I Believe, , Aa Van Ruler


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Цена: 3211.00р.
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При оформлении заказа до: 2026-05-11
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Автор: , Aa Van Ruler
Название:  I Believe
ISBN: 9781499096057
Издательство: Xlibris
Классификация:
ISBN-10: 1499096054
Обложка/Формат: Paperback
Страницы: 178
Вес: 0.27 кг.
Дата издания: 21.05.2015
Язык: English
Размер: 229 x 152 x 10
Поставляется из: США


Ruler of the night

Автор: Morrell, David
Название: Ruler of the night
ISBN: 1473623863 ISBN-13(EAN): 9781473623866
Издательство: Hodder
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Цена: 1668.00 р.
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Описание: In the third Victorian mystery from prizewinning author David Morrell, the notorious Opium-Eater Thomas De Quincey investigates a truly unprecedented murder - the first to ever take place on the railways.

Disguised ruler in shakespeare and his contemporaries

Автор: Quarmby, Kevin A
Название: Disguised ruler in shakespeare and his contemporaries
ISBN: 1138277045 ISBN-13(EAN): 9781138277045
Издательство: Taylor&Francis
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Цена: 9186.00 р.
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Описание: In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.


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