Описание: Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams argues that these tours were a central aspect of nineteenth-century authorship, at a time when authors were becoming celebrities and celebrities were international. Spanning the years from 1834 to 1904, Adams's book examines the British lecture tours of American authors such as Frederick Douglass, Harriet Beecher Stowe, and Mark Twain, and the American lecture tours of British writers that include Harriet Martineau, Charles Dickens, Oscar Wilde, and Matthew Arnold. Adams concludes her study with a discussion of Henry James, whose American lecture tour took place after a decades-long absence. In highlighting the wide range of authors who participated in this phenomenon, Adams makes a case for the lecture tour as a microcosm for nineteenth-century authorship in all its contradictions and complexity.
Описание: Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams examines tours by British and American authors, including Frederick Douglass, Harriet Beecher Stowe, Harriet Martineau, Charles Dickens.
Описание: The book sets out to disprove the assumption that when the world of publishing went corporate in the early decades of the twentieth century, it caused the ruin or at the very least, the dilution, of true literary works of art.
Описание: This casebook emphasizes the fundamentals of copyright law while also providing comprehensive coverage of major contemporary issues such as digital dissemination, fair use, and service provider liability. Extensive coverage of areas related to copyright such as moral rights, unfair competition, and publicity rights distinguishes the book from other casebooks on copyright law.
Описание: Simone argues that a recalibration of copyright law is necessary and proposes an inclusive and contextual approach to joint authorship that is true to the legal concept of authorship but is also more aligned with creative reality.
Описание: Analyzes novel manuscripts and authors` revisions to construct a new narrative about eighteenth-century authorship, influenced by the networks in which writers lived and worked. Will appeal to researchers, scholars and students interested in eighteenth-century literature, the English novel, and the history of the book, of publishing, and of reading.
Автор: Zemer, Lior Название: Idea of authorship in copyright ISBN: 0754623769 ISBN-13(EAN): 9780754623762 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Presents a collectivist model of intellectual property rights. This work argues that every copyright work depends on and is reflective of the author`s exposure to externalities such as language, culture and the various social events and processes that occur in the public domain, therefore copyright works should not be regarded as private property.
Автор: Zemer Название: The Idea of Authorship in Copyright ISBN: 1138272353 ISBN-13(EAN): 9781138272354 Издательство: Taylor&Francis Рейтинг: Цена: 8420.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As information flows become increasingly ubiquitous in our post digital environment, the challenges to traditional concepts of intellectual property and the practices deriving from them are immense. The romantic understanding of the lone author as an endless source of new creations has to face these challenges. In order to do so, this work presents a collectivist model of intellectual property rights. The core argument is that since copyright works enjoy profit from significant public contribution, they should not be privately owned, but considered to be a joint enterprise, made real by both the public and author. It is argued that every copyright work depends on and is reflective of the author's exposure to externalities such as language, culture and the various social events and processes that occur in the public domain, therefore copyright works should not be regarded as exclusive private property. The study takes its organizing principle from John Locke, defining and proving the fatal flaw inherent in debates on copyright: on the one hand the copyright community is eager to arm authors with a robust property right over their creation, while on the other this community totally ignores the fact that the exposure of the individual to externalities is what makes him or her capable of creating material that is copyrightable. Just as Locke was against the absolute authority of kings, the expressed view of the study is against the exclusive right an author can claim.
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