Автор: Pack, Susan Название: Film posters of the Russian avant-garde ISBN: 3836589524 ISBN-13(EAN): 9783836589529 Издательство: Taschen Рейтинг: Цена: 6734.00 р. Наличие на складе: Ожидается поступление.
Описание: This book shows 250 film posters from the Soviet Union of the 1920s and early 1930s, revealing a surprising world of innovative aesthetics. With bold colors, dramatic angles, and eye-catching typography, these designs reveal the experimental avant-garde of the early USSR, before Soviet Realism became official art doctrine.
Описание: Explore over eighty years of Batman history in this updated edition that features a wealth of new content, including a new chapter on acclaimed feature film The Batman.
Автор: Salisbury Mark Название: No Time to Die: The Making of the Film ISBN: 1789093597 ISBN-13(EAN): 9781789093599 Издательство: Titan books ltd. Рейтинг: Цена: 4962.00 р. 6202.00-20% Наличие на складе: Есть (3 шт.) Описание: The official making of book for No Time To Die, the 25th official James Bond 007 film.
Автор: Froud, Brian Название: World of the dark crystal ISBN: 1789095328 ISBN-13(EAN): 9781789095326 Издательство: Titan books ltd. Рейтинг: Цена: 5427.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The World of The Dark Crystal invites fans to delve into the creation and lore of the Jim Henson classic through the evocative illustrations of Brian Froud, concept designer on the original film.
Автор: Twentieth Century Fox Home Entertainment Название: The Making Fantastic mr Fox ISBN: 0847833542 ISBN-13(EAN): 9780847833542 Издательство: Rizzoli Рейтинг: Цена: 4950.00 р. Наличие на складе: Заказано в издательстве.
Описание: The official companion to the motion picture based on the much-loved tale by Roald Dahl. An `art of` book rather than text or script-heavy - stuffed full of storyboards, sketches, screen shots, behind the scene photos, commentary of how the original story was developed to make a feature film and much more. Film releases on October 23rd 2009.
Автор: Revenson, Jody Название: Harry potter: the film vault - volume 2 ISBN: 1789092647 ISBN-13(EAN): 9781789092646 Издательство: Titan books ltd. Рейтинг: Цена: 2325.00 р. Наличие на складе: Поставка под заказ.
Описание: Harry Potter: The Film Vault compiles the filmmaking secrets and visionary artistry behind the Harry Potter films into a series of twelve deluxe collectible volumes.
Название: 300: Rise of an Empire: The Art of the Film) ISBN: 1781167826 ISBN-13(EAN): 9781781167823 Издательство: Titan books ltd. Рейтинг: Цена: 3876.00 р. Наличие на складе: Поставка под заказ.
Описание: The action adventure 300: Rise of an Empire is the highly anticipated follow-up to the 2007 international blockbuster 300. This oversized hardback companion book to the new movie features production art, photography from the acclaimed Clay Enos (Watchmen Portraits) and input from producer Zack Snyder and director Noam Murro.
Автор: Revenson, Jody Название: Harry potter: the film vault - volume 6: hogwarts castle ISBN: 1789094178 ISBN-13(EAN): 9781789094176 Издательство: Titan books ltd. Рейтинг: Цена: 2325.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Harry Potter Film Vault series condenses the rich concept art of the Harry Potter film series into twelve collectible volumes.
The "ancient quarrel" between philosophy and literature seems to have been resolved once and for all with the recognition that philosophy and the arts may be allies instead of enemies. Critical Excess examines in detail the work of five thinkers who have had a huge, ongoing impact on the study of literature and film: Jacques Derrida, Gilles Deleuze, Emmanuel Levinas, Slavoj ?i?ek, and Stanley Cavell. Their approaches are very different from one another, but they each make unexpected interpretive leaps that render their readings exhilarating and unnerving.
But do they go too far? Does a scribbled note left behind by Nietzsche really tell us about the nature of textuality? Can Hitchcock truly tell you "everything you always wanted to know about Lacan"? Does the blanket hung up in a motel room invoke the Kantian divide between the knowable phenomenal world and the unknowable things in themselves? Contextualizing the work of the five thinkers in the intellectual debates to which they contribute, this book analyzes the stakes and advantages of "overreading."
The "ancient quarrel" between philosophy and literature seems to have been resolved once and for all with the recognition that philosophy and the arts may be allies instead of enemies. Critical Excess examines in detail the work of five thinkers who have had a huge, ongoing impact on the study of literature and film: Jacques Derrida, Gilles Deleuze, Emmanuel Levinas, Slavoj ?i?ek, and Stanley Cavell. Their approaches are very different from one another, but they each make unexpected interpretive leaps that render their readings exhilarating and unnerving.
But do they go too far? Does a scribbled note left behind by Nietzsche really tell us about the nature of textuality? Can Hitchcock truly tell you "everything you always wanted to know about Lacan"? Does the blanket hung up in a motel room invoke the Kantian divide between the knowable phenomenal world and the unknowable things in themselves? Contextualizing the work of the five thinkers in the intellectual debates to which they contribute, this book analyzes the stakes and advantages of "overreading."
Weimar cultural critics and intellectuals have repeatedly linked the dynamic movement of the cinema to discourses of life and animation. Correspondingly, recent film historians and theorists have taken up these discourses to theorize the moving image, both in analog and digital. But, many important issues are overlooked. Combining close readings of individual films with detailed interpretations of philosophical texts, all produced in Weimar Germany immediately following the Great War, Afterlives: Allegories of Film and Mortality in Early Weimar Germany shows how these films teach viewers about living and dying within a modern, mass mediated context.
Choe places relatively underanalyzed films such as F. W. Murnau's The Haunted Castle and Arthur Robison's Warning Shadows alongside Martin Heidegger's early seminars on phenomenology, Sigmund Freud's Reflections upon War and Death and Max Scheler's critique of ressentiment. It is the experience of war trauma that underpins these correspondences, and Choe foregrounds life and death in the films by highlighting how they allegorize this opposition through the thematics of animation and stasis.
Weimar cultural critics and intellectuals have repeatedly linked the dynamic movement of the cinema to discourses of life and animation. Correspondingly, recent film historians and theorists have taken up these discourses to theorize the moving image, both in analog and digital. But, many important issues are overlooked. Combining close readings of individual films with detailed interpretations of philosophical texts, all produced in Weimar Germany immediately following the Great War, Afterlives: Allegories of Film and Mortality in Early Weimar Germany shows how these films teach viewers about living and dying within a modern, mass mediated context.
Choe places relatively underanalyzed films such as F. W. Murnau's The Haunted Castle and Arthur Robison's Warning Shadows alongside Martin Heidegger's early seminars on phenomenology, Sigmund Freud's Reflections upon War and Death and Max Scheler's critique of ressentiment. It is the experience of war trauma that underpins these correspondences, and Choe foregrounds life and death in the films by highlighting how they allegorize this opposition through the thematics of animation and stasis.
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