Автор: Patrick Haney Название: The Cuban Embargo: Domestic Politics Of American Foreign Policy ISBN: 0822958635 ISBN-13(EAN): 9780822958635 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4039.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A thorough examination of U. S. economic relations with Cuba, this text discusses the history of the embargo policy as well as current changes in attitudes. It demonstrates the serious effects domestic politics can have on foreign policy.
Автор: Chomsky Aviva Название: History of the Cuban Revolution ISBN: 1118942280 ISBN-13(EAN): 9781118942284 Издательство: Wiley Рейтинг: Цена: 3635.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A fully-revised and updated new edition of a concise and insightful socio-historical analysis of the Cuban revolution, and the course it took over five and a half decades.
Автор: Lievesley Название: The Cuban Revolution ISBN: 0333968522 ISBN-13(EAN): 9780333968529 Издательство: Springer Рейтинг: Цена: 10976.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Cuban Revolution offers a reflective account of what the Revolution has meant to various actors such as the dominant powers, the Third World, fellow revolutionaries, intellectuals and Cuban citizens at different periods in its history.
Автор: Nicholas Balaisis Название: Cuban Film Media, Late Socialism, and the Public Sphere ISBN: 113759036X ISBN-13(EAN): 9781137590367 Издательство: Springer Рейтинг: Цена: 10366.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book maps the aesthetic experience of late socialism through Cuban film and media practice. It shows how economic and material scarcity as well as political uncertainty is expressed aesthetically in films from the period following the collapse of the Soviet Union, a characteristic described as imperfect aesthetics. The films examined in the book draw attention to the unique temporal experience of late socialism, a period marked both by rapid change and frustrating stasis, nostalgia for Cuba’s past and anxiousness about its future. Aesthetic modes such as melodrama and irony, and stylistic elements such as direct address and the long take, communicate the temporal experience of late socialism in Cuba, where new global traffic and a globalizing economy co-exist with iconic socialist features of the Cuban revolution. Film aesthetics constitute an important public dimension within this context, serving as a site of political and cultural critique amidst political uncertainty. In examining large-scale international co-productions as well as regional film collectives and amateur media making, the book traces the aesthetic continuities between contemporary film practices and those of the immediate post-revolutionary period, showing how the Cuban revolution continues to be an important touchstone for contemporary Cuban filmmakers in the face of new and imminent change.
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